By Ray Pride Pride@moviecitynews.com

TRISTAR PRODUCTIONS GREENLIGHTS FILM VERSION OF “THE LADY IN THE VAN” STARRING MAGGIE SMITH

Posted Tuesday, June 3rd, 2014 - Comments Off on TRISTAR PRODUCTIONS GREENLIGHTS FILM VERSION OF “THE LADY IN THE VAN” STARRING MAGGIE SMITH
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Film Reunites Director Nicholas Hytner and Writer Alan Bennett,
Team Behind The Madness of King George and The History Boys
CULVER CITY, Calif., June 3, 2014 –  Tom Rothman’s TriStar Productions has joined with BBC Films to greenlight The Lady in the Van,Alan Bennett’s adaptation of his commercial and critical West End hit, based on his own bestselling memoir.  Dame Maggie Smith, the star of the Downton Abbey phenomenon, will reprise one of her most-loved stage roles for the big screen, under the direction of Nicholas Hytner.  The film tells the true story of Miss Shepherd, an eccentric woman of uncertain origins, who “temporarily” parked her broken down van in Bennett’s London driveway… and proceeded to live there for the next fifteen years.  Smith, who will play the singular Miss Shepherd, will be joined by Alex Jennings (The Queen), who will play both Bennett and, with some movie magic, his alter ego, AB.
The film will be Hytner’s first directorial outing after ending his massively successful decade at the head of the British National Theatre. He and Bennett previously collaborated on the films of Bennett’s The Madness of King George and The History Boys.   Damian Jones (The Iron Lady, Belle) and Kevin Loader (Venus, In the Loop) will produce, along with Hytner. Miles Ketley and Charles Moore will serve as executive producers. Principal photography begins in October in London, with release anticipated for the second half of 2015.
Bennett, a celebrated playwright, screenwriter, actor and author, is considered a national literary treasure in England.  Over the course of his more than 50-year career, he has won, or been nominated for, every major writing award that exists in film, television and theatre, including an Academy Award®, multiple BAFTAs, Tonys, and Oliviers.
Hytner, who has made four previous films with Rothman, is among the preeminent theatrical creators of his generation, having directed such standouts as Miss Saigon, Stuff Happened, and One Man, Two Guvnors.  At the National, he commissioned the breakout hits Warhorse, The Curious Case of the Dog in the Night, Jerry Springer, The Opera and Danny Boyle’s Frankenstein.  In addition to Madness and History Boys, his filmography also includes Wendy Wasserstein’s The Object of My Affection and Arthur Miller’s The Crucible, starring Daniel Day-Lewis.  He has won multiple Olivier and Tony Awards, and a BAFTA.
Smith is a two-time Academy Award® winner and has been nominated an additional four times. A longtime superstar in the UK, she is enjoying a popularity surge in America due to the success of Downton Abbey and The Best Exotic Marigold Hotel.
TriStar won the film rights in a competitive situation and will distribute worldwide, with the BBC taking the first television window in its territory, and making an additional investment in the negative.  Peter Taylor, Managing Director, Sony Pictures Releasing International (UK), met with the filmmakers and outlined plans for the UK market, where the property is iconic.
“We here in the UK are honored to have the chance to work on this landmark,” said Taylor.  “I saw the play myself, loved it, and understand why it and Alan Bennett are so beloved nationwide.  Maggie Smith, Nick Hytner, Alan Bennett, and Alex Jennings represent the very best of acting, directing, and writing talent in Britain – in fact, anywhere in the world – and we are delighted to be working with them to bring this incredible story to the screen.”
TriStar Productions Chairman Tom Rothman added: “The Crucible, The Madness of King George and The History Boys are among the films in my career of which I am the most proud.  Nick is rarely gifted and the chance to work with him and Alan again is sweet indeed.  They make brilliant things.  And Maggie Smith and Alex Jennings bring such intelligence to glorious life. ”
Hytner stated: “My collaboration with Alan Bennett has been at the centre of my creative life and this true story is perhaps his most compelling and remarkable. Maggie Smith and Alex Jennings are two of Britain’s greatest actors, and they – like Kevin Loader and Damian Jones – are old colleagues. And it gives me particular personal pleasure to be working again with Tom Rothman, my longest standing friend in the American film industry.”
Jones and Loader said: “It’s a huge pleasure for us to be one of the first films on TriStar’s slate. We’re looking forward to working with Tom Rothman and all his Sony colleagues to bring Alan’s fabulous script to a worldwide audience.”
The Lady in the Van is the third film greenlit by Rothman’s TriStar Productions since the beginning of the year, following Ricki and the Flash, directed by Jonathan Demme, written by Diablo Cody, and starring Meryl Streep, and Robert Zemeckis’ untitled film based on Philippe Petit’s memoirs To Reach the Clouds, starring Joseph Gordon-Levitt, Ben Kingsley, Charlotte LeBon and James Badge Dale.
About Sony Pictures Entertainment
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. For additional information, go to http://www.sonypictures.com.
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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

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~ David Simon