By Ray Pride Pride@moviecitynews.com

KELLY MARCEL TO WRITE THE SCREENPLAY TO UNIVERSAL PICTURES AND FOCUS FEATURES’ FILM ADAPTATION OF “FIFTY SHADES OF GREY”

Posted Monday, October 8th, 2012 - Comments Off on KELLY MARCEL TO WRITE THE SCREENPLAY TO UNIVERSAL PICTURES AND FOCUS FEATURES’ FILM ADAPTATION OF “FIFTY SHADES OF GREY”
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NEWS RELEASE

UNIVERSAL CITY, CA, October 8, 2012—Universal Pictures and Focus Features today announced that Kelly Marcel will write the screenplay to the highly anticipated film adaptation of “Fifty Shades of Grey.”  Michael De Luca and Dana Brunetti will produce the film based on E L James’ #1 Bestselling book, alongside James.  The announcement was made by Universal Pictures Co-Chairman, Donna Langley and Focus Features’ Chief Executive Officer, James Schamus.

Marcel wrote the 2011 Black List script, Saving Mr. Banks, the story of Walt Disney’s twenty-year pursuit of the film rights to author P.L. Travers’ novel, “Mary Poppins,” and the rocky relationship that formed between the two.  The film is currently in production at Walt Disney Studios starring Tom Hanks, Emma Thompson and Colin Farrell with John Lee Hancock directing.  Marcel served as the co-creator and executive producer of the Amblin/FOX-TV series Terra Nova, for which she wrote the series’ pilot episode.  She will also produce The Madonnas of Echo Park for HBO.

“Kelly’s work demonstrates her flawless structural technique and passionate commitment to emotion, humor and depth of character which is particularly visible in the celebrated screenplay for the upcoming Saving Mr. Banks,” said De Luca.  “We were all taken with the depth and passion of Kelley’s engagement with the characters and world E L James has created and we knew she was the right person to augment our Fifty Shades family,” added Brunetti.

Universal Pictures and Focus Features acquired the rights to the three books in the “Fifty Shades of Grey” Trilogy in March of this year.  Focus Features will market and distribute the first film in partnership with Universal.  “Fifty Shades of Grey” has become a global phenomenon and the trilogy has been translated in 45 languages worldwide since its release.  In the U.S. alone, the “Fifty Shades” trilogy has sold over 32 million copies in e-book and print making it one of the fastest selling book series ever.

“Fifty Shades of Grey” follows the relationship of 27-year-old billionaire Christian Grey and college student Anastasia Steele.  Subsequent novels in the series, “Fifty Shades Darker” (September 2011) and “Fifty Shades Freed” (January 2012) explore the couple’s deepening relationship.  For more information please see the official Fifty Shades of Grey Facebook page: http://www.facebook.com/fiftyshadesofgreymovie.

Marcel was represented in the deal by WME and Casarotto Ramsay & Associates Limited.

About Universal Pictures

Universal Pictures is a division of Universal Studios (www.universalstudios.com).  Universal Studios is part of NBCUniversal.  NBCUniversal is one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience.  NBCUniversal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group and world-renowned theme parks.  Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.

About Focus Features

Focus Features and Focus Features International (www.focusfeatures.com) comprise a singular global company. This worldwide studio makes original and daring films that challenge the mainstream to embrace and enjoy voices and visions from around the world that deliver global commercial success. The company operates as Focus Features in North America, and as Focus Features International (FFI) in the rest of the world; and is celebrating its 10th Anniversary in 2012.

Focus Features and FFI are part of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. Comcast Corporation owns a controlling 51% interest in NBCUniversal, with GE holding a 49% stake.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon