By MCN Editor editor@moviecitynews.com

Golden Globes Nominations

Posted Thursday, December 13th, 2012 - Comments Off on Golden Globes Nominations
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HOLLYWOOD FOREIGN PRESS ASSOCIATION 2013 GOLDEN GLOBE AWARDS
FOR THE YEAR ENDED DECEMBER 31, 2012

1. BEST MOTION PICTURE – DRAMA
a. ARGO
Warner Bros. Pictures, GK Films, Smokehouse Pictures; Warner Bros. Pictures
b. DJANGO UNCHAINED
The Weinstein Company, Columbia Pictures; The Weinstein Company/Sony Pictures Releasing
c. LIFE OF PI
Fox 2000 Pictures; Twentieth Century Fox
d. LINCOLN
DreamWorks Pictures, Twentieth Century Fox; Touchstone Pictures
e. ZERO DARK THIRTY
Columbia Pictures and Annapurna Pictures; Sony Pictures Releasing

 

2. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
a. JESSICA CHASTAIN ZERO DARK THIRTY
b. MARION COTILLARD RUST AND BONE
c. HELEN MIRREN HITCHCOCK
d. NAOMI WATTS THE IMPOSSIBLE
e. RACHEL WEISZ THE DEEP BLUE SEA

 

3. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
a. DANIEL DAY-LEWIS LINCOLN
b. RICHARD GERE ARBITRAGE
c. JOHN HAWKES THE SESSIONS
d. JOAQUIN PHOENIX THE MASTER
e. DENZEL WASHINGTON FLIGHT

 

4. BEST MOTION PICTURE – COMEDY OR MUSICAL
a. THE BEST EXOTIC MARIGOLD HOTEL
Blueprint Pictures/Participant Media; Fox Searchlight Pictures
b. LES MISERABLES
Universal Pictures, A Working Title Films/Cameron Mackintosh Productions; Universal Pictures
c. MOONRISE KINGDOM
Indian Paintbrush; Focus Features
d. SALMON FISHING IN THE YEMEN
CBS Films; CBS Films
e. SILVER LININGS PLAYBOOK
The Weinstein Company; The Weinstein Company

 

5. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL
a. EMILY BLUNT SALMON FISHING IN THE YEMEN
b. JUDI DENCH THE BEST EXOTIC MARIGOLD
HOTEL
c. JENNIFER LAWRENCE SILVER LININGS PLAYBOOK
d. MAGGIE SMITH QUARTET
e. MERYL STREEP HOPE SPRINGS

 

6. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL
a. JACK BLACK BERNIE
b. BRADLEY COOPER SILVER LININGS PLAYBOOK
c. HUGH JACKMAN LES MISERABLES
d. EWAN MCGREGOR SALMON FISHING IN THE YEMEN
e. BILL MURRAY HYDE PARK ON HUDSON

 

7. BEST ANIMATED FEATURE FILM
a. BRAVE
Walt Disney Pictures, Pixar Animation Studios; Walt Disney Pictures
b. FRANKENWEENIE
Walt Disney Pictures; Walt Disney Pictures
c. HOTEL TRANSYLVANIA
Columbia Pictures / Sony Pictures Animation; Sony Pictures Releasing
d. RISE OF THE GUARDIANS
DreamWorks Animation LLC; Paramount Pictures
e. WRECK-IT RALPH
Walt Disney Pictures, Walt Disney Animation Studios; Walt Disney Pictures

 

8. BEST FOREIGN LANGUAGE FILM
a. AMOUR (AUSTRIA)
Les Films Du Losange, X Filme Creative Pool, Wega Film; Sony Pictures Classics
b. A ROYAL AFFAIR (DENMARK)
(En kongelig affære)
Zentropa Entertainment; Magnolia Pictures
c. THE INTOUCHABLES (FRANCE)
(Les Intouchables)
The WeinstenCompany, Quad Productions, Gaumont, TF1 Films Production, Ten Films, Chaocorp; The Weinstein Company
d. KON-TIKI (NORWAY/UK/DENMARK)
Nordisk Film Production, Recorded Picture Company
e. RUST AND BONE (FRANCE)
(De rouille et d’os)
Page 114, Why Not Productions; Sony Pictures Classics

 

9. BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE
a. AMY ADAMS THE MASTER
b. SALLY FIELD LINCOLN
c. ANNE HATHAWAY LES MISERABLES
d. HELEN HUNT THE SESSIONS
e. NICOLE KIDMAN THE PAPERBOY

 

10. BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE
a. ALAN ARKIN ARGO
b. LEONARDO DICAPRIO DJANGO UNCHAINED
c. PHILIP SEYMOUR HOFFMAN THE MASTER
d. TOMMY LEE JONES LINCOLN
e. CHRISTOPH WALTZ DJANGO UNCHAINED

 

11. BEST DIRECTOR – MOTION PICTURE
a. BEN AFFLECK ARGO
b. KATHRYN BIGELOW ZERO DARK THIRTY
c. ANG LEE LIFE OF PI
d. STEVEN SPIELBERG LINCOLN
e. QUENTIN TARANTINO DJANGO UNCHAINED

 

12. BEST SCREENPLAY – MOTION PICTURE
a. MARK BOAL ZERO DARK THIRTY
b. TONY KUSHNER LINCOLN
c. DAVID O. RUSSELL SILVER LININGS PLAYBOOK
d. QUENTIN TARANTINO DJANGO UNCHAINED
e. CHRIS TERRIO ARGO

 

13. BEST ORIGINAL SCORE – MOTION PICTURE
a. MYCHAEL DANNA LIFE OF PI
b. ALEXANDRE DESPLAT ARGO
c. DARIO MARIANELLI ANNA KARENINA
d. TOM TYKWER, CLOUD ATLAS
JOHNNY KLIMEK,
REINHOLD HEIL
e. JOHN WILLIAMS LINCOLN

 

14. BEST ORIGINAL SONG – MOTION PICTURE
a. ―FOR YOU‖ — ACT OF VALOR
Music by: Monty Powell, Keith Urban Lyrics by: Monty Powell, Keith Urban
b. ―NOT RUNNING ANYMORE‖ — STAND UP GUYS
Music by: Jon Bon Jovi Lyrics by: Jon Bon Jovi
c. ―SAFE & SOUND‖ — THE HUNGER GAMES
Music by: Taylor Swift, John Paul White, Joy Williams, T Bone Burnett Lyrics by: Taylor Swift, John Paul White, Joy Williams, T Bone Burnett
d. ―SKYFALL‖ — SKYFALL
Music by: Adele, Paul Epworth Lyrics by: Adele, Paul Epworth
e. ―SUDDENLY‖ — LES MISERABLES
Music by: Claude-Michel Schonberg Lyrics by: Alain Boublil, Claude-Michel Schonberg

 

Lincoln leads nomination count… all the other expected films in pursuit

 

TELEVISION

15. BEST TELEVISION SERIES – DRAMA
a. BREAKING BAD AMC
Sony Pictures Television
b. BOARDWALK EMPIRE HBO
Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment
c. DOWNTON ABBEY: SEASON 2 PBS
A Carnival / Masterpiece Co-Production
d. HOMELAND SHOWTIME
SHOWTIME, Teakwood Lane Productions, Cherry Pie Productions, Keshet,
Fox 21
e. THE NEWSROOM HBO
HBO Entertainment
16. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
a. CONNIE BRITTON NASHVILLE
b. GLENN CLOSE DAMAGES
c. CLAIRE DANES HOMELAND
d. MICHELLE DOCKERY DOWNTON ABBEY: SEASON 2
e. JULIANNA MARGULIES THE GOOD WIFE

 

17. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
a. STEVE BUSCEMI BOARDWALK EMPIRE
b. BRYAN CRANSTON BREAKING BAD
c. JEFF DANIELS THE NEWSROOM
d. JON HAMM MAD MEN
e. DAMIAN LEWIS HOMELAND

 

18. BEST TELEVISION SERIES – COMEDY OR MUSICAL
a. THE BIG BANG THEORY CBS
Chuck Lorre Productions, Inc. in association with Warner Bros. Television
b. EPISODES SHOWTIME
SHOWTIME, Hat Trick Productions, Crane Klarik Productions
c. GIRLS HBO
Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment
d. MODERN FAMILY ABC
Levitan-Lloyd Productions in association with Twentieth Century Fox Television
e. SMASH NBC
Universal Television in association with DreamWorks Television

 

19. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES –COMEDY OR MUSICAL
a. ZOOEY DESCHANEL NEW GIRL
b. JULIA LOUIS-DREYFUS VEEP
c. LENA DUNHAM GIRLS
d. TINA FEY 30 ROCK
e. AMY POEHLER PARKS AND RECREATION

 

20. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL
a. ALEC BALDWIN 30 ROCK
b. DON CHEADLE HOUSE OF LIES
c. LOUIS C.K. LOUIE
d. MATT LEBLANC EPISODES
e. JIM PARSONS THE BIG BANG THEORY

 

21. BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. GAME CHANGE HBO
Playtone and Everyman Pictures in association with HBO Films
b. THE GIRL HBO
A Wall to Wall, Warner Bros Entertainment GmbH, Moonlighting and BBC Production in association with HBO Films
c. HATFIELDS & MCCOYS HISTORY
Thinkfactory Media in association with History
d. THE HOUR BBC AMERICA
Kudos Film and Television/BBC America co-production
e. POLITICAL ANIMALS USA NETWORK
Berlanti Productions and Laurence Mark Productions in association with Warner Horizon Television

 

22. BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. NICOLE KIDMAN HEMINGWAY & GELLHORN
b. JESSICA LANGE AMERICAN HORROR STORY: ASYLUM
c. SIENNA MILLER THE GIRL
d. JULIANNE MOORE GAME CHANGE
e. SIGOURNEY WEAVER POLITICAL ANIMALS

 

23. BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. KEVIN COSTNER HATFIELDS & MCCOYS
b. BENEDICT CUMBERBATCH SHERLOCK (MASTERPIECE)
c. WOODY HARRELSON GAME CHANGE
d. TOBY JONES THE GIRL
e. CLIVE OWEN HEMINGWAY & GELLHORN

 

24. BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. HAYDEN PANETTIERE NASHVILLE
b. ARCHIE PANJABI THE GOOD WIFE
c. SARAH PAULSON GAME CHANGE
d. MAGGIE SMITH DOWNTON ABBEY: SEASON 2
e. SOFIA VERGARA MODERN FAMILY

 

25. BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. MAX GREENFIELD NEW GIRL
b. ED HARRIS GAME CHANGE
c. DANNY HUSTON MAGIC CITY
d. MANDY PATINKIN HOMELAND
e. ERIC STONESTREET MODERN FAMILY

 

NOMINATIONS BY MOTION PICTURE DISTRIBUTOR AND TELEVISION NETWORK MOTION PICTURE DISTRIBUTOR
The Weinstein Company
14
Sony Pictures Releasing
12
Touchstone Pictures
7
Warner Bros. Pictures
6
Fox Searchlight Pictures
5
Focus Features
4
Universal Pictures
4
CBS Films
3
Lionsgate
3
Sony Pictures Classics
3
Twentieth Century Fox
3
Walt Disney Pictures
3
Millennium Entertainment
2
Paramount Pictures
2
Magnolia Pictures
1
Music Box Films
1
Relativity Media, LLC
1
Roadside Attractions
1
Summit Entertainment
1
X-Filme
1

 

TELEVISION NETWORK
HBO
17
Showtime
7
ABC
5
CBS
4
NBC
4
PBS
4
AMC
3
FOX
2
FX
2
History
2
USA Network
2
BBC America
1
DIRECTV
1
Starz
1

NOMINATIONS BY MOTION PICTURE AND TELEVISION SERIES OR PROGRAM
MOTION PICTURE
LINCOLN
7
ARGO
5
DJANGO UNCHAINED
5
LES MISERABLES
4
SILVER LININGS PLAYBOOK
4
ZERO DARK THIRTY
4
LIFE OF PI
3
SALMON FISHING IN THE YEMEN
3
THE MASTER
3
RUST AND BONE
2
THE BEST EXOTIC MARIGOLD HOTEL
2
THE SESSIONS
2
ACT OF VALOR
1
AMOUR
1
ANNA KARENINA
1
ARBITRAGE
1
BERNIE
1
BRAVE
1
CLOUD ATLAS
1
FLIGHT
1
FRANKENWEENIE
1
HITCHCOCK
1
HOPE SPRINGS
1
HOTEL TRANSYLVANIA
1
HYDE PARK ON HUDSON
1
KON-TIKI
1
MOONRISE KINGDOM
1
QUARTET
1
RISE OF THE GUARDIANS
1
A ROYAL AFFAIR
1
SKYFALL
1
STAND UP GUYS
1
THE DEEP BLUE SEA
1
THE HUNGER GAMES
1
THE IMPOSSIBLE
1
THE INTOUCHABLES
1
THE PAPERBOY
1
WRECK-IT RALPH
1
NOMINATIONS BY MOTION PICTURE AND TELEVISION SERIES OR PROGRAM
TELEVISION SERIES OR PROGRAM
GAME CHANGE
5
HOMELAND
4
DOWNTON ABBEY: SEASON 2
3
MODERN FAMILY
3
THE GIRL
3
30 ROCK
2
BOARDWALK EMPIRE
2
BREAKING BAD
2
EPISODES
2
GIRLS
2
HATFIELDS & MCCOYS
2
HEMINGWAY & GELLHORN
2
NASHVILLE
2
NEW GIRL
2
POLITICAL ANIMALS
2
THE BIG BANG THEORY
2
THE GOOD WIFE
2
THE NEWSROOM
2
AMERICAN HORROR STORY: ASYLUM
1
DAMAGES
1
HOUSE OF LIES
1
LOUIE
1
MAD MEN
1
MAGIC CITY
1
PARKS AND RECREATION
1
SHERLOCK (MASTERPIECE)
1
SMASH
1
THE HOUR
1
VEEP
1

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

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I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon