By MCN Editor editor@moviecitynews.com

FILMDISTRICT AND TRISTAR PICTURES TO PARTNER ON RELEASE OF ‘SOUL SURFER’

Posted Monday, November 1st, 2010 - Comments Off on FILMDISTRICT AND TRISTAR PICTURES TO PARTNER ON RELEASE OF ‘SOUL SURFER’
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Dennis Quaid, Helen Hunt, AnnaSophia Robb and Carrie Underwood star in the Bethany Hamilton story the first film to go out under the new FilmDistrict deal with Sony Pictures

NEW YORK, November 1, 2010 – SOUL SURFER is the true story of competitive teen surfer Bethany Hamilton, who lost her arm in a shark attack and courageously overcame all odds to become a champion again, inspiring millions worldwide through her sheer determination and unwavering faith. Coming to theaters nationwide on April 15, 2011, this exciting feature film stars Dennis Quaid, Helen Hunt, AnnaSophia Robb, and Carrie Underwood in her film debut. The cast also includes Lorraine Nicholson, Kevin Sorbo and Jeremy Sumpter.

The first film to be released under the new deal between FilmDistrict and Sony Pictures, SOUL SURFER will go out as a wide release via TriStar Pictures with a broad-based and integrated marketing campaign managed by FilmDistrict.

The film was independently financed by Enticing Entertainment and Island Film Group, and is a production of Mandalay Vision, Brookwell McNamara Entertainment and Life’s A Beach Entertainment. North American and substantial International rights were acquired prior to the commencement of production by the Affirm Films division of Sony Pictures Worldwide Acquisitions.

The film was directed by Sean McNamara from a screenplay by McNamara, Michael Berk, Douglas Schwartz, and Deborah Bonann Schwartz, with additional writing by Ron Bass, Jen Smolka and Kara Holden, and is based on Bethany Hamilton’s memoir “Soul Surfer: A True Story of Faith, Family and Fighting to Get Back on the Board.”

“My family and I are honored to be the subject of such an amazing film,” says Bethany Hamilton. “My hope is that the story continues to inspire people around the world to overcome the challenges that face them.”

The film was produced by David Zelon, Douglas Schwartz, David Brookwell, Sean McNamara and Roy “Dutch” Hofstetter and executive produced by David Tice and Dominic Ianno, and shot on location in Hawaii.

“The world needs a hero right now,” says primary financier and executive producer David Tice. “When I met Bethany and her family, I felt compelled to share her extraordinary life on the big screen.”

“Steve Bersch and I immediately responded to the honesty of Bethany’s story and its universal message of courage and perseverance,” says Peter Schlessel, CEO of FilmDistrict, who initiated and approved the production with Bersch while at Sony, and then forged the partnership between Sony and the newly formed FilmDistrict for release of the film.

“SOUL SURFER embodies an absolutely amazing story, wonderfully told by the filmmakers, and we’re thrilled to play a part in bringing this story to audiences this spring,” says Bersch, President, Sony Pictures Worldwide Acquisitions.

“This movie, with its winning story and cast, is a real audience pleaser,” said Bob Berney, President, Theatrical Distribution, FilmDistrict. “It’s the perfect family film for the spring break season.”

About FilmDistrict
FilmDistrict was formed by Graham King and Tim Headington, in partnership with Peter Schlessel, who serves as CEO of the company. FilmDistrict will distribute between four and eight wide release commercial pictures per year. For more information on FilmDistrict, visit www.filmdistrict.com,

About Sony Pictures Worldwide Acquisitions, TriStar Pictures
Sony Pictures Worldwide Acquisitions (SPWA) and TriStar Pictures are Sony Pictures Entertainment (SPE) companies. Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production and distribution; television production and distribution; home entertainment acquisition and distribution; a global channel network; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 140 countries. Sony Pictures Entertainment can be found on the World Wide Web at http://www.sonypictures.com.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon