By Ray Pride Pride@moviecitynews.com

RICHARD LINKLATER TO RECEIVE THE SONNY BONO VISIONARY AWARD AT THE 26th ANNUAL PALM SPRINGS INTERNATIONAL FILM FESTIVAL AWARDS GALA

The 26th annual Palm Springs International Film Festival (PSIFF) will present two-time Academy Award® nominated filmmaker Richard Linklater with the Sonny Bono Visionary Award at its annual Awards Gala.  Past recipients of the Sonny Bono Visionary Award include Academy Award® winning filmmakers Tom Hooper, Danny Boyle, Quentin Tarantino, and Michel Hazanavicius.Presented by Cartier, and hosted by Mary Hart, the Awards Gala will be held Saturday, January 3 at the Palm Springs Convention Center.  The Festival runs January 2-12.

“Richard Linklater’s latest feature film is the critically acclaimed Boyhood, a one-of-a-kind epic undertaking shot over the course of 12 years with the same cast,” said Festival Chairman Harold Matzner.  “For his creative innovations in filmmaking, The Palm Springs International Film Festival is proud to present Richard Linklater with the Sonny Bono Visionary Award.”

Linklater wrote, produced and directed Boyhood, a film about growing up as seen through the eyes of a boy named Mason (in a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason’s parents, and Lorelei Linklater as his sister Samantha,Boyhood charts the rocky terrain of childhood, parenting and growing up. Snapshots of adolescence from road trips and family dinners, to birthdays and graduations, and all the moments in between are set to a soundtrack spanning the years with music from Coldplay, Paul McCartney and Arcade Fire.  The film, which was produced by Linklater, Cathleen Sutherland, Jonathan Sehring and John Sloss, was released by IFC Films.

Linklater’s list of film credits include SlackerDazed and ConfusedBefore SunriseWaking LifeTapeSchool of Rock, Before Sunset (which earned him an Academy Award® nomination for Best Adapted Screenplay), A Scanner DarklyBernie, and Before Midnight(which earned him a second Academy Award® nomination for Best Adapted Screenplay). Linklater also serves as the Artistic Director for the Austin Film Society, which he founded in 1985.

The Gala will also present awards to previously announced honorees Julianne Moore, Eddie Redmayne, J.K. Simmons, and Rosamund Pike.

About The Palm Springs International Film Festival

The Palm Springs International Film Festival (PSIFF) is one of the largest film festivals in North America, welcoming 135,000 attendees last year for its lineup of new and celebrated international features and documentaries.  The Festival is also known for its annual Black Tie Awards Gala, honoring the best achievements of the filmic year by a celebrated list of talents who, in recent years, have included Ben Affleck, Javier Bardem, Cate Blanchett, Sandra Bullock, Bradley Cooper, George Clooney, Daniel Day-Lewis, Leonardo DiCaprio, Clint Eastwood, Tom Hanks, Matthew McConaughey, Brad Pitt, Julia Roberts, David O. Russell, Meryl Streep, and Kate Winslet.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon