MCN Curated Headlines Archive for February, 2015

LA Times

“When people tell me, ‘I’m just voting for American Sniper, and that’s it,’ it infuriates me. That just defeats the purpose of the system. Essentially, they’re wasting their vote.”
How The Best Picture Winner Could Actually Be A Third Choice

hollywoodreporter.com

The Reporter Goes Oscar-Wild
Chris Kyle’s Widow At Center Of To-Be-Expected Furor Of Unexpected American Sniper Profit
And – Laura Dern On Her Acting Coach Of Many Decades, Sandra Seacat
WithAva DuVernay On Her Awkward First Meeting With Oprah
“Many people have vied to become the third Weinstein brother, and I’m not sure why, but that distinction only goes to one person—Quentin Tarantino. We acquired Reservoir Dogs and have been in business with Quentin on every movie of his ever since.”
PlusBob Weinstein Pens A Love Letter To His Brother, Harvey

“Superimposing intricate, baroquely subliminal symbol-patterns and glazed, death-masque motifs on hoary gothic thriller conventions, it feels like a Hitchcock film that went missing in Venice and whose remains were dredged up by divers from the canals.”
Howard Hampton On The Blu-Ray Of Don’t Look Now

variety

Ramin Setoodeh “Burns” With Six Questions About Fifty Shades Sequels

Fifty Shades of Grey, the book and the movie, is a celebration of the sadism that dominates nearly every aspect of American culture and lies at the core of pornography and global capitalism. It glorifies our dehumanization of women. It champions a world devoid of compassion, empathy and love.”
Left Journo Chris Hedges Not Aroused

“The future that has arrived in 2015 does not have us orbiting distant stars or descending through the clouds of a mysterious moon, but instead packing our own groceries at self-service machines.”
Charles Mudede Considers Alien In The Reflected Light Of Self-Checkout

“When you’ve had kids and you go into a meeting and people are like, ‘What have you been doing for the last few years?’ and you say, ‘I’ve been building my family,’ you can just see them zoning out. I wasn’t getting sent anything, I was asking my agents to send me anything that was interesting and I would see scripts and say, ‘Yeah I’ll do this,’ and they’d say, ‘Okay, well you’re fifteenth in a queue of very powerful male directors, ‘ and I just thought I needed to go out there and do something that’s going to mean that afterwards I could do anything. So this is definitely going to help.”
Sam Taylor-Johnson On Doing Fifty Shades Of Grey

Oscar Ballots Are Due Today

“If I did not take down his soul, he was going to take down mine.”
Chris Kyle Shooter Confesses To His Killing

“I think it’s a mistake to make caricatures of what different cultures worship. It’s a good idea to stop doing that.”
Miyazaki-San Says Charlie Hebdo Cartoons A Mistake

“An adventurous but wildly uneven filmmaker as well as a paradoxical personality, Eastwood has a propensity to play the fool (straight man to an orangutan in Every Which Way But Loose, lecturing an empty chair at the 2012 Republican Convention). But here, the octogenarian director is fully engaged with his material.”
J. Hoberman Sez Clint Eastwood’s Made The American Rohrschach

“When your mom calls to tell you that her mom has requested a trip to their local Wellington, Florida, movie theater on the evening of Feb. 14 to see Fifty Shades of Grey, you do what any sane PEOPLE editor would do: You demand they review.
Time Inc. Assigning Editor Offers  Another Review Of Taking The “Wrong” Relative To Fifty Shades

“Great. My safe word is ‘restraining order.'”
Laurie Penny Interviews Christian Grey

NY Times

“The 24-screen AMC theater at Walt Disney World in Orlando, Fla., sold out multiple showings on Saturday, including a 4 p.m. matinee.”
“Today” Show Favorite Fifty Shades Of Grey Whips Up The Publicity Angles Everywhere

hollywoodreporter.com

“Thanks to plunging exchange rates around the globe, Warner Bros. and MGM ultimately will take in nearly $90 million less than they planned on receiving from The Hobbit.”
How Weakened Currencies, Including The Euro At A 9-Year-Low, Are Endangering The Billion-Dollar-Grossing Movie And Even More Returns

“PBS recommends that its affiliates schedule the shows on Mondays during prime time, but increasingly, each station has found more valuable properties to air during those timeslots—usually shows with more appeal to the elderly viewers who plunk down dollars at pledge time.”
“Why Cinephiles Need To Care About POV And Independent Lens”

indie wire

“Lil Bryant was run over and killed the other night. He lived for years on the streets of Nashville. He was a legend. He ran wild. He was only three feet tall, but he was a great basketball player. He would have lived 100 years if that car hadn’t run him down. He slept under bridges and sidewalks. He could have been Brando in another life. He could have been Buster Keaton. Maybe he was, who knows.”
Bryant Crenshaw, 42, Appeared In Harmony Korine’s Debut, Gummo

“It was crazy that some people thought that when President Obama, the first time, put his right hand on Abraham Lincoln’s bible, that hocus pocus abracadabra: racism just went “poof.” I wasn’t drinking that Kool-Aid the minute I heard it. People were swept up in the euphoria of an African-American president. And now we’re back in reality.”
Spike Lee Talks “Disarray”

MCN Curated Headlines

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

WEEKEND READS ON MEDIAQUAKE

Tribune Trolley Problem

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon