By Ray Pride Pride@moviecitynews.com

Chris Rock To Host Oscar 77

FOR IMMEDIATE RELEASE

CHRIS ROCK RETURNS TO HOST THE OSCARS®

      

LOS ANGELES, CA – Multi-hyphenate artist and filmmaker Chris Rock will return to host the Oscars® for a second time, producers David Hill and Reginald Hudlin announced today.  The 88th Academy Awards® will be broadcast live on Oscar®Sunday, February 28, 2016, on the ABC Television Network.  Rock previously hosted the 77th Oscars telecast in 2005.

“Chris Rock is truly the MVP of the entertainment industry,” said Hill and Hudlin. “Comedian, actor, writer, producer, director, documentarian – he’s done it all.  He’s going to be a phenomenal Oscar host!”

“I’m so glad to be hosting the Oscars,” said Rock. “It’s great to be back.”

“We share David and Reggie’s excitement in welcoming Chris, whose comedic voice has really defined a generation,” said Academy President Cheryl Boone Isaacs.  “He is certain to bring his amazing array of talents to this year’s show.”

“Chris may be best known as a stand-up comic, but we think of him as a creative innovator in many other ways. He is unafraid in his artistry,” said Academy CEO Dawn Hudson.  “We couldn’t be happier to welcome him back to the Oscars.”

“Chris Rock is a comedic powerhouse who will bring tremendous energy to the event, and we’re honored to have him,” said Paul Lee, President ABC Entertainment Group.

With a career spanning more than three decades, Rock most recently directed the comedy special “Amy Schumer: Live at the Apollo,” which premiered this month on HBO.  In 2014 he wrote, directed and starred in the critically acclaimed feature “Top Five,” and in 2009 ventured into the documentary world as a writer, producer and star of “Good Hair.”

Rock has enjoyed ongoing success in both film and television as a comedian, actor, writer, producer and director.  His feature acting credits include “I Think I Love My Wife,” which he also wrote and directed, “Head of State” (writer, producer and director), “Death at a Funeral” (also producer), and the first three films in the blockbuster “Madagascar” series, as the voice of Marty.  His other acting credits include “The Longest Yard,” “Nurse Betty,” “2 Days in New York” and “Lethal Weapon 4.”  In 2011 Rock made his Broadway debut starring in “The Motherfucker with the Hat,” which was nominated for six Tony Awards®, including Best Play.  In television, Rock created, executive produced and narrated the series “Everybody Hates Chris,” which ran from 2005 to 2009 and was inspired by Rock’s childhood.  He was a cast member on “Saturday Night Live” from 1990 to 1993.

Known internationally for his groundbreaking stand-up comedy, Rock has won four Emmy® Awards for his comedy series and specials, including “Chris Rock – Kill the Messenger,” “The Chris Rock Show” and “Chris Rock: Bring the Pain,” and has achieved record audience numbers around the world.  He also has earned three Grammy® Awards for his comedy albums Never Scared, Bigger and Blacker and Roll with the New.

The 88th Oscars will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center®in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

# # #

FOLLOW THE ACADEMY

www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

 

Be Sociable, Share!

Comments are closed.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon