By Ray Pride Pride@moviecitynews.com

Slamdance Announces 2015 Lineup

LAMDANCE 2015 ANNOUNCES FEATURE FILM COMPETITION PACKED WITH WORLD PREMIERES AND INTERNATIONAL PRESENCE FROM EMERGING FILMMAKERS

Lineup highlights first­time directors from around the globe including Turkey, Brazil, Austria, Italy and Ireland; distinguished casts include: Ashley Benson, Alex Karpovsky, Larry Fessenden, Brian Gleeson, Pras Michel, and WWE Veterans ­ Jake “the Snake” Roberts, Chris Jericho, and Steve Austin

(LOS ANGELES, CA ­ December 1, 2014) The Slamdance Film Festival today announced their Narrative and Documentary Feature Film Competition programs for its 21st Festival edition. As the premiere film festival by filmmakers for filmmakers, Slamdance’s showcase of emerging artists includes 11 narrative and 8 documentary films. The 19 feature film competition includes a record 18 premieres – 13 World, 2 North American, and 3 US premieres. Slamdance is proud to present the best of first­time feature filmmakers pushing the boundaries of filmmaking with innovation and unique talent. All competition films are feature film directorial debuts with budgets of less than $1 million and without US distribution. All films were programmed entirely from blind submissions by the Slamdance filmmaking community.

“It’s very exciting to bring this dynamic lineup to audiences in Park City. We are proud to help launch these filmmakers’ careers and celebrate the success we all believe these films deserve,” states Anna Germanidi, Festival Director.

Jury Awards are presented to feature films in both categories and all films are eligible for Audience Awards as well as the Spirit of Slamdance Award, judged by the filmmakers themselves.

“Our success in showcasing emerging artists is most obviously linked with American talent, but increasingly at Slamdance, we want to also support new international talent,” states Co­founder and President, Peter Baxter.

The 2015 Slamdance Film Festival will take place from January 23rd ­ 29th, 2015 in Park City, Utah at the Treasure Mountain Inn, located at 255 Main Street, Park City, UT 84060

NARRATIVE FEATURES PROGRAM

Across the Sea ­ Directors & Screenwriters: Nisan Dağ, Esra Saydam
(Turkey/USA) North American Premiere
Young, beautiful and pregnant, Damla has to confront her first love in a Turkish summer town before she can fully embrace her new life in New York.
Cast: Damla Sönmez, Jacob Fishel, Ahmet Rıfat Şungar, Hakan Karsak, Brittany Angley

Asco ­ Director: Ale Paschoalini; Screenwriters: Ale Paschoalini, Rafael Baliu
(Brazil) World Premiere
Needs and desires are simplified in this experimental, black and white portrayal of the poisonous destruction of a broken heart.
Cast: Guto Nogueira, Sol Faganello, Acauã Sol, Danielle Rosa, Ligia Franchini, El Alberto

Body ­ Directors & Screenwriters: Dan Berk, Robert Olsen
(USA) World Premiere
After three twenty­something girls break into a mansion and inadvertently murder the groundskeeper, they slowly self­destruct as they decide what to do with the dead body in the living room.
Cast: Helen Rogers, Alexandra Turshen, Lauren Molina, Larry Fessenden

Clinger ­ Director: Michael Steves; Screenwriters: Michael Steves, Gabi Chennisi Duncombe, Bubba Fish
(USA) World Premiere
When her possessive high school boyfriend dies in a gruesome accident, Fern Petersen’s life is thrown into turmoil. Things go from bad to worse when he returns as a love­sick ghost to kill her so they can be together for eternity.
Cast: Vincent Martella, Jennifer Laporte, Julia Aks, Lisa Wilcox, Debbie Rochon

Darkness on the Edge of Town ­ Director & Screenwriter: Patrick Ryan
(Ireland) US Premiere
A troubled teenage sharpshooter decides to avenge the death of her estranged sister after she is found murdered in a public bathroom.
Cast: Emma Eliza Regan, Brian Gleeson, Maura Foley, Emma Willis, Sam Monaghan

Diamond Tongues ­ Director: Brian Robertson, Pavan Moondi; Screenwriter: Pavan Moondi
(Canada) World Premiere
Edith Welland is an actress. Things haven’t been going very well. When her ex­boyfriend becomes an actor on a whim and almost immediately books a leading role, Edith decides if she’s going to get ahead, she’ll need to get ruthless. Cast: Leah Goldstein, Nick Flanagan, Leah Wildman, Adam Gurfinkel, Noah R. Taylor

High Performance ­ Director & Screenwriter: Johanna Moder
(Austria) US Premiere
Rudi wears a suit, Daniel rides a bike, and they are both interested in Nora for very different reasons; the story of two grown up brothers who still know how to hurt each other.
Cast: Marcel Mohab, Manuel Rubey, Katharina Pizzera

Ratter ­ Director & Screenwriter: Branden Kramer
(USA) World Premiere
Emma is being watched by a stalker who has hacked into all of her personal technology – laptop, cell phone, and other web connected devices – to record her most intimate moments. Eventually the video feeds aren’t enough and the stalker moves from the virtual to the physical.
Cast: Ashley Benson, Matt McGorry, Rebecca Naomi Jones, John Anderson, Kaili Vernoff
They Look Like People ­ Director & Screenwriter: Perry Blackshear

(USA) World Premiere
Suspecting that those around him are actually malevolent shape­shifters, a troubled young man questions whether to protect his only friend from an impending war, or from himself.
Cast: MacLeod Andrews, Evan Dumouchel, Margaret Drake, Mick Casale, Elena Greenlee

Tired Moonlight ­ Director & Screenwriter: Britni West
(USA) World Premiere
Drifting between small­town gossip and dreams of the outside world, two middled aged womens’ lives are slowly upended as they start caring for a young girl and a ramblin’ man from the past rolls through their small town.
Cast: Alex Karpovsky, Liz Randall, Paul Dickinson, Hillary Berg, RainLeigh Vick

Wendell and the Lemon ­ Director & Screenwriter: Lawrence Krauser
(USA)
A young man finds a lemon on the sidewalk, takes it home, and becomes inordinately fond of it. Complications ensue. Cast: Todd d’Amour, Rebecca Hart, Jay Smith, Lia Aprile, Danton Stone

DOCUMENTARY FEATURES PROGRAM

20 Years of Madness ­ Director: Jeremy Royce
(USA) World Premiere
Twenty years after the success of a 90s cult TV show, 30 Minutes of Madness, founder Jerry White Jr. brings the rag tag team of misfits back together to film one final episode – only to find the majority of his cast now suffer from a variety of personal struggles.
Cast: Jerry White Jr., Joe Hornacek, John Ryan, Jesus Rivera, Matt Zaleski

Alberi che Camminano ­ Director: Mattia Colombo; Screenwriters: Erri De Luca, Mattia Colombo (Italy) US Premiere
A meditative look at the two distinct lives of trees and their deep relationship with human beings.

Dennis Rodman’s Big Bang in Pyongyang ­ Director: Colin Offland; Screenwriter: Matt Baker
(UK) World Premiere
An intimate behind the scenes look at Dennis Rodman’s unlikely friendship with North Korean dictator Kim Jong­un and the staging of the most controversial game of basketball the world has never seen.

I Am Thor ­ Director: Ryan Wise
(USA) World Premiere
Before Chris Hemsworth, there was Jon Mikl Thor – the original hammer­wielding, steel bending, brick smashing rock star of the 70s band THOR. But does he still have the magic to thunder a comeback?
Cast: Jon Mikl Thor, Rusty Hamilton, Mike Favata, Steve Price, Keith Zazzi

My Fathers, My Mother and Me ­ Director: Paul­Julien Robert
(Austria) North American Premiere
Twenty years after leaving the Austrian commune where he was raised, Paul­Julien Robert embarks on a personal journey to confront what went wrong and explore ideas of family.

On Her Own ­ Director & Screenwriter: Morgan Schmidt­Feng
(USA) World Premiere
A woman and her family try to save their 5th generation family farm during the Great Recession.

The Resurrection of Jake the Snake ­ Director: Steve Yu

(USA) World Premiere

Legendary wrestler Jake “The Snake” Roberts charts his personal and professional comeback while battling crippling addictions.
Cast: Jake Roberts, Dallas Page, Chris Jericho, Steve Austin, Adam Copeland

Sweet Micky For President ­ Director: Ben Patterson
(USA) World Premiere
With the help of Pras Michel of the Fugees, presidential candidate Michel Martelly, aka Sweet Micky, campaigns against all odds in Haiti’s third ever democratic election.
Cast: Pras Michel, Michel Martelly, Wyclef Jean

Film stills are available for press use only and can be downloaded below.

Narrative Features: http://bit.ly/1rGGsCb Documentary Features: http://bit.ly/1FGYNS3

All Access, Industry, Local’s, and Student Festival Passes are available now online. Individual tickets will be available shortly. To purchase, click here: http://showcase.slamdance.com/Passes­and­Tickets

About Slamdance

Slamdance is a year­​round organization and film festival that serves as a showcase for the discovery and development of emerging independent talent and innovative filmmaking. Slamdance is the only festival programmed entirely by filmmakers and is a fertile ground for new filmmakers to begin their careers. The film festival began as an alternative to the Sundance Film Festival in Park City, Utah and they continue to run concurrently.

Notable Slamdance alumni who first gained notice at the festival include: Christopher Nolan (Interstellar), Oren Peli (Paranormal Activity), Marc Forster (World War Z), Jared Hess (Napoleon Dynamite), Lena Dunham (Girls), Benh Zeitlin (Beasts of the Southern Wild), Anthony & Joe Russo (Captain America: The Winter Soldier), Seth Gordon (Horrible Bosses) and Lynn Shelton (Humpday). Box Office Mojo reports alumni who first showed their work at Slamdance have accumulated over $11.5 billion in the Box Office to date.

Slamdance’s On The Road events and Slamdance Studios’ developing commercial distribution platform continue to increase opportunities for filmmakers both internationally and domestically. In partnership with Vimeo On Demand, Slamdance Studios is developing Slamdance 20, a collection of twenty festival award​winning and audience favorite films; titles include Matt Johnson’s The Dirties, Andrew Edison’s Bindlestiffs, and Daniel Martinico’s OK, Good. The 2014 On The Road tour was presented by CreativeFuture.

Over 2,500 submissions competed for prizes in the 2014 Slamdance Screenplay Competition. This year’s Grand Prize winner was the Original Teleplay Search For Life by Andrea Janakas, which was awarded a total of $7,000 in cash prizes. Submissions for the 2015 Slamdance Screenplay Competition will open on February 23rd.

2015 Slamdance Film Festival Sponsors include Digital Bolex, The International Fusion Doc Challenge, Directors Guild of America, Pierce Law Group, CreativeFuture, Different By Design, Carhartt, Final Draft, Salt Lake City’s Beehive Distilling, and Salt Lake City’s BlueStar Juice Bar and Cafe. Slamdance is proud to partner with sponsors who support emerging artists and push the boundaries of independent filmmaking.

Additional information about the Slamdance Film Festival is available at www.slamdance.com

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon