By MCN Editor editor@moviecitynews.com

SCARFACE EXPLODES BACK INTO MOVIE THEATERS LIKE NEVER BEFORE TO “SAY HELLO TO MY LITTLE FRIEND!”

SCARFACE EXPLODES BACK INTO MOVIE THEATERS LIKE NEVER BEFORE TO “SAY HELLO TO MY LITTLE FRIEND!” IN A ONE-NIGHT SPECIAL EVENT

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Presented by NCM Fathom and Universal Studios Home Entertainment in More Than 475 Select Movie Theaters Nationwide on August 31

Special Event Includes the Debut of Exclusiv eFeaturette Showcasing the Pop Culture Phenomenon That Redefined the Gangster Genre

Centennial, Colo. – August 1, 2011 – Blasting onto the silver screen with the intensity of its original release nearly 30 years ago, the pop culture phenomenon Scarface, starring Al Pacino and directed by Brian De Palma, returns to movie theaters in a one-night Fathom event on Wednesday, August 31 at 7:30 p.m. local time. Presented by NCM Fathom and Universal Studios Home Entertainment, audiences nationwide will get the opportunity to experience one of the most influential gangster classics ever made like never before — with all-new restored high-definition picture and enhanced audio. Fans who attend this special event will also get an exclusive look at a 20-minute special feature that showcases interviews with popular filmmakers and talent expressing how this epic feature defined the gangster genre, leaving an enduring influence on cinema.

Tickets for the Scarface Special Event are available at participating theater box offices and online at www.FathomEvents.com. For a complete list of theater locations and prices, visit the NCM Fathom website (theaters and participants are subject to change). The Scarface Special Event will appear in more than 475 select movie theaters across the country via the new digital cinema projection systems.

“Almost 30 years after its initial release, Scarface remains iconic and stirs passionate responses from audiences around the world,” said Dan Diamond, vice president of NCM Fathom.  “Now, fans can experience Scarface like never before in theaters with spectacularly updated visual and sound quality, and never-before-seen elements in an historic, one-night event.”

Scarface is a 1983 American crime drama and masterful collaboration between acclaimed director Brian De Palma and Academy Award-winning screenwriter Oliver Stone. Produced by Martin Bregman, Academy Award winner Al Pacino stars as Tony Montana, a Cuban immigrant who finds wealth, power and passion beyond his wildest dreams…at a price he never imagined. Scarface was nominated for three Golden Globe Awards (including Best Actor, Best Supporting Actor and Best Original Score), and was named one of the Top 10 Gangster Films of All Time by the American Film Institute.

This one-night, in-theater event celebrates the first-ever Blu-ray release of Scarface on September 6 from Universal Studios Home Entertainment. Fans of Scarface will enjoy the restored high-definition picture and 7.1 audio plus see exclusive new bonus content that reveals the film’s iconic legacy as one of the greatest crime sagas of all time. For a limited time only, the Scarface Special Limited Edition Blu-ray comes with collectible Steel Book packaging, 10 exclusive art cards, a digital copy of the film and a DVD of the original 1932 Scarface, making it a must-own addition to every film fan’s library. And, for the ultimate collector and cigar enthusiast, an elegantly hand-crafted Scarface-themed humidor will also be made available in an exclusive, never-before-available, limited edition.

About National CineMedia (NCM)

NCM operates NCM Media Networks, a leading integrated media company reaching U.S. consumers in movie theaters, online and through mobile technology. NCM Cinema Network and NCM Fathom present cinema advertising and events across the nation’s largest digital in-theater network, comprised of theaters owned by AMC Entertainment Inc., Cinemark Holdings, Inc. (NYSE: CNK), Regal Entertainment Group (NYSE: RGC) and other leading regional theater circuits. NCM’s theater advertising network covers 170 Designated Market Areas® (49 of the top 50) and includes approximately 17,200 screens (16,100 digital). During 2010, over 680 million patrons attended movies shown in theaters currently included in NCM’s network (including Consolidated Theatres, Rave Cinemas, Coming Attractions and Digiplex Destinations). The NCM Fathom Eventsbroadcast network is comprised of over 600 locations in 163 Designated Market Areas® (all of the top 50). The NCM Interactive Network offers 360-degree integrated marketing opportunities in combination with cinema, encompassing 43 entertainment-related websites, online widgets and mobile applications. National CineMedia, Inc. (NASDAQ: NCMI) owns a 48.6% interest in and is the managing member of National CineMedia LLC. For more information, visit www.nationalcinemedia.com or www.ncm.com or www.FathomEvents.com.

About Universal Studios Home Entertainment

Universal Studios Home Entertainment is a unit of Universal Pictures, a division of Universal Studios (www.universalstudios.com). Universal Studios is a part of NBCUniversal , one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, newsand information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon