By Ray Pride Pride@moviecitynews.com

YONGE-DUNDAS SQUARE 2017 presented by Chevrolet Announces CITY CINEMA presented by NOW: “Canucks, Comedy, and (John) Candy”

YONGE-DUNDAS SQUARE 2017 presented by Chevrolet Announces CITY CINEMA presented by NOW: “Canucks, Comedy, and (John) Candy” 

A great way for Torontonians to celebrate Canada’s sesquicentennial is in the heart of the city at YONGE-DUNDAS SQUARE (YDS) while catching a fun flick with City Cinema presented by NOW.

YDS is honouring all things Canadian with a lineup of films that feature Canucks, Comedy, and (John) Candy! The final film will be selected via an Audience Choice contest so City Cinema presented by NOW will close out the season with the most Canadian thing of all … democracy!

Every Tuesday at sunset from June 27 – August 29 (please check individual listings for start time), Yonge-Dundas Square becomes the best destination to pull up a chair and enjoy a movie featuring some of Canada’s greatest talent, including Catherine O’Hara, Seth Rogen, Dan Aykroyd, Jim Carrey, and Eugene Levy.

On Tuesday, June 27, Strange Brew (1983) starring Rick Moranis and Dave Thomas as Canada’s most famous hosers will kick off this summer’s film series. Bob and Doug McKenzie get jobs at a brewery only to find “something funny is brewing at Elsinore Castle.”

On Tuesday, July 4, head down to YDS to watch Bon Cop, Bad Cop (2006) starring Patrick Huard, Colm Feore, and Lucie Laurier, for free before catching the sequel in theatres for not free!

On Tuesday, July 11, don’t think Devo, think blood, bruises, and roller skates when Whip It (2009) starring Ellen Page, Drew Barrymore, Juliette Lewis, and Kristen Wiig screens at YDS.

On Tuesday, July 18, The Naked Gun (1988) starring Leslie Nielson and Priscilla Presley in a tale as old as time; “Boy finds girl, boy loses girl, girl finds boy, boy forgets girl, boy remembers girl, girls dies in a tragic blimp accident over the Orange Bowl on New Year’s Day.”

On Tuesday, July 25, SNL alum Dan Aykroyd and John Belushi go from the television screen to the silver screen with The Blues Brothers (1980) where they make the “most dangerous combination since nitro and glycerine.”

Each feature screening will be preceded by a film by the National Film Board of Canada (NFB) including William Shatner Sings Oh Canada, each evening along with I Can Make Art…Like Andrew Qappik and Never Lose Sight (June 27), The Sweater and Ryan (July 4), Margaret Laurence and First Lady of Manawak (July 11), Trans Canada Summer (July 18), and Ladies & Gentlemen…Mr. Leonard Cohen (July 25).

City Cinema will continue through August 29 with The Truman Show (August 1), The Great Outdoors (August 8), Take This Waltz (August 15), Men With Brooms (August 22),  and NOW Audience Choice; visit nowtoronto.com/citycinemavote to choose the final screening of the summer (August 29), plus more NFB films!
Admission is FREE to all City Cinema screenings at
YONGE-DUNDAS SQUARE!

For more information and a full schedule of events, please visit YDSquare.ca
All programming is subject to change

About Yonge-Dundas Square: YDS is a unique focal point of the downtown Toronto community. The Square is designated for use as a public open space and as an event venue that can accommodate events of various sizes. You’ll discover a wide range of activities on the Square: community celebrations, theatrical events, concerts, receptions, promotions – events that appeal to residents and tourists alike and provide a showcase for local businesses. YDS Board of Management is an agency of the City of Toronto.

About Chevrolet Canada: Founded in 1911 in Detroit, Chevrolet is now one of the world’s largest car brands, doing business in more than 115 countries and selling more than 4.8 million cars and trucks a year. Chevrolet provides customers with fuel-efficient vehicles that feature engaging performance, design that makes the heart beat, passive and active safety features and easy-to-use technology, all at a value. More information on Chevrolet models can be found at www.chevrolet.ca, on Facebook at facebook.com/chevroletcanada or by following @ChevroletCanada on Twitter.

NOW is one of the most exciting and respected media companies in Canada, and has been a leading progressive voice in the country for 37 years. We are a fiercely independent and progressive media voice when such a voice is required, and as a company, we are committed to social innovation and change making. From Black Lives Matter, to The Future of Cities, Climate Change and Food Security, we capture the pulse of the conversations that matter, right now. We are also a thought leader in the verticals that matter: politics, music, food & drink, arts & culture. And we are the best resource for how to enjoy Toronto with the city’s most comprehensive event listings. We also have true reach: with 471,000 readers a week (print & digital), our powerful media footprint extends all across the City of Toronto and beyond. www.nowtoronto.com

The NFB is Canada’s public producer of award-winning creative documentaries, auteur animation, and groundbreaking interactive stories, installations and participatory experiences. NFB producers are deeply embedded in communities across the country, working with talented artists and creators in production studios from St. John’s to Vancouver, on projects that stand out for their excellence in storytelling, their innovation, and their social resonance. NFB productions have won over 5,000 awards, including 18 Canadian Screen Awards, 17 Webbys, 12 Oscars and more than 90 Genies. To access many of these works, visit NFB.ca or download the NFB’s apps for mobile devices and connected TV.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon