By MCN Editor editor@moviecitynews.com

Shocker Toys returns to San Diego Comic-Con Booth #3849 with 6 summer exclusive figures, live celebrity interviews, artist signings and toys, toys, toys!

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July 10, 2010,
Do you want collectibles? How about Barry Hubris (The Tick), The Blank (Dick Tracy) and Dan Garret (The Blue Beetle)? All are 6” fully articulated action figures and all are limited piece runs. Not attending the show? No problem. These figures are available for purchase on Shocker’s online store (www.shockertoys.com/store.php) for a limited time before Comic-Con.
Do you want something, shall we say, less traditional but also collectible? Check out the Mallow exclusives: Hunter Rose (Grendel), Lord Death (Soul Eater) and Luffy (One Piece) Also available at the Funimation and Viz booths). Designer style, articulated and limited release.
Maybe you want to meet some movie stars or comic book legends? Appearing at the Shocker Toys booth courtesy of Coolwaters Productions and Retro Radio Live will be Doug Jones, Kane Hodder, Neil Kaplan, Land—oh, sorry, Billy Dee Williams and many more of your favorite celebs. Among the comic book favorites, the creators of Zen, the Intergalactic Ninja will be signing a one-of-a-kind 3-D poster, Gumby himself will be available for photos and there will be a surprise guest or five or ten (check out www.shockertoys.com for the latest special guest list).
What’s that? You are all about the Toys? Well, check out the deep discounts on the last remaining items from the now retired Indie Spotlight Series 1, the first look at IS Series 2, the new Indie Spotlight 2-packs, IS Golden Age Series 1 and the newly designed black blank Mallows and white blank Mallows with accessories.


Any questions? Come interact with Shocker’s top brass as well as print artists, customizers and 3d modelers in room 24ABC 6:30pm, Thursday July 22nd. Want to show your love for Shocker Toys? There will be a limited Shocker shirt giveaway at the panel as well as Shocker shirts available for sale at the booth.
Retailers and Press are urged to contact Shocker Toys at info@shockertoys.com for more about wholesale deals and interview opportunities.
About Shocker Toys, LLP.
New Jersey based Shocker Toys, LLP current roster includes Indie Spotlight 6” scale independent comic book action figures, Golden Age 6” scale action figures and the Mallow line of articulated designer figures. Now shipping worldwide on select items so fans from all over can get their mitts on some great action figures. For more product and licensing information visit the company’s website, www.shockertoys.com.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon