TIFF Originals Archive for September, 2010

DP/30 Sneak iPhone Peek – Kat Dennings & Josh Lucas, Daydream Nation

A very roughly shot, very iPhone exchange between the co-stars of one of TIFF’s hippest.

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Up On Review – Passion Play

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DP/30 Sneak iPhone Peek – The King’s Speech: Firth & Rush

Sneak Peeks of DP/30 conversations (here via iPhone/coming in hi-def) with Colin Firth and Geoffrey Rush of The King’s Speech.

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TIFF Review: The Illusionist

The Illusionist, Sylvain Chomet‘s animated adaptation of an unproduced script by French comedic legend Jacques Tati, is a sad, soulful, touching tale about a vaudeville magician past his prime and his friendship with a young girl. Chomet, who previously made the excellent The Triplets of Bellville (which referenced Tati’s Jour de Fête), uses his uniquely…

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TIFF Review: Legend of the Fist: The Return of Chen Zhen

Legend of the Fist: The Return of Chen Zhen, revisits an iconic character originally played by Bruce Lee (in Fists of Fury) and Jet Li (in Fist of Legend). Here, Donnie Yen reprises the role of Chen Yen from a 20-episode 1995 television series version of Fists of Fury. This time around, Chen Zhen returns…

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Confessions of a Film Festival Junkie

Toronto has also evolved along these lines. It runs arguably the best programmed cinematheque in North America, touring film programs and underwrites scholarly research and publications that otherwise would be marginalized. The Lightbox marketing employs the catch phrase: The House That Film Built and, considering past good works, it should be a home base that’s both state of the art and sturdy.

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TIFF Review: Biutiful

When a great director has teamed repeatedly with a brilliant writer over the course of a career, one has to ponder how much the unique chemistry of two artistic minds working on a common canvas shapes the quality of the end result. Alejandro González Iñárritu‘s films Amores Perres, 21 Grams, and multiple-Oscar nominee Babel (which…

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TIFF Dispatch Day One: Ups and Downs

I’m starting to feel settled and in the groove now that I’m getting acclimated to being back in Toronto. It was just about a year ago that I attended my first day of the fest going full force and then wound up being taken by ambulance to the hospital on Day Two, where I spent…

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TIFF Review: Behind Blue Skies

Swedish film Behind Blue Skies very strongly reminded me of Holy Rollers, Kevin Asch‘s Jesse Eisenberg-starrer about a young, fresh-faced Hasidic Jew whose greed lures him into a scheme to transport ecstasy from Amsterdam into the US using other young Hasidics as mules. And I don’t mean that in a bad way, as I actually…

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Confessions of a Film Festival Junkie

Try as I may, I’ve yet to conquer the feeling of apprehension that floods through me as the countdown to the Toronto International Film Festival enters the single digit phase. It is a wholly irrational emotion but it nonetheless persists.

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I Just Flew Into Toronto, and Boy, Are My Arms Tired

After a full day of travel, I finally landed in Toronto around 10PM tonight. I spent part of the flight watching screeners — I’ll have a review of Swedish film Behind Blue Skies up soonish, but in brief: it’s kind of a Swedish Holy Rollers (the Jesse Eisenberg, Hasidic Jews smuggling ecstasy flick), set in…

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Never Let Me Go actors Carey Mulligan & Andrew Garfield

DP/30: Carey Mulligan and Andrew Garfield chat with David Poland about their new film (some spoilers)

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Never Let Me Go director Mark Romanek

THERE WILL BE SPOILERS!

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Gurus o’ Gold – A Pre-Toronto Look At The 2010/11 Field

Update: The last 3 Gurus have chimed in. Not a lot changes at the top.

TIFF starts in 2 days and by its end, only 8 of the 42 charted films will still be unseen.

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26 Weeks To Oscar: The Year Of… Patience

The awards season has gotten off to a rousing “uh, okay.”

Yeah, the festival season is upon us and there is a lot of drool dripping over some of these films – including my own happy salivations – but festival excitement is not, in and of itself, an answer.

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Tamara Drewe, dir Stephen Frears

At 69, Stephen Frears is one of the oldest working directors and one of the most prolific of any age. This year, he decided to take on the adult graphic novel, Tamara Drewe. He’s making the fest circuit with the film, but took 30 minutes to chat with David Poland about the film and a life in cinema.

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TIFF Preview, Part Two

Previously, I wrote about what you might consider the more “indie” sections of the Toronto International film fest: Contemporary World Cinema, Discovery, and docs, plus Canada First!, which is always interesting. Now let’s take a peek at the Galas and Special Presentations, plus everyone’s favorite late night, wild ‘n’ crazy section, Midnight Madness.

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Review – Never Let Me Go

Sometimes an artist’s instrument is so sharp that many of the viewers will not feel the incision, either on the surface nor in its unusual depth. Such is what you’ll find in Mark Romanek’s new film, Never Let Me Go.

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TIFF 2010 Preview, Part One

The Toronto International Film Festival is looming ever closer, and as always, one of the greatest challenges faced by film journalists attending the fest is determining which films on the fest’s packed slate they’ll see. With roughly a week to cover the fest and only so many hours in the day to see (and write…

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Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon