By Ray Pride Pride@moviecitynews.com

Mad Max: Fury Road Wins FIPRESCI Grand Prix

Following its worldwide success and critical acclaim, George Miller will receive a new award for his latest film “Mad Max: Fury Road”, at the upcoming San Sebastián Film Festival. The Australian filmmaker will collect the FIPRESCI Grand Prix 2015, attributed by film critics from all over the world, during the opening ceremony of the 63rd edition of the Spanish festival, on the 18th of September. “You could have knocked me over with a feather! It’s lovely to have this great cohort of critics acknowledge our collective labours in this way,” he replied to the announcement.

In an open poll, 493 members of the International Federation of Film Critics, FIPRESCI, first nominated any feature-length work premièred since July 2014, and then chose among four finalists: Hou Hsiao-Hsien’s “The Assassin” (Nie yin niang), László Nemes’s “Son of Saul” (Saul fia), Jafar Panahi’s “Taxi” and Miller’s “Mad Max: Fury Road”.

The latest film in the Mad Max saga, which premiered in Cannes last May, will be screened as a special event during the San Sebastián Film Festival, where the FIPRESCI Grand Prix has been presented since its creation in 1999, to filmmakers like Jean-Luc Godard, Michael Haneke, Paul Thomas Anderson, Jafar Panahi, Pedro Almodóvar, Nuri Bilge Ceylan or Richard Linklater.

Read the articles about “Mad Max: Fury Road” by Adrian Martin and Diego Lerer, atwww.fipresci.org

FIPRESCI
International Federation of Film Critics

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

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~ David Simon