Toronto Film Festival Archive for September, 2010

TIFF Review: Cool It

Pssst. Have you heard about global warming? Sure you have. We’ve all heard about that, right? Especially since Al Gore told us a few years ago the inconvenient truth that the world as we know it is going to come to its catastrophic end if we don’t do something about it right now. The trouble…

Read the full article » 3 Comments »

Toronto Int’l Posts Video Of Movie Intros + Q&As

Toronto Int’l Posts Video Of Movie Intros + Q&As

Read the full article »

Norwegian Director Bent Hamer Has Never Made A Comedy In His Life

Norwegian Director Bent Hamer Has Never Made A Comedy In His Life

Read the full article »

Indian Directors At TIFF Thinking Outside B’wd Box

Indian Directors At TIFF Thinking Outside B’wd Box

Read the full article »

Howell’s Lessons Of TIFF10

Howell‘s Life Lessons From 60 Pics At TIFF10

Read the full article »

UK Film Council, Facing Ax, Still Has One Of Its Strongest Toronto Showings Ever

UK Film Council, Facing Ax, Still Has One Of Its Strongest Toronto Showings Ever

Read the full article »

Itzkoff And Woody Ping The Conversational Pong

Itzkoff And Woody Ping The Conversational Pong

Read the full article »

Magnet Drawn To I Saw The Devil

Magnet Attracted To I Saw The Devil

Read the full article »

TIFF Review: Dirty Girl

I put Abe Sylvia‘s Dirty Girl on my maybe list primarily because it’s set in late ’80s Norman, Oklahoma, and I am an Oklahoma Girl. I put it on my definite list when the Weinsteins bought it the other day, because love the Weinsteins or hate them, they tend to have good taste in their…

Read the full article » 8 Comments »

White Irish Drinkers Gets A Late Start

White Irish Drinkers Gets A Late Start

Read the full article »

Springsteen’s Secret T.O. Concert Before His Doc

Springsteen’s Secret T.O. Concert Before His Doc Premiere

Read the full article »

Who Is This Polite Man Named Richard Ayode?

Who Is This Polite Man Named Richard Ayode?

Read the full article »

IFC Gets Cave of Forgotten Dreams In 3D

IFC Gets Cave of Forgotten Dreams In 3D

Read the full article »

Was Keanu’s Presser TIFF’s Most Uncomfortable Hour?

Was Keanu’s Presser TIFF’s Most Uncomfortable Hour?

Read the full article »

TIFF Dispatch Day Six: Catching Up

Time to lighten things up a bit, after that last dispatch, eh? As we near the homestretch, this has been a really good fest for me. In a lot of ways I feel like this fest represents a bit of a coming full circle for me from last year’s devastating fest-spent-in-a-hospital bed, which was all…

Read the full article »

Aronofsky Compares Black Swan And The Wrestler

Aronofsky Compares Black Swan And The Wrestler

Read the full article »

TIFF More About Movies Than Celeb Fashion?

TIFF More About Movies Than Celeb Fashion?

Read the full article »

TIFF Review: Another Year

Mike Leigh is one of those rare directors you can almost always count on to deliver something good, interesting and completely original. His latest film, Another Year, is tonally very different from the last film he had at Toronto, Happy-Go-Lucky, (actually, to be more precise, I’d say it’s tonally different from much of his previous…

Read the full article »

Danny Boyle: Best Brit Helmer?

Danny Boyle: Best Brit Helmer?

Read the full article »

Redford Takes His Conspirator North Of The 49th

Redford Takes His Conspirator North Of The 49th

Read the full article »

Toronto Film Festival

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon