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PBS, ITVS AND POV UNVEIL STRATEGY FOR MISSION-FOCUSED CONTENT AND NEW BROADCAST NIGHT FOR LANDMARK INDIE SERIES

Posted Wednesday, May 9th, 2012 - Comments Off on PBS, ITVS AND POV UNVEIL STRATEGY FOR MISSION-FOCUSED CONTENT AND NEW BROADCAST NIGHT FOR LANDMARK INDIE SERIES
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ARLINGTON, VA, May 9, 2012 – PBS, ITVS and POV today announced a new strategy to bolster the mission-focused, independently produced content centered largely around its landmark series POV and Independent Lens, which together provide a year-round broadcast footprint for independent filmmakers on public television.  Both series will air in a new timeslot on Monday nights at 10:00 pm starting this fall with the premiere of Independent Lens on October 29.

“The Monday night schedule gives us an opportunity to drive new and larger audiences on-air and online to the diverse and innovative content that independents bring to PBS,” said Paula Kerger, president and CEO of PBS.

In addition to the regular Monday night broadcasts of both series (Independent LensOctober through June, and POV June through October), PBS plans to develop a multiplatform film festival for mid-2013, which would showcase independent programs from both series during several weeks of broadcast presentations that would connect TV audiences with online and mobile content, and digital users, who are often younger and more diverse, with opportunities to participate locally with their public television stations.

The digital component of the multiplatform film festival builds on a recent PBS online film festival that drew from independent content providers and attracted more than 300,000 viewers on YouTube and the PBS.org website.  “The online film festival is only one example of how we can extend the reach of these important programs through efforts that go beyond broadcast,” added Kerger.

“We are thrilled with PBS’s decision to move the programs to Mondays as part of an overall strategy for independent programs,” said Simon Kilmurry, Executive Director ofPOV.  “Filmmakers and viewers will benefit from a public television experience that fully embraces the power and impact of independent documentaries.”

“By broadcasting indies’ mission-focused stories on Monday nights, we hope that more PBS viewers will have the opportunity to engage in the community and educational activities that independent films inspire,” said Sally Jo Fifer, president and CEO of ITVS, which produces Independent Lens.  “We also bring the diverse communities reflected in and served by indies’ work home to PBS and support the core mission of public broadcasting.”

Gordon Quinn of Kartemquin films, one of the nation’s leading independent production houses, said, “We are happy that PBS has chosen this exciting way forward and we stand ready to support the new strategy and PBS in every way we can.”

About PBS
PBS, with its nearly 360 member stations, offers all Americans the opportunity to explore new ideas and new worlds through television and online content. Each month, PBS reaches nearly 123 million people through television and more than 21 million people online, inviting them to experience the worlds of science, history, nature and public affairs; to hear diverse viewpoints; and to take front row seats to world-class drama and performances. PBS’ broad array of programs has been consistently honored by the industry’s most coveted award competitions. Teachers of children from pre-K through 12th grade turn to PBS for digital content and services that help bring classroom lessons to life. PBS’ premier children’s TV programming and its website,pbskids.org, are parents’ and teachers’ most trusted partners in inspiring and nurturing curiosity and love of learning in children. More information about PBS is available atwww.pbs.org, one of the leading dot-org websites on the Internet, or by following PBS on Twitter, Facebook or through our apps for mobile devices. Specific program information and updates for press are available at pbs.org/pressroom or by followingPBS Pressroom on Twitter.

About American Documentary | POV
Produced by American Documentary, Inc. and celebrating its 25th season on PBS in 2012, the award-winning POV series is the longest-running showcase on American television to feature the work of today’s best independent documentary filmmakers. Airing June through October with primetime specials during the year, POV has brought more than 325 acclaimed documentaries to millions nationwide and has a Webby Award-winning online series, POV’s Borders. Since 1988, POV has pioneered the art of presentation and outreach using independent nonfiction media to build new communities in conversation about today’s most pressing social issues. Visitwww.pbs.org/pov.

About ITVS
Independent Television Service funds, presents and promotes award-winning documentaries and dramas on public television, innovative new media projects on the Web, and the Emmy® Award-winning weekly series Independent Lens on Thursday nights at 10 PM on PBS. Mandated by Congress in 1988 and funded by the Corporation for Public Broadcasting, ITVS has brought more than 1,000 independently produced programs to date to American audiences. For more information about ITVS, visit itvs.org.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

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~ David Simon