By MCN Editor editor@moviecitynews.com

PARAMOUNT AND CIRQUE DU SOLEIL TO PARTNER ON “CIRQUE DU SOLEIL WORLDS AWAY”, WRITTEN AND DIRECTED BY ANDREW ADAMSON AND PRESENTED BY JAMES CAMERON

Posted Tuesday, January 10th, 2012 - Comments Off on PARAMOUNT AND CIRQUE DU SOLEIL TO PARTNER ON “CIRQUE DU SOLEIL WORLDS AWAY”, WRITTEN AND DIRECTED BY ANDREW ADAMSON AND PRESENTED BY JAMES CAMERON
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For Immediate Release

Studio to Release the 3D Event Film, Worldwide in 2012

HOLLYWOOD, CA (January 10, 2012) – Paramount Pictures and Cirque du Soleil jointly announced today that the studio has acquired worldwide distribution rights to the Cirque du Soleil 3D feature film entitled “Cirque du Soleil Worlds Away”. Written and directed by Andrew Adamson (“Shrek,” “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe”), and executive produced by Academy Award ® winning filmmaker James Cameron, the 3D film event features artistic and acrobatic performances from some of the most elaborate Cirque du Soleil productions.  The film was produced by Adamson, Aron Warner, Cirque’s Martin Bolduc and Ed Jones and Cary Granat. Vince Pace oversaw the 3D stereo production aspect of the film.

A number of production companies collaborated to bring the film to life.  In addition to Cirque, Warner and Adamson’s Strange Weather Productions, Reel FX and Cameron Pace Group all contributed to this groundbreaking production.

“The coupling of filmmaker James Cameron’s groundbreaking 3D visual accomplishments and Andrew Adamson’s beautiful direction, combined with a timeless original story written especially for this movie, will make for a truly amazing moviegoeing experience for audiences of all ages ” said Rob Moore, Vice Chairman of Paramount Pictures.

Said Jacques Méthé, Executive Producer, General Manager, Images, Events, Lifestyle of Cirque du Soleil, “This 3D event brings the spectator beyond what they could see at a show, it takes them on the stage. This unique point of view allows the audience to discover the artistic details of our productions and reveal the human spirit that our artists bring to the audience in their performances. Jim and Andrew have masterfully captured what a Cirque du Soleil 3D experience could offer and Paramount will present it to the world.

About Paramount Pictures Corporation

Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment, is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. Paramount controls a collection of some of the most powerful brands in filmed entertainment, including Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV Films, and Nickelodeon Movies. PPC operations also include Paramount Famous Productions, Paramount Home Media Distribution, Paramount Pictures International, Paramount Licensing Inc., and Paramount Studio Group.

About Cirque du Soleil

From the 20 or so performers the company featured when it all began in 1984, Quebec-based Cirque du Soleil has become a leading provider of quality entertainment with 5,000 employees, including more than 1,300 artists who hail from some 50 different countries.  Cirque du Soleil has brought wonder and delight to over 100 million spectators in nearly 300 cities on six continents.

For more information about Cirque du Soleil, visit www.cirquedusoleil.com.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon