By MCN Editor editor@moviecitynews.com

2012 BAFTA Winners

Posted Sunday, February 12th, 2012 - Comments Off on 2012 BAFTA Winners
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WINNERS ANNOUNCED

The Artist wins seven BAFTAs including Best Film, Leading Actor for Jean Dujardin and Director and Original Screenplay for Michel Hazanavicius

Meryl Streep wins Leading Actress

Tinker Tailor Soldier Spy, Hugo, The Iron Lady and Senna win two BAFTAs each

The Artist was named Best Film at tonight’s Orange British Academy Film Awards hosted by Stephen Fry, held at London’s Royal Opera House. The film also won six other awards: Director, Original Screenplay, Original Music, Cinematography, Costume Design as well as a performance award for Jean Dujardin who won the Leading ActorBAFTA.

Meryl Streep was awarded the BAFTA for Leading Actress for her performance as Margaret Thatcher in The Iron Lady; the film was also honoured in the Make-Up & Haircategory.

The Help’s Octavia Spencer won the Supporting Actress category and Christopher Plummer won Supporting Actor for his performance in Beginners.

Outstanding British Film and Adapted Screenplay were awarded to Tinker Tailor Soldier Spy and Senna won the Documentary and Editing BAFTAs. Hugo won two BAFTAs inProduction Design and Sound. Pedro Almoldovar’s The Skin I Live in won the Film Not in the English Language category and Rango won the BAFTA for Animated Film. Harry Potter and the Deathly Hallows – Part 2 was awarded the BAFTA for Special Visual Effects.

Director Paddy Considine and Producer Diarmid Scrimshaw received the award forOutstanding Debut by a British Writer, Director or Producer for their first feature filmTyrannosaur, based upon the short film Dog Altogether that won them the Short FilmBAFTA in 2008.

The Orange Wednesdays Rising Star Award was presented to Adam Deacon, recently seen in Anuvahood and Kidulthood. This award, the only one voted for by the public, recognises an international actor or actress who has demonstrated exceptional talent and has begun to be recognised as a film star in the making. The award is now in its seventh year and was created in honour of Mary Selway, the highly respected casting director who passed away in 2004.

A Morning Stroll won the Short Animation award and the Short Film award was presented to Pitch Black Heist.

The award for Outstanding British Contribution to Cinema was received by John Hurt. The Fellowship, the highest accolade which the Academy can bestow, was presented to Martin Scorsese.

WINNERS (Winner in bold)

BEST FILM

THE ARTIST Thomas Langmann
THE DESCENDANTS Jim Burke, Alexander Payne, Jim Taylor
DRIVE Marc Platt, Adam Siegel
THE HELP Brunson Green, Chris Columbus, Michael Barnathan
TINKER TAILOR SOLDIER SPY Tim Bevan, Eric Fellner, Robyn Slovo
OUTSTANDING BRITISH FILM
MY WEEK WITH MARILYN Simon Curtis, David Parfitt, Harvey Weinstein, Adrian Hodges
SENNA Asif Kapadia, James Gay-Rees, Tim Bevan, Eric Fellner, Manish Pandey
SHAME Steve McQueen, Iain Canning, Emile Sherman, Abi Morgan
TINKER TAILOR SOLDIER SPY Tomas Alfredson, Tim Bevan, Eric Fellner, Robyn Slovo,
Bridget O’Connor, Peter Straughan
WE NEED TO TALK ABOUT KEVIN Lynne Ramsay, Luc Roeg, Jennifer Fox, Robert Salerno,
Rory Stewart Kinnear

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
ATTACK THE BLOCK Joe Cornish (Director/Writer)
BLACK POND Will Sharpe (Director/Writer), Tom Kingsley (Director), Sarah Brocklehurst (Producer)
CORIOLANUS Ralph Fiennes (Director)
SUBMARINE Richard Ayoade (Director/Writer)
TYRANNOSAUR Paddy Considine (Director), Diarmid Scrimshaw (Producer)
FILM NOT IN THE ENGLISH LANGUAGE
INCENDIES Denis Villeneuve, Luc Déry, Kim McCraw
PINA Wim Wenders, Gian-Piero Ringel
POTICHE François Ozon, Eric Altmayer, Nicolas Altmayer
A SEPARATION Asghar Farhadi
THE SKIN I LIVE IN Pedro Almodóvar, Agustin Almodóvar
DOCUMENTARY
GEORGE HARRISON: LIVING IN THE MATERIAL WORLD Martin Scorsese, Olivia Harrison, Nigel Sinclair
PROJECT NIM James Marsh, Simon Chinn
SENNA Asif Kapadia, James Gay-Rees, Tim Bevan, Eric Fellner, Manish Pandey
ANIMATED FILM
THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN Steven Spielberg
ARTHUR CHRISTMAS Sarah Smith
RANGO Gore Verbinski
DIRECTOR
THE ARTIST Michel Hazanavicius
DRIVE Nicolas Winding Refn
HUGO Martin Scorsese
TINKER TAILOR SOLDIER SPY Tomas Alfredson
WE NEED TO TALK ABOUT KEVIN Lynne Ramsay
ORIGINAL SCREENPLAY
THE ARTIST Michel Hazanavicius
BRIDESMAIDS Annie Mumolo, Kristen Wiig
THE GUARD John Michael McDonagh
THE IRON LADY Abi Morgan
MIDNIGHT IN PARIS Woody Allen
ADAPTED SCREENPLAY
THE DESCENDANTS Alexander Payne, Nat Faxon, Jim Rash
THE HELP Tate Taylor
THE IDES OF MARCH George Clooney, Grant Heslov, Beau Willimon
MONEYBALL Steven Zaillian, Aaron Sorkin
TINKER TAILOR SOLDIER SPY Bridget O’Connor, Peter Straughan
LEADING ACTOR
BRAD PITT Moneyball
GARY OLDMAN Tinker Tailor Soldier Spy
GEORGE CLOONEY The Descendants
JEAN DUJARDIN The Artist
MICHAEL FASSBENDER Shame
LEADING ACTRESS
BÉRÉNICE BEJO The Artist
MERYL STREEP The Iron Lady
MICHELLE WILLIAMS My Week with Marilyn
TILDA SWINTON We Need to Talk About Kevin
VIOLA DAVIS The Help
SUPPORTING ACTOR
CHRISTOPHER PLUMMER Beginners
JIM BROADBENT The Iron Lady
JONAH HILL Moneyball
KENNETH BRANAGH My Week with Marilyn
PHILIP SEYMOUR HOFFMAN The Ides of March SUPPORTING ACTRESS
CAREY MULLIGAN Drive
JESSICA CHASTAIN The Help
JUDI DENCH My Week with Marilyn
MELISSA MCCARTHY Bridesmaids
OCTAVIA SPENCER The Help
ORIGINAL MUSIC
THE ARTIST Ludovic Bource
THE GIRL WITH THE DRAGON TATTOO Trent Reznor, Atticus Ross
HUGO Howard Shore
TINKER TAILOR SOLDIER SPY Alberto Iglesias
WAR HORSE John Williams
CINEMATOGRAPHY
THE ARTIST Guillaume Schiffman
THE GIRL WITH THE DRAGON TATTOO Jeff Cronenweth
HUGO Robert Richardson
TINKER TAILOR SOLDIER SPY Hoyte van Hoytema
WAR HORSE Janusz Kaminski
EDITING
THE ARTIST Anne-Sophie Bion, Michel Hazanavicius
DRIVE Mat Newman
HUGO Thelma Schoonmaker
SENNA Gregers Sall, Chris King
TINKER TAILOR SOLDIER SPY Dino Jonsäter
PRODUCTION DESIGN
THE ARTIST Laurence Bennett, Robert Gould
HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 Stuart Craig, Stephenie McMillan
HUGO Dante Ferretti, Francesca Lo Schiavo
TINKER TAILOR SOLDIER SPY Maria Djurkovic, Tatiana Macdonald
WAR HORSE Rick Carter, Lee Sandales
COSTUME DESIGN
THE ARTIST Mark Bridges
HUGO Sandy Powell
JANE EYRE Michael O’Connor
MY WEEK WITH MARILYN Jill Taylor
TINKER TAILOR SOLDIER SPY Jacqueline Durran MAKE UP & HAIR
THE ARTIST Julie Hewett, Cydney Cornell
HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 Amanda Knight, Lisa Tomblin,
Nick Dudman
HUGO Morag Ross, Jan Archibald
THE IRON LADY Marese Langan, Mark Coulier, J. Roy Helland
MY WEEK WITH MARILYN Jenny Shircore SOUND
THE ARTIST Nadine Muse, Gérard Lamps, Michael Krikorian
HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 James Mather, Stuart Wilson, Stuart Hilliker, Mike Dowson, Adam Scrivener
HUGO Philip Stockton, Eugene Gearty, Tom Fleischman, John Midgley
TINKER TAILOR SOLDIER SPY John Casali, Howard Bargroff, Doug Cooper, Stephen Griffiths, Andy Shelley
WAR HORSE Stuart Wilson, Gary Rydstrom, Andy Nelson, Tom Johnson, Richard Hymns SPECIAL VISUAL EFFECTS
THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN Joe Letteri, Keith Miller,
Wayne Stables, Jamie Beard
HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 Tim Burke, John Richardson, Greg Butler, David Vickery
HUGO Rob Legato, Ben Grossmann, Joss Williams, Alex Henning
RISE OF THE PLANET OF THE APES Joe Letteri, Dan Lemmon, R. Christopher White, Daniel Barrett
WAR HORSE Ben Morris, Neil Corbould SHORT ANIMATION
ABUELAS Afarin Eghbal, Kasia Malipan, Francesca Gardiner
BOBBY YEAH Robert Morgan
A MORNING STROLL Grant Orchard, Sue Goffe SHORT FILM
CHALK Martina Amati, Gavin Emerson, James Bolton, Ilaria Bernardini
MWANSA THE GREAT Rungano Nyoni, Gabriel Gauchet
ONLY SOUND REMAINS Arash Ashtiani, Anshu Poddar
PITCH BLACK HEIST John Maclean, Gerardine O’Flynn
TWO AND TWO Babak Anvari, Kit Fraser, Gavin Cullen
THE ORANGE WEDNESDAYS RISING STAR AWARD (voted for by the public)
ADAM DEACON
CHRIS HEMSWORTH
CHRIS O’DOWD
EDDIE REDMAYNE
TOM HIDDLESTON  12 February 2012

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon