By Ray Pride Pride@moviecitynews.com

DON JON No Longer Addicted

From Joseph Gordon-Levitt

“Hey everybody,

So, as you might’ve heard already, I wrote and directed a movie last year, and it’s coming out later this year.  Which is absolutely crazy, and I still kinda can’t believe it.  Anyway, I’m posting this today to let you all know that I’m changing its title.  It’s now called… DON JON.  I decided to change it, first of all, because DON JON is just so short and simple, and if you know me, you know I’m a fan of brevity.  Second of all, it felt to me like the old title, “Don Jon’s Addiction” was throwing some people off a bit from the point of the movie.  People were assuming it was a film about porn addiction and sex addiction, which really isn’t true.  That’d be sort of like saying “The Maltese Falcon” is a movie about a statue of a falcon.  DON JON is a comedy about how men and women treat each other, and how the media we consume can create unrealistic expectations that we put on one another.  That’s why the story centers around a relationship between a young man (played by me) who watches too much pornography and a young woman (played by Scarlett) who watches too many romantic Hollywood movies.  It’s a topic I personally find fascinating and hilarious.

And while I have your attention, I figured I’d show you the first production still we’re releasing of Jon’s father, played by none other than Tough Tony Danza.  More to show soon.  We’re just starting to work on the trailer now.

And I’m heading down to SxSW with Tony this weekend with the film, so I’ll see some of you in Austin!

thanks again.. J”

Joe has posted on his official FB page:

https://www.facebook.com/JoeGordonLevitt

OFFICIAL DON JON SOCIAL HANDLES:

Twitter Handle:

@donjonmovie

HashTag: #DonJon

 

Facebook:

https://www.facebook.com/DonJonMovie

 

Instagram:

instagram.com/donjonmovie

 

 

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon