MCN Columnists
Kim Voynar

Voynaristic By Kim VoynarVoynar@moviecitynews.com

It’s Beginning to Look at Lot Like Sundance

Each December, in addition to the flurry of screeners that come whirling down the chimney for the consideration of film critics far and wide, comes the announcement of the lineup of the Sundance Film Festival. Some years the fest is pretty awesome, other years it’s mundane, but there’s always that hope, that sense of anticipation when the press releases…

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O Christmas Tree

Published under 1,000 Monkeys. I love everything about the Christmas season, from the decorations to the Christmas music piped in to all the stores to the lights brightening up all the houses. I love planning what to get each of the kids, baking Christmas cookies, and listening non-stop to Christmas music on the radio until…

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Of Indie Film and Insularity

This Thanksgiving weekend, as I ponder my abundant blessings, one of the things I’m most thankful for is having a job that allows me not only to watch a lot of movies, but to see many of them at film festivals far and wide. As I write this, over the past couple years we’ve seen…

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Home is Where My Heart Is

Published under 1,000 Monkeys. Why 1,000 Monkeys? David and I spent a lot of time talking back and forth about a new name for this more philosophical, life-stuff column. One day in frustration, I said to David, “If you put 1,000 monkeys at 1,000 typewriters, they could never write the craziness that is my life…

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Memory Lane

Published under 1,000 Monkeys. Why 1,000 Monkeys? David and I spent a lot of time talking back and forth about a new name for this more philosophical, life-stuff column. One day in frustration, I said to David, “If you put 1,000 monkeys at 1,000 typewriters, they could never write the craziness that is my life…

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Precious Things

Back at Sundance last year, when Precious: Based on the Novel Push by Sapphire was first unveiled for critics with little fanfare but high hopes, quite a few folks thought it would never see the light of day off the fest circuit. Too dark, too depressing, too tragic … with little redemption or justice to buoy…

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The Vampire as Moral Compass

These days, it seems vampires are the new black — but they aren’t quite as black as they used to be. Today’s vampires have more than just gloomy good looks and great fashion sense; they come complete with a moral compass. If art and literature reflect the world in which they are created, what does…

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For Better, For Worse

Published under Voices. It’s a very curious and lonely thing, facing a pancreatic tumor and a divorce at the same time. You know intellectually that your marriage is over, that the person you’d always imagined would be by your side holding your hand if you ever had to face something scary like this isn’t there…

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Paging Polanski

Finally, a film about hot, tattooed roller derby chicks. Whip It!, Drew Barrymore‘s directorial debut, is not just a good time at the movies, but a smart film about female empowerment and what it means to be a tough chick, even if you’re not the biggest, meanest bitch on the wheels. It’s exactly the kind of…

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A Funny Thing Happened on the Way to the Film Festival

On September 9, along with many of my fellow film journalists, I packed my bags and boarded a plane to Toronto for one of the most challenging (and occasionally rewarding) film festivals we film fest junkies work all year: the Toronto International Film Festival. I’d just come off a long, hard month of helping my…

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Defending Jennifer’s Body

Spoiler Warning: This column contains spoilers about the film Jennifer’s Body. Consider yourself forewarned and forearmed. Is Jennifer’s Body really as bad as some critics say, or are some folks just lime-green Jell-O over anything that has Diablo Cody‘s name attached? I thoroughly enjoyed this film from start to finish, in part because I thought I was…

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Cloudy with a Chance of Mediocrity

I realize I’m in the critical minority on this, but I wasn’t all that crazy about Cloudy with a Chance of Meatballs. Yes, yes, the animation was bright! And colorful! And the cheeseburgers and scoops of ice cream and giant pancakes and meatballs practically popped off the screen. It was all very exciting, I suppose. I…

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To Absent Friends

Today I’m thinking a lot about 1984 — the year, not the Orwell novel. September 8, 1984 was a life-altering day that altered the course of my life; on September 8, 1984, my best friend, Monica, committed suicide at the age of 16. I can still recall, with achingly perfect clarity, where I was when…

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Of Love, Life and Loss

What’s the meaning of a life, and a loss? Earlier today, MCN Headlines Editor Ray Pride posted a particularly tragic headline to the front page of MCN about the murders of Filipino-Canadian film critic Alexis Tioseco and his partner, Slovenian critic and programmer Nika Bohinc, in what seems to be a random house robbery. The murders have hit…

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Life, the Movies and Everything

Movies are entertainment, not life. But sometimes when life delivers a solid sucker punch, you need a little something to see you through, and for me, the movies are great medicine for, well, the melancholy. I’ve been in Oklahoma City for almost two weeks now, since I got a call from my uncle letting me…

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Feminism and Horror: Beyond the Final Girl

I’m not what most horror buffs would consider a “horror buff,” but lately I’ve been warming up to the genre. While I don’t think I’ll ever enamored of ultra-gory fare like the Saw films, I’ve grown more open to experiencing the pleasures of watching horror films over the past few years. I realized recently that…

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Coming of Age at the Movies: Where’s the Brat Pack for Today’s Teens?

My own coming-of-age years were defined by Sixteen Candles, The Breakfast Club, Pretty in Pink and Ferris Bueller’s Day Off (seasoned with a generous sprinkle of Purple Rain and a dash of Desperately Seeking Susan). If you were a couple years behind me in high school, it was probably Say Anything and Some Kind of Wonderful.  The 1980s teen flicks were great…

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Until the Credits Do Us Part: Marriage and the Movies

If you judged marriage based on the recent history of Hollywood’s depiction of adult relationships, you might think most people spend the majority of their lives either starting new relationships or ending old ones, and very little time in the period in between. Perhaps it’s partly the influence of Hollywood, where celebrity marriages might last…

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The Slippery Slope of Truth in Non-Fiction Films

Rich, successful Latino-American lawyer takes on a big corporation on behalf of downtrodden, third-world workers and wins. It makes for a great “David versus Goliath” story of melodramatic Erin Brockovich proportions — but what if the David of the story ends up being accused of fraud, causing not only that case but others to be thrown…

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The Fame and Misfortune of Michael Jackson

People who live and make their living in Hollywood are quick to tell you that Hollywood is an awful, soul-sucking, backstabbing hell of a town, and they’re largely right. Fame is, in its way, as evil a societal monster as alcoholism and drug addiction, and it’s not particularly surprising that many people who achieve fame…

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Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon