The Top Tens – Critics Pages

Critics Top Ten 2014: Peter Howell

Toronto Star Boyhood Grand Budapest Hotel Inherent Vice Goodbye to Language Mommy Under the Skin Leviathan Ida Whiplash The Imitation Game  

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Critics Top Ten 2014: Linda Barnard

Toronto Star Boyhood Grand Budapest Hotel Whiplash Selma Snowpiercer Gone Girl Force Majeure Ida We are the Best! Only Lovers Left Alive

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Critics Top Ten 2014: Kate Rodger

3 News: New Zealand Boyhood The Grand Budapest Hotel The Dark Horse 12 Years A Slave Her Calvary Whiplash Dawn of the Planet of the Apes Interstellar The Lego Movie

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Critics Top Ten 2014 Alison Willmore

Buzzfeed 1. Under the Skin 2. Two Days, One Night 3. The Grand Budapest Hotel 4. The Tale of The Princess Kaguya 5. Birdman 6. Inherent Vice 7. Whiplash 8. Guardians of the Galaxy 9. Ida 10. Selma 11. Nightcrawler 12. Love Is Strange 13. Foxcatcher 14. The Babadook

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Critics Top Ten 2014 John Anderson

WSJ, NYT and more 1. Ida 2. Citizenfour 3. Mr. Turner 4. Whiplash 5. Boyhood 6. Leviathan 7. Foxcatcher 8. We Are The Best! 9. Point and Shoot 10. A Most Violent Year

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Critics Top Ten Keith Simanton

IMDB 1. Boyhood 2. Whiplash 3. Birdman 4. The Disappearance Of Eleanor Rigby: Them 5. Guardians of the Galaxy 6. Nightcrawler 7. The Rover 8. The Grand Budapest Hotel 9. Edge of Tomorrow 10. Gone Girl

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Critics Top 10 2014 Dan Kois

Slate 1. Boyhood 2. Wild 3. Under the Skin 4. Love Is Strange 5. We are the Best! 6. Ida 7. The Skeleton Twins 8. Le Week-End 9. Mr. Turner 10. Snowpiercer

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Critics Top Ten 2014: Milan Paurich

Cleveland Movie Blog 1. Boyhood 2. The Grand Budapest Hotel 3. Ida 4. American Sniper 5. Birdman 6. Inherent Vice 7. Leviathan 8. A Most Violent Year 9. Foxcatcher 10. Citizenfour

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Critics Top Ten List 2014: Manohla Dargis

New York Times (alphabetical) American Sniper Beyond the Lights Birdman Boyhood The Dog Edge of Tomorrow Gloria Goodbye to Language The Grand Budapest Hotel Inherent Vice Interstellar Listen Up Philip Manakamana Manila in the Claws of Light The Missing Picture National Gallery Selma Snowpiercer Top Five Violette

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Critics Top Ten List 2014: Jonathan Rosenbaum

jonathanrosenbaum.net 1. Goodbye to Language (Jean-Luc Godard) 2. Citizenfour (Laura Poitras) 3. Level Five (Chris Marker) 4. Locke (Steven Knight) 5. Stray Dogs (Tsai Ming-liang) 6. Snowpiercer (Bong Joon-ho) 7. Boyhood (Richard Linklater) 8. Words and Pictures (Fred Schepisi) 9. The Grand Budapest Hotel (Wes Anderson) 10. Fading Gigolo (John Turturro) Via Fandor.

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Critics Top Ten List 2014: A. O. Scott

NYT 1. Boyhood 2. Ida 3. Citizenfour 4. Leviathan 5. Selma 6. Love Is Strange 7. We Are the Best! 8. Mr. Turner 9. Dear White People 10. The Babadook

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Critics Top Ten List 2014: Anne Hornaday

Washington Post 1. Boyhood 2. Birdman or (The Unexpected Virtue of Ignorance) 3. Citizenfour 4. Force Majeure 5. Foxcatcher 6. Under the Skin 7. Selma 8. Edge Of Tomorrow 9. Beyond The Lights 10. Locke

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Critics Top Ten 2014: Kristopher Tapley

Hitfix 1. Birdman or (The Unexpected Virtue of Ignorance) 2. Foxcatcher 3. Inherent Vice 4. Boyhood 5. The Overnighters 6. A Most Violent Year 7. Godzilla 8. Whiplash 9. How To Train Your Dragon 2 10. Beyond The Lights

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Critics Top 10 2014: Richard Brody

The New Yorker 1. The Grand Budapest Hotel 2. Thou Wast Mild and Lovely 3. Goodbye to Language The Last of the Unjust (tie) 5. The Immigrant 6. American Sniper 7. Listen Up Philip 8. Actress 9. Memphis 10. Butter on the Latch

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Critics Top Ten List 2014: David Denby

From The New Yorker Ida American Sniper A Most Violent Year Birdman Boyhood Get On Up Mr. Turner National Gallery Selma Snowpiercer

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Critics Top Ten List 2014: Dana Stevens

Slate.com (alphabetical) The Babadook Boyhood Force Majeure Gone Girl Ida The LEGO Movie Mr. Turner The Missing Picture Selma We are the Best  

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Critics Top Ten List 2014: Manohla Dargis

NYT Alphabetical American Sniper Beyond the Lights Birdman Boyhood The Dog Edge of Tomorrow Gloria Goodbye to Language The Grand Budapest Hotel Inherent Vice Interstellar Listen Up Philip Manakamana Manila in the Claws of Light The Missing Picture National Gallery Selma Snowpiercer Top Five Violette

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Critics Top Ten List 2014: Stephen Holden

NYT Boyhood Foxcatcher Force Majeure Citizenfour Mr. Turner Two Days, One Night The Salt of the Earth Stand Clear of the Closing Doors Ida Only Lovers Left Alive

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Critics Top Ten List 2014: William Bibbiani

Crave Online Whiplash The Dance of Reality Selma The Guest Only Lovers Left Alive Fury We are the Best Nightcrawler Inherent Vice Snowpiercer

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Critics Top Ten List 2014: National Board of Review

National Board of Review American Sniper Birdman Boyhood Fury Gone Girl The Imitation Game Inherent Vice The Lego Movie Nightcrawler Unbroken

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon