By Ray Pride Pride@moviecitynews.com

USC Libraries Name Finalists for 27th Annual Scripter Award

LOS ANGELES —The USC Libraries have named the authors and screenwriters of Gone Girl, The Imitation Game, Inherent Vice, The Theory of Everything, and Wild as finalists for the 27-annual USC Libraries Scripter Award. Scripter honors the screenwriter or screenwriters of the year’s most accomplished cinematic adaptation as well as the author or authors of the written work upon which the screenplay is based.

The finalists are, in alphabetical order by film title:

  • Gillian Flynn, author and screenwriter of Gone Girl 
  • For The Imitation Game, author Andrew Hodges, who wrote the book Alan Turing: The Enigma, and screenwriter Graham Moore
  • Novelist Thomas Pynchon and screenwriter Paul Thomas Anderson for Inherent Vice
  • Jane Hawking, author of Travelling To Infinity: My Life With Stephen, and screenwriter Anthony McCarten for The Theory of Everything
  • Screenwriter Nick Hornby for Wild, adapted from Cheryl Strayed’s memoir Wild: From Lost to Found on the Pacific Crest Trail

The Friends of the USC Libraries established Scripter in 1988. Previous Scripter winners include the screenwriters and authors of 12 Years a Slave, The Social Network, A Beautiful Mind, and The English Patient.

Chaired by USC professor and vice president of the Writers Guild of America, West, Howard Rodman, the 2015 Scripter selection committee selected the five finalists from a field of 97 eligible adaptations.

Serving on the selection committee, among many others, are film critics Leonard Maltin, Anne Thompson and Kenneth Turan; authors Michael Chabon, Michael Ondaatje and Mona Simpson; screenwriters John Ridley, Erin Cressida Wilson and Steve Zaillian; and USC deans Elizabeth Daley of the School of Cinematic Arts, Madeline Puzo of the School of Dramatic Arts and Catherine Quinlan of the USC Libraries.

The studios distributing the finalist films and the publishers of the original stories are:

  • Gone Girl—Twentieth Century Fox and Crown Publishers
  • The Imitation Game—Weinstein Company and Princeton Univ. Press (film tie-in edition)
  • Inherent Vice—Warner Bros. and Penguin Books
  • The Theory of Everything—Focus Features and Alma Books
  • Wild—Fox Searchlight and Vintage Books (film tie-in edition)

The USC Libraries will announce the winning authors and screenwriters at a black-tie ceremony on Saturday, Jan. 31, 2015 in the historic Edward L. Doheny Jr. Memorial Library on the University Park campus of the University of Southern California. Academy Award winners Helen Mirren and Taylor Hackford will serve as honorary dinner chairs.

Celebrated mystery and crime writer Walter Mosley—the author of more than 40 books, including the Easy Rawlins series—will receive the USC Libraries Literary Achievement Award. Mosley is currently working on a Broadway version of his novel Devil in a Blue Dress, a film adaptation of which appeared in 1995, starring Denzel Washington.

Current silent auction donors and other event sponsors include Academy of Magical Arts and Ted Ushirogata, Alexander Denk, Allison Samon, American Eye Institute, Anchor Distilling Company, AOC, At Your Side Private Exercise, Bacara Resort & Spa, Badgley Mischka, Benjamin Salon, Bennett Farms, Bonny Doon Vineyard, Bouchon Bistro, Burton Morris, Carol Muske Dukes, Christine Ofiesh, Cynthia Baseman, Daryle Ann and Mark Giardino, David Lebovitz, David St. John, Faith and Flower, Flathead Lake Lodge, Fred Kayne and Terravant Wine Company, Gearys Beverly Hills, Geffen Playhouse, Glenn Sonnenberg, Gloria Kaplan, Hang Zhang, Hayley Kaplan, Hotel Del Coronado, Hotel Indigo, San Diego Del Mar, Hotel Kabuki, Howard Rodman, Jack Lindquist, Jar, Joel Prell, Jon Summers, KFK Jewelers, Kimber Modern, LACMA, Lake Arrowhead Resort and Spa, Laura Kasner, Left Brain Travel, Lisa Barkett, Lisa Dixon, Loews Regency Hotel, Los Angeles Dodgers, M. Kantor & Associates, Mark Danielewski, Mark Goldstein and Actuant Corporation, Mark Koenig, Matthew Kenney Cuisine, Maureen Furniss, Montage Hotels, Motif Seattle, Oheka Castle Hotel and Estate, New York, Oliverio at Avalon Hotel, One of A Kind Glass Designs and Patsy Dewey, Orin Swift Cellars, Osteria Mozza, Piel Skin Care, Porto Via, Pro Sup Shop, Sandra Tsing Loh, Save Our Heritage Organization (SOHO) San Diego, Seattle Seahawks, Shelley Berman, Silver King, South Beverly Grill, Stephen’s Hay and Grain, Steven Travers, T.C. Boyle, Tank Town USA, The Belvedere at the Peninsula Hotel, The Kitchen For Exploring Foods, The LA Chamber Orchestra, The LA Opera, The LA Phil, The Rosenzweig Company, The St. Regis San Francisco Hotel, 20th Century Fox, The Voice, Toni Solorzano, U.S. Senator Dean Heller, USC Athletics, Vindy Lee, and Wallis Annenberg Center for the Performing Arts.

 

For more information about Scripter—including ticket availability, additional sponsorship opportunities, and an up-to-date list of sponsors—please email scripter@usc.edu or visitscripter.usc.edu.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon