By MCN Editor editor@moviecitynews.com

TODAY MARKS THE 162ND ANNIVERSARY OF EDGAR ALLAN POE’S DEATH

THE RAVEN Honors Edgar Allan Poe today!

THE RAVEN’s official trailer debuted last night on G4’s “Attack of the Show” and is now available at www.apple.com/trailers

Today at Westminster Hall in Baltimore, the burial site of Edgar Allan Poe, THE RAVEN director James McTeigue (V for Vendetta) and co‐star Luke Evans (Immortals) will be engaging with press ‐ as well as members of the Poe House and Museum ‐ to kick off the film’s publicity campaign.

To celebrate Poe’s life and support the upcoming release of Relativity Media’s THE RAVEN on March 9, 2012, black-wrapped cars, mannequins, and trash cans with “RIP EAP” emblazoned on them, along with QR codes that linked to today’s debut of the trailer at apple.com, appeared in the Fells Point section of Baltimore, Maryland. New images from the stunt are attached.

About THE RAVEN:

Edgar Allan Poe (John Cusack, Being John Malkovich) joins forces with a young Baltimore detective (Luke Evans, Immortals) to hunt down a mad serial killer who’s using Poe’s own works as the basis in a string of brutal murders. Directed by James McTeigue (V for Vendetta, Ninja Assassin), the film also stars Alice Eve (Sex and the City 2), Brendan Gleeson (In Bruges) and

Oliver Jackson-Cohen (Faster).

When a mother and daughter are found brutally murdered in 19th century Baltimore, Detective Emmett Fields (Luke Evans) makes a startling discovery: the crime resembles a fictional murder described in gory detail in the local newspaper—part of a collection of stories penned by struggling writer and social pariah Edgar Allan Poe. But even as Poe is questioned by police, another grisly murder occurs, also inspired by a popular Poe story.

Realizing a serial killer is on the loose using Poe’s writings as the backdrop for his bloody rampage, Fields enlists the author’s help in stopping the attacks. But when it appears someone close to Poe may become the murderer’s next victim, the stakes become even higher and the inventor of the detective story calls on his own powers of deduction to try to solve the case before it’s too late.

Did You Know? Some Unusual Facts about Poe, the “Enigmatic Master of Darkness”:

·         Poe wrote a fabricated news story of a balloon trip across the ocean to garner attention and publicity in New York City.

·         Poe was a champion for higher wages for writers and international copyright law, as his writings were continuously published without him getting credit or compensation.

·         Prior to becoming Poe’s wife at the age of 13, his female cousin Virginia acted as a courier, delivering letters to Poe’s lady loves.

·         From 1949 to 2009, a mysterious figure has left a half-empty bottle of cognac and 3 roses on Poe’s grave every day on his birthday.

·         Poe formulated rules for the short story, including that it should relate a complete action and take place within one day in one place.

·         Poe was deeply interested by cryptography, the creation and translation of secret codes, and was very proud of his ability to translate them. He would challenge readers of various publications where he worked to send him codes to decipher and, by all accounts, he seemed able to unlock the secrets to any he received.

·         Poe’s lifelong dream of owning and operating his own publication never came to fruition.

·         Poe met with Charles Dickens while Dickens was in the US on a lecture tour, and solicited his help with getting published in England—nothing ever came of it.

·         Poe’s grandfather was an important figure in the American Revolution, contributing a large sum of his own money to outfit local branches of the Continental Army. His wife,

·         Poe’s grandmother, personally sewed over 500 soldiers’ uniforms for Lafayette’s troops as they passed through Baltimore.

·         Poe joined the Army in 1827, lying to recruiters about his age and name. He also published his first collection of poetry during this time. He achieved the rank of Sergeant Major.

·         Poe experienced periods of extreme destitution, often having to burn his furniture to keep warm during the winter.

·         Poe successfully sought expulsion from West Point. That being said, he was one of the top students in his class.

·         Wrote poetic tributes to all the pivotal women in his life.

·         Poe had two biological siblings, but all were raised in separate foster homes.

·         Poe’s childhood hero was Lord Byron.

·         The Poe House and Museum in Baltimore is in jeopardy of being closed in mid-2012 due to Baltimore City budget cuts. The city eliminated the Museum’s funding in 2010.

·         Edgar Allan Poe was buried in Westminster Burying Ground and had no headstone for years after his death. In 1860, Poe’s relatives commissioned a small headstone that erroneously listed Poe’s birth date as January 20 instead of January 19 and was destroyed in a train accident before it made it to the gravesite.

·         In 1875 Poe’s remains were dug up and moved to a memorial site to be near his family and a gravestone was placed in the wrong spot and was moved around several times.

·         This led people to wonder not only where Poe’s original burial spot was but also if the man who was moved to the spot by the memorial is even Edgar Allan Poe.

Edgar Allan Poe’s Body of Work

“A Dream” (1827)

“Evening Star” (1827)

“The Happiest Day, the Happiest Hour” (1827)

“The Lake. To” (1827)

“Song” (1827)

“Stanzas” (1827)

“Al Aaraaf” (1829)

“Fairy Land” (1829)

“Romance” (1829)

“To The River” (1829)

“Sonnet ‐ To Science” (1829)

“Spirits of the Dead” (1829)

“The City in the Sea” (1831)

“The Sleeper” (1831)

“Israfel” (1831)

“Lenore” (1831)

“The Coliseum” (1833)

“Manuscript Found in a Bottle” (1833)

“The Assignation” (1834)

“Berenice” (1835)

“Hymn” (1835)

“Bridal Balad” (1837)

“Sonnet – To Zante” (1837)

“Ligeia” (1838)

“Silence ‐ A Fable” (1838)

“The Fall of the House of Usher” (1839)

“The Haunted Palace” (1839)

“Sonnet – Silence” (1840)

“The Murders in the Rue Morgue” (1841)

“William Wilson” (1842)

“The Conqueror Worm” (1843)

“The Gold Bug” (1843)

“The Angel of the Odd” (1844)

“The Balloon Hoax” (1844)

“Dream‐Land” (1844)

“A Descent Into The Maelström” (1845)

“Hop‐Frog” (1845)

“The Black Cat” (1845)

“The Facts in the Case of M. Valdemar” (1845)

“The Man of the Crowd” (1845)

“The Purloined Letter” (1845)

“The Purloined Letter” (1845)

“The Raven” (1845)

“The Valley of Unrest” (1845)

“Eulalie” (1845)

“The Cask of Amontillado” (1846)

“Ulalame” (1847)

“Eureka” (1848)

“Annabel Lee” (1849)

“The Bells” (1849)

“Eldorado” (1849)

“For Annie” (1849)

“Mesmeric Revelation” (1849)

“A Dream Within A Dream” (1850)

“A Valentine” (1850)

“Eleonora” (1850)

“The Imp of the Perverse” (1850)

“The Island of the Fay” (1850)

“The Masque of the Red Death” (1850)

“Never Bet the Devil Your Head” (1850)

“The Oval Portrait” (1850)

“The Pit and the Pendulum” (1850)

“The Premature Burial” (1850)

“Some Words With a Mummy” (1850)

“The Spectacles” (1850)

“The System of Dr. Tarr and Prof. Fether” (1856)

“The Tell‐Tale Heart” (1850)

“Bon‐Bon” (1850)

“Elizabeth” (1850)

“Loss of Breath” (1850)

“Serenade” (1850)

“The Domain of Arnheim” (1850)

“Alone” (1875)

“The Devil in the Belfry” (Unknown)

“Imitation” (Unknown)

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon