By MCN Editor editor@moviecitynews.com

Constellation introduces Virtual Theatrical (“VT”) Exhibition

FOR IMMEDIATE RELEASE

New York – As the consumption of media content has changed dramatically over the last few years to include subscription on-demand streaming services like Netflix; and online rentals and downloads via iTunes, YouTube, Facebook, and others, a new form of film distribution is now in place – virtual theatrical (VT) exhibition.

CEO James Lawler and co-founder Reid Carolin have announced the launch of Constellation, an online movie theater where audiences watch films and special events at specific showtimes, with an initial schedule of films that include Focus Features’ “The Eagle,” and the award-winning documentaries “The Carrier” and “Bombay Beach.”  For many showtimes, VIP guest hosts, including Albert Maysles for “Grey Gardens,” actor Channing Tatum for “The Eagle,” and musician Jack Johnson for the documentary “Bag It,” are available live to the audience via webcam to interact and answer questions during and after the film.

Similar to a traditional movie theater, Constellation’s patent-pending VT technology allows audiences to purchase tickets to attend scheduled showtimes, or create their own showtimes to watch when they want with friends.  “A Constellation experience is the closest thing there is online to a brick-and-mortar live movie theater experience short of going to a physical theater,” says Lawler.  “But many movies you may hear about and want to see aren’t in a theater near you, or might not yet be available on other platforms.   That’s where Constellation comes in – a virtual theater where you can watch new films, enjoy social experiences around films you know, and interact live with actors, directors, and other creators.  From a rights holder’s perspective, Constellation is a tool to broaden the scope of a film’s release, increasing awareness and revenue around new titles.”

“We constantly heard from filmmakers, producers, and actors that they wanted to engage their fans and followers more around their content, and we saw how online audiences were yearning for more interaction with the content and VIPs they followed,” said Carolin.  “So we built a platform to bridge the gap.”

Actor Channing Tatum, who hosted “The Eagle” on Sunday, said, “Hosting a film on Constellation brought me closer to the audience than ever before.  Beyond being an incredibly fun way to watch movies, it delivered an experience that is, in many ways, far richer and more personal than a physical theater.”  Allison Anders, director of the documentary “Border Radio,” said, “Interacting with the Constellation audience was a revelation!  A whole new way to watch and talk about movies.  It was every bit like a film festival experience within your own home.”

Each month, Constellation will unveil a new, exclusive line-up of movies and TV shows.  Upcoming special VIP screening hosts include Channing Tatum (“The Eagle” on November 17th at 8:00pm EST), director Rob Epstein (“The Times of Harvey Milk” on November 16th at 8:00pm EST), Jack and Kim Johnson (“Bag It” on November 20th at 8:00pm EST).

For filmmakers or distribution companies, Constellation presents a different business model for their film to reach audiences.  From a competitive revenue split, to zip code-specific geo-blocking that will prevent cannibalizing traditional theatrical box office revenues, and the highest level of streaming security and content protection available, Constellation is also a platform that can be directly leveraged by a distributor or producer to combine seamlessly with a film’s theatrical release.

Constellation was co-founded by James Lawler and Reid Carolin.  Lawler’s previous experience includes producing credits for 2010’s “The Lottery” and ESPN’s 30-for-30 “Fernando Nation,” while Carolin previously worked as a digital marketing manager at Paramount and produced numerous films including “Stop-Loss,” HBO’s “Earth Made of Glass,” and Steven Soderbergh’s upcoming “Magic Mike.”  Lawler and Carolin met in college and worked together “Stop-Loss” with Carolin working for the film’s director, Kim Peirce, and Lawler working for the film’s producer, Scott Rudin.  Darcy Heusel has recently joined as Constellation’s Director of Programming from Screen Media Films.

ABOUT CONSTELLATION

Constellation is the leader in virtual theatrical exhibition, and your online movie theater.  Just like a traditional theater, users purchase tickets to attend scheduled showtimes of films, or create their own showtimes.  However unlike other online platforms, watching movies on Constellation is a social experience.  Users can invite friends to showtimes they’re attending and watch together.  Many movies are presented by VIP hosts, such as the films’ directors, actors, or other notables, who appear live in the online theater to answer questions from the audience during and after the film.

Visit us: www.constellation.tv

Facebook: http://www.facebook.com/ConstellationTV

Tumblr: http://constellationtv.tumblr.com/

Twitter: @constellation.tv

# # #

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon