By Ray Pride Pride@moviecitynews.com

Alliance Of Women Film Journalists Gives 2017 Nods

Posted Tuesday, January 9th, 2018 - Comments Off on Alliance Of Women Film Journalists Gives 2017 Nods
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The Alliance of Women Film Journalists is pleased to announce the winners of the 2017 AWFJ EDA Awards. This year, AWFJ presents EDA Awards in 25 categories, divided into three sections: the standard ‘Best Of’ section, the Female Focus awards and the irreverent EDA Special Mention awards—including Actress Most in Need of a New Agent and the AWFJ Hall of Shame Award.

In the ‘Best Of’ section, this year’s big winner is “THE SHAPE OF WATER”, garnering EDA Awards in two categories including Best Film, Best Director for Guillermo del Toro.  The film’s lead actress, Sally Hawkins, was awarded an EDA Bravest Performance Award to make the film’s cume of three awards.

Greta Gerwig’s “Lady Bird” was also honored with three awards that included Best Supporting Actress for Laurie Metcalf and two awards for Gerwig for Best Woman Director and Best Woman Screenwriter.

“The Florida Project” won two EDA Awards for Best Supporting Actor for Willem Dafoe and Best Breakthrough Performance for Brooklynn Prince.

In the EDA Special Mention Categories, documentary filmmaker Agnes Varda was voted the Actress Defying Age and Ageism Award, while receiving the Best Documentary Award for her film “Faces, Places.”  Kate Winslet won the Actress Most in Need of a New Agent for  “Wonder Wheel” and “The Mountain Between Us.”

The AWJF chose to honor Rose McGowan and Ashley Judd and all women who spoke out against sexual harassment with the EDA Award for Outstanding Achievement by a Woman in the Film Industry.

The Annual AWFJ Hall of Shame Award was bestowed upon Sexual Tormentors:  Harvey Weinstein, Kevin Spacey, Brett Ratner, et al.

“This year was an important year for women to feel empowered to speak out and be heard,” states EDA AWARDS and AWFJ founder and film critic Jennifer Merin.  “The need for gender parity and gender diversity in the movie industry is patently clear, and the time to stop sexual harassment in all industries is now.  These goals are fundamental to AWFJ’s mission and it’s core values. I am thrilled that for this year’s awards, our AWFJ members voted to honor such a diverse array of talent and to recognize those who are leading with their voices to put an end to long time misconduct making the 2017 EDA Awards particularly relevant when art and film must be the vanguard of social progress.”

Here’s the entire list of this year’s winners: 

AWFJ BEST OF AWARDS

These awards are presented to women and/or men without gender consideration.

Best Film 

     THE SHAPE OF WATER 

Best Director 

      Guillermo del Toro – THE SHAPE OF WATER

Best Screenplay, Original

      GET OUT – Jordan Peele 

Best Screenplay, Adapted

       CALL ME BY YOUR NAME

Best Documentary

       FACES, PLACES

Best Animated Film  (Tie)

       COCO

       LOVING VINCENT

Best Actress

       Frances McDormand — THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Best Actress in a Supporting Role

        Laurie Metcalf — LADY BIRD

Best Actor

       Gary Oldman — DARKEST HOUR

 

Best Actor in a Supporting Role

        Willem Dafoe — THE FLORIDA PROJECT

Best Ensemble Cast – Casting Director

        MUDBOUND – Billy Hopkins and Ashley Ingram

Best Cinematography

         Roger Deakins — BLADE RUNNER 2049

Best Editing

         Lee Smith — DUNKIRK

Best Non-English-Language Film

        THE SQUARE

 

EDA FEMALE FOCUS AWARDS

These awards honor WOMEN only.

Best Woman Director

       Greta Gerwig — LADY BIRD

Best Woman Screenwriter

       Greta Gerwig — LADY BIRD

Best Animated Female

        Parvana — THE BREADWINNER  

Best Breakthrough Performance

        Brooklynn Prince — THE FLORIDA PROJECT

Outstanding Achievement by A Woman in The Film Industry

       Rose McGowan, Ashley Judd and all who spoke out against sexual harassment  

 

EDA SPECIAL MENTION AWARDS

Actress Defying Age and Ageism (name actress and film)

         AGNES VARDA — FACES,PLACES

Most Egregious Age Difference Between The Lead and The Love Interest Award

         I LOVE YOU DADDY  — Chloe Grace Moretz and John Malkovich

Actress Most in Need Of A New Agent (name actress and film)

         Kate Winslet for WONDER WHEEL and THE MOUNTAIN BETWEEN US

Bravest Performance (name actress and film) (Tie)

Sally Hawkins — THE SHAPE OF WATER

           Margot Robbie — I, TONYA

Remake or Sequel That Shouldn’t Have Been Made

           THE MUMMY

AWFJ Hall of Shame Award

            Sexual Tormentors: Harvey Weinstein, Kevin Spacey, Brett Ratner, et al


ABOUT THE ALLIANCE OF WOMEN FILM JOURNALISTS:  AWFJ, a not-for-profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women’s voices in the film community by broadening opportunities for women who write about film and supporting films by and about women – both in front of and behind the cameras – through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies. More information about AWFJ, including the membership list, can be accessed at www.awfj.org or sending inquiries to awfjinc@gmail.com.

ABOUT THE EDA AWARDS:  The AWFJ presents EDA Awards to honor women’s achievements in front of and behind the cameras.  In addition to the annual end of the year awards, AWFJ presents EDA Awards for Best Female-Directed Films at select film festivals,including IDFA, Whistler Film Festival, DOXA. Edinburgh Film Festival. St. Louis International Film Festival and others. The EDAs are named in honor of AWFJ founder Jennifer Merin’s mother, Eda Reiss Merin, a stage, film and screen actress whose career spanned more than 60 years. A dedicated foot soldier in the industry, Eda was one of the founders of AFTRA and a long standing member of AMPAS.  

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon