By MCN Editor editor@moviecitynews.com

“THE GIRL WITH THE DRAGON TATTOO” TO BE RELEASED DECEMBER 20 AT 7 P.M. NATIONWIDE

CULVER CITY, Calif., December 13, 2011 – Moviegoers will get a jump on one of the most highly-anticipated films of the season as The Girl with the Dragon Tattoo opens one day early beginning on December 20 at 7 p.m. nationwide, it was announced today by Jeff Blake, chairman, Worldwide Marketing and Distribution for Sony Pictures.

Commenting on the announcement, Blake said, “This is one of the busiest times of the year for moviegoing and we can’t wait to share this outstanding thriller with audiences all over the world.  We feel that by opening for night-time shows on December 20th, fans of the book will be given the perfect opportunity to get a jump start on the release of an exceptional film.”

In The Girl with the Dragon Tattoo, Academy Award®-nominated director David Fincher (The Social Network) uncoils the world of Stieg Larsson’s global blockbuster thriller on the screen. Within the story’s labyrinth lie murder, corruption, family secrets and the inner demons of the two unexpected partners chasing the truth of a 40-year-old mystery.  Mikael Blomkvist (Daniel Craig) is a financial reporter determined to restore his honor after being convicted of libel. Engaged by one of Sweden’s wealthiest industrialists, Henrik Vanger (Academy Award® nominee Christopher Plummer), to get to the bottom of the long-ago disappearance of his beloved niece, Harriet – murdered, Vanger believes, by a member of his large family – the journalist heads to a remote island on the frozen Swedish coast, unaware of what awaits him.  At the same time, Lisbeth Salander (Rooney Mara), an unusual but ingenious investigator with Milton Security, is hired to do a background check on Blomkvist, a job that ultimately leads to her joining Mikael in his investigation of who killed Harriet Vanger. Though Lisbeth shields herself from a world that has repeatedly betrayed her, her hacking skills and single-minded focus become invaluable.  While Mikael goes face-to-face with the tight-lipped Vangers, Lisbeth plies the wired shadows.  They begin to trace a chain of homicides from the past into the present, forging a fragile strand of trust even as they are pulled into the most savage currents of modern crime.  The screenplay is by Steven Zaillian, based on the book by Stieg Larsson originally published by Norstedts.  The producers are Scott Rudin, Ole Søndberg, Søren Stærmose, and Ceán Chaffin. The film is presented by Columbia Pictures and Metro-Goldwyn-Mayer Pictures.

About Sony Pictures Entertainment
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America, a subsidiary of Tokyo-based Sony Corporation.  SPE’s global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; home entertainment acquisition and distribution; worldwide television networks; digital content creation and distribution; operation of studio facilities; development of new entertainment products, services and technologies; and distribution of entertainment in more than 142 countries. Sony Pictures Entertainment can be found on the World Wide Web at http://www.sonypictures.com .

About Metro-Goldwyn-Mayer Studios, Inc

Metro-Goldwyn-Mayer Studios Inc. is actively engaged in the worldwide production and distribution of motion pictures, television programming, home video, interactive media, music, and licensed merchandise. The company owns the world’s largest library of modern films, comprising around 4,100 titles. Operating units include Metro-Goldwyn-Mayer Studios Inc., Metro-Goldwyn-Mayer Pictures Inc., United Artists Films Inc., MGM Television Entertainment Inc., MGM Networks Inc., MGM Distribution Co., MGM International Television Distribution Inc., Metro-Goldwyn-Mayer Home Entertainment LLC, MGM ON STAGE, MGM Music, MGM Consumer Products and MGM Interactive. In addition, MGM has ownership interests in domestic and international TV channels reaching over 130 countries. For more information, visit www.mgm.com.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

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~ David Simon