By MCN Editor editor@moviecitynews.com

'Brooklyn's Finest' Tops Weekly Blockbuster(R) Hit List of Top 10 Renting DVDs

DALLAS, July 13 /PRNewswire-FirstCall/ — Topping the BLOCKBUSTER® (BLOKA, BLOKB) Hit List of “Top 10 Renting DVD Titles” for the week ending July 11, 2010 is “Brooklyn’s Finest.” An American crime film starring Golden Globe® winner Richard Gere, Oscar® nominees Don Cheadle and Ethan Hawke, and Wesley Snipes, Brooklyn’s Finest follows three New York police officers throughout the course of a week on the job. Gere plays Eddie, a disenchanted veteran cop days away from retirement. Cheadle portrays an undercover cop named Tango who begins to protect the drug kingpin target (played by Snipes) he is originally assigned to catch and arrest. Lastly, Hawke is cast as Sal, a narcotics cop using drug money to provide for his pregnant wife and two children. The film captures the dangerous world of New York City’s most violent neighborhoods and the cops that serve them, Brooklyn’s Finest.
BLOCKBUSTER® Hit List
Top 10 Renting DVD Titles at U.S. BLOCKBUSTER stores for the week ending July 11, 2010:
1. Brooklyn’s Finest
2. Hot Tub Time Machine
3. Percy Jackson & The Olympians: The Lightning Thief
4. Green Zone
5. The Crazies
6. The Book of Eli
7. Shutter Island
8. She’s Out of My League
9. Remember Me
10. When In Rome
Top 10 Selling DVD Titles at U.S. BLOCKBUSTER stores for the week ending July 11, 2010:
1. Hot Tub Time Machine
2. Brooklyn’s Finest
3. Percy Jackson & The Olympians: The Lightning Thief
4. The Book of Eli
5. Green Zone
6. Avatar
7. Alice In Wonderland
8. The Jerk
9. Half Baked
10. Fried Green Tomatoes
Top 10 Online Renting DVD Titles at Blockbuster.com for the week ending July 11, 2010:
1. Brooklyn’s Finest
2. The Book of Eli
3. Hot Tub Time Machine
4. Percy Jackson & The Olympians: The Lightning Thief
5. Green Zone
6. A Single Man
7. Invictus
8. The Wolfman
9. Dear John
10. The Crazies


Top 10 Renting Blu-ray Titles at U.S. BLOCKBUSTER stores for the week ending July 11, 2010:
1. Brooklyn’s Finest
2. The Crazies
3. The Book of Eli
4. Hot Tub Time Machine
5. Green Zone
6. She’s Out of My League
7. Shutter Island
8. The Girl With The Dragon Tattoo
9. Percy Jackson & The Olympians: The Lightning Thief
10. From Paris With Love
Top 10 Renting Digital Titles on BLOCKBUSTER On Demand® for the week ending July 11, 2010:
1. Hot Tub Time Machine
2. Percy Jackson & The Olympians: The Lightning Thief
3. The Book of Eli
4. Green Zone
5. Shutter Island
6. She’s Out of My League
7. The Road
8. Greenberg
9. The Twilight Saga: New Moon
10. Extraordinary Measures
Top 10 Selling Digital Titles on BLOCKBUSTER On Demand® for the week ending July 11, 2010:
1. Twilight
2. The Book of Eli
3. Unthinkable
4. Percy Jackson & The Olympians: The Lightning Thief
5. Green Zone
6. The Twilight Saga: New Moon
7. Paranormal Activity
8. Avatar
9. A Single Man
10. Youth In Revolt
Top 10 Renting Video Game Titles at U.S. BLOCKBUSTER stores for the week ending July 11, 2010:
1. Crackdown 2– X360
2. Red Dead Redemption– X360
3. Super Mario Galaxy 2– Wii
4. Red Dead Redemption–PS3
5. UFC Undisputed 2010– X360
6. Tom Clancy’s Splinter Cell: Conviction– X360
7. UFC Undisputed 2010– PS3
8. Transformers: War For Cybertron– X360
9. Battlefield: Bad Company 2– X360
10. Lego Harry Potter: Years 1-4–Wii
These DVD Rental New Releases are hitting the streets Tuesday, July 20, 2010:
* Cop Out
* The Losers
* The Runaways
* Mother (Madeo)
* Most Dangerous Man In America: Daniel Ellsberg and The Pentagon Papers
* Yellow Handkerchief
* Dorian Gray
* The Wronged Man
* The Bannen Way
* 2001 Maniacs: Field Of Screams
* Ultimate Heist
* Ninja’s Creed
* I Do & I Don’t
* Horse Crazy Too
* Sutures
* Kevin Hart-Seriously Funny
* A Gangland Love Story
* Just Another Day
* Entre Nos
* Secuestrada

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon