MCN Curated Headlines Archive for November, 2011

NY Times

“I believe in what I’m doing wholeheartedly, passionately, and what’s more, I simply go about my business. I suppose such a thing can be annoying to some people.”
Dennis Lim Obits Ken Russell

LA Times

“I believe in the things I make. The fact that God doesn’t want me to make them is beside the point.”
Hard-Luck Kid Terry Gilliam Turns 71

telegraph.co.uk

“There’s not a lot of films I’d watch that are made over the past 20 years, because I’m much more of a romantic.”
Spielberg Sez Not Many Good Movies Made Anymore

“What seems grossly unfair is there doesn’t seem to be any adult supervision looking out for the average investor like myself. You have unemotional, ruthlessly efficient and litigious investors attempting to extract whatever they can from whomever they can.”
Bankrupt TribCo’s Creditors Set To “Claw Back” Bucks From Even Smallest Past Investors

NY Times

“He is playing to the movie industry’s wobbly sense of self, exactly at a time when it is fretting about declining attendance, weak economics and constant pressure from other media.”
Together Again For The Very First Time! Weinstein As Seen By Cieply!
And – “I told my girls that I have a weakness for movies about the creative process.”
Harvey Blogs Freely At HuffPo

telegraph.co.uk

“I have a career that’s sort of stacked up behind me, and if I was once guilty of that sin of doing too much, which seems rather vulgar in British eyes, it can be forgiven if a few conspicuous failures and kickings pile up. So you go through the hubris and schadenfreude and out the other side. And there’s a whole bunch of people coming up behind you who are the next lot to annoy.”
Kenneth Branagh Likes To Think The Public No Longer Detests Him

“It’s one of the great performances in my 50 years of movie-going.”
Vanity Fair Film Cricket Paul Mazursky Chirps For Michelle Williams’ Marilyn

My Lovely Teacher… It’s Never Too Late… Larry Crowne – Smile of Fate”
2011 US Releases Get Refreshing Titles Elsewhere

Oscar? “It’s the greatest Good Housekeeping seal in the world. It’s the greatest brand. It’s as good as Louis Vuitton and Dior in the world of moviemaking. It’s the Super Bowl. It’s just greater than all the above.”
Rocchi Gets On The Blower With Harvey

“We kept all the KEMs and the Moviolas, and we kept all the white gloves, we kept the Scotch tape. We’ve still got a couple million feet of sound leader, sound film standing by for us.”
Spielberg On Digital Editing

NY Times

“A previous version of this article incorrectly spelled the name of Alfred Hitchcock.”
Rafferty Would Like To Point Out That A Dangerous Method’s Mad Character Would Have To Be A Woman, Wouldn’t She?

LA Times

“Everything in the Philip K. Dick world is complicated”
Even The Rights To Adapt His Work

MCN Curated Headlines

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

WEEKEND READS ON MEDIAQUAKE

Tribune Trolley Problem

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon