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Screen Actors Guild Honors Outstanding Film And Television Performances at the 17th Annual Screen Actors Guild Awards®

Posted Sunday, January 30th, 2011 - Comments Off on Screen Actors Guild Honors Outstanding Film And Television Performances at the 17th Annual Screen Actors Guild Awards®
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LOS ANGELES (Jan. 30, 2011) – Screen Actors Guild presented its coveted Actor® statuette for the outstanding motion picture and primetime television performances of 2010 at the “17th Annual Screen Actors Guild Awards®” in ceremonies attended by film and television’s leading actors, held Sunday, Jan. 30, at the Los Angeles Shrine Exposition Center. The “17th Annual Screen Actors Guild Awards®” was simulcast live coast-to-coast by TNT and TBS at 8 p.m. (ET), 7 p.m. (CT), 6 p.m. (MT) and 5 p.m. (PT). An encore presentation was telecast on TNT at 10 p.m. (ET), 9 p.m. (CT), 8 p.m. (MT) and 7 p.m. (PT).

Voting procedures to choose the recipients were sent to the nearly 100,000 active members of Screen Actors Guild nationwide. Morgan Freeman presented Ernest Borgnine with Screen Actors Guild’s highest honor, the 47th Annual Life Achievement Award, following a filmed tribute introduced by Tim Conway.

Honored with individual awards were Christian Bale, Colin Firth, Melissa Leo and Natalie Portman for performances in motion pictures and Alec Baldwin, Steve Buscemi, Claire Danes, Julianna Margulies, Al Pacino, and Betty White for performances in television. Screen Actors Guild originated awards for the outstanding performances by a motion picture cast and by television drama and comedy ensembles. The Actor® for a motion picture cast performance went this year to “The King’s Speech”, while the Actors® for television drama and comedy ensemble performances went this year to “Boardwalk Empire” and “Modern Family.” Screen Actors Guild’s honors for outstanding performances by a stunt ensemble in film and television were awarded to “Inception” and “True Blood.”

Dennis Haysbert introduced a lively film montage that saluted actors who perform in commercials. Hillary Swank introduced a filmed “In Memoriam” tribute to the actors who have passed away in the past year.

PEOPLE magazine and the Entertainment Industry Foundation (EIF) hosted the Screen Actors Guild Post-Awards Gala for the 15th year. This exclusive event, immediately following the SAG Awards on the back lot of the Shrine Exposition Center, honors the philanthropic causes and good works of the members of the Screen Actors Guild. The gala benefits the SAG Foundation, which just celebrated its 25th year of service to the public and the acting community.

The “17th Annual Screen Actors Guild Awards®” is a presentation of Jeff Margolis Productions in association with Screen Actors Guild Awards®, LLC. Jeff Margolis is the executive producer and director. Kathy Connell is the producer. JoBeth Williams, Daryl Anderson, Scott Bakula, Shelley Fabares and Paul Napier are producers for SAG. Gloria Fujita O’Brien and Mick McCullough are supervising producers. Stephen Pouliot is the writer. Benn Fleishman is executive in charge of production. For more information about the SAG Awards, SAG, TNT and TBS visit sagawards.org/about.

The complete list of recipients of the 17th Annual Screen Actors Guild Awards® follows.

17th ANNUAL SCREEN ACTORS GUILD AWARDS® RECIPIENTS

THEATRICAL MOTION PICTURES

Outstanding Performance by a Male Actor in a Leading Role
COLIN FIRTH / King George VI – “THE KING’S SPEECH” (The Weinstein Company)

Outstanding Performance by a Female Actor in a Leading Role
NATALIE PORTMAN / Nina Sayers – “BLACK SWAN” (Fox Searchlight Pictures)

Outstanding Performance by a Male Actor in a Supporting Role
CHRISTIAN BALE / Dicky Eklund – “THE FIGHTER” (Paramount Pictures and Relativity Media)

Outstanding Performance by a Female Actor in a Supporting Role
MELISSA LEO / Alice Ward – “THE FIGHTER” (Paramount Pictures and Relativity Media)

Outstanding Performance by a Cast in a Motion Picture

THE KING’S SPEECH (The Weinstein Company)

ANTHONY ANDREWS / Stanley Baldwin
HELENA BONHAM CARTER / Queen Elizabeth
JENNIFER EHLE / Myrtle Logue
COLIN FIRTH / King George VI
MICHAEL GAMBON / King George V
DEREK JACOBI / Archbishop Cosmo Lang
GUY PEARCE / King Edward VIII
GEOFFREY RUSH / Lionel Logue
TIMOTHY SPALL / Winston Churchill

PRIMETIME TELEVISION

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
AL PACINO / Jack Kevorkian – “YOU DON’T KNOW JACK” (HBO)

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
CLAIRE DANES / Temple Grandin – “TEMPLE GRANDIN” (HBO)

Outstanding Performance by a Male Actor in a Drama Series
STEVE BUSCEMI / Nucky Thompson – “BOARDWALK EMPIRE” (HBO)

Outstanding Performance by a Female Actor in a Drama Series
JULIANNA MARGULIES / Alicia Florrick – “THE GOOD WIFE” (CBS)

Outstanding Performance by a Male Actor in a Comedy Series
ALEC BALDWIN / Jack Donaghy – “30 ROCK” (NBC)

Outstanding Performance by a Female Actor in a Comedy Series
BETTY WHITE / Elka Ostrovsky – “HOT IN CLEVELAND” (TV Land)

Outstanding Performance by an Ensemble in a Drama Series

BOARDWALK EMPIRE (HBO)

GREG ANTONACCI / Johnny Torrio
STEVE BUSCEMI / Nucky Thompson
DABNEY COLEMAN / Commodore Louis Kaestner
PAZ DE LA HUERTA / Lucy Danzinger
STEPHEN GRAHAM / Al Capone
ANTHONY LACIURA / Eddie Kessler
KELLY MACDONALD / Margaret Schroeder
GRETCHEN MOL / Gillian Darmody
ALEKSA PALLADINO / Angela Darmody
VINCENT PIAZZA / Lucky Luciano
MICHAEL PITT / Jimmy Darmody
MICHAEL SHANNON / Agent Nelson Van Alden
PAUL SPARKS / Mickey Doyle
MICHAEL STUHLBARG / Arnold Rothstein ERIK WEINER / Agent Sebso
SHEA WHIGHAM / Sheriff Elias Thompson

Outstanding Performance by an Ensemble in a Comedy Series

MODERN FAMILY (ABC)

JULIE BOWEN / Claire Dunphy
TY BURRELL / Phil Dunphy
JESSE TYLER FERGUSON / Mitchell Pritchett
NOLAN GOULD / Luke Dunphy
SARAH HYLAND / Haley Dunphy
ED O’NEILL / Jay Pritchett
RICO RODRIGUEZ / Manny Delgado
ERIC STONESTREET / Cameron Tucker
SOFIA VERGARA / Gloria Delgado-Pritchett
ARIEL WINTER / Alex Dunphy

SAG HONORS FOR STUNT ENSEMBLES

Outstanding Performance by a Stunt Ensemble in a Motion Picture
INCEPTION (Warner Bros. Pictures)

Outstanding Performance by a Stunt Ensemble in a Television Series
TRUE BLOOD (HBO)

LIFE ACHIEVEMENT AWARD

Screen Actors Guild Awards 47th Annual Life Achievement Award
Ernest Borgnine

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon