MCN Curated Headlines Archive for November, 2015

“In these moments after terrorist attacks, you suddenly become sensitized to the bizarrely intimate relationship dramatic storytelling enjoys with shock and violence. When the world suddenly seems unsafe, you feel every sound cue, every screech and jolt.”
Chris Jones On How Art Works In A Time Of Uncertainty

deadline

“While it’s petty to pick at a film that posted the fifth best opening of 2015, and one of 34 titles that opened to $100 million-plus…”
Deadline Indicates It Knows Exactly What It’s Doing Wrong

ew

“If Donald Trump becomes president, that will be the end of the world.”
Star Of Post-Apocalyptic Serial Jennifer Lawrence Tells EW

“Terrific, a wonderful picture…”
“We have eight tent poles for fiscal year 2016… nobody has that.”

Matthew Garrahan Profiles Disney’s Alan Horn On The Eve Of Awakens

“We understand that not everyone will embrace the way they are portrayed in the film, but we feel confident, based on our extensive research, that the movie captures with a high degree of authenticity the nature of events, personalities, and pressures of the time.”
Tom McCarthy Responds To Complaint That Spotlight Is Not A Documentary

NY Times

“The fun part is we get to come out from behind the camera, and somehow we are in the spotlight,” Ed Lachman said. “We feel like we’re the rock stars.”
Camerimage, The Bydgoszcz Film Festival For Cinematographers

“We discovered that public posters with the image of a female are often torn down in Jerusalem, while Bnei Brak does not allow posters with female images,” a representative of Mockingjay‘s Israeli PR firm said.”
Image Of Jennifer Lawrence Foregone In Parts Of Israel

Salon

“It was so amazing, because the film is really about dying from sex and then everyone started dropping. It was really, really eerie. That happens sometimes in creative life. You do something and it’s an accident that it actually comes true. It’s mystical.”
Not Yet Lost, Liquid Sky Negative Liquifying

“I find that documentaries are hard to watch because you know that it’s real; those films are harder to watch than any narrative movie.”
Gaspar Noé In The Criterion Kitchen

NY Times

“An actor whose droll delivery pairs well with Vonnegut’s irascible charm.”
Michael Ian Smith Reviews John Malkovich Audiobook Of Kurt Vonnegut’s “Breakfast Of Champions”
WithA Sample Of The Recitation 4’02” audio

“Mr. Gibbons’s persona, if not his actual personality, is at once guileless and entirely untrustworthy, as if the distinction between lying and telling the truth had never occurred to him.”
Boston Magazine Goes Long On “Joe Gibbons, The Bank-Robbing Filmmaker”

variety

“We made a film this fall, one of the films I’m most proud of in my career, a film that Robert Zemeckis made called The Walk. Got incredible reviews, it was incredibly experiential, it opened the New York Film Festival. And nobody alive gave a fuck.”
So Sez Sony’s Tom Rothman

the wrap

“Contrary to your declaration of denying Syrian refugees a home in our state of Michigan, I myself am going to defy your ban and will offer my home in Traverse City, Michigan, to those very Syrian refugees you’ve decided to keep out.”
Michael Moore Writes To Michigan Governor

“There was a Matrix bullet time type-of-thing. There was a woman there and I’m thinking, ‘She looks like, that’s definitely JK Rowling.’ Then she came by after the show, just to say hello to Jon. I was still trying to work out what had just happened and she said, ‘Nice to meet you’ — and, ‘You look like Harry.’”
The FT Lunches With John Oliver

hollywoodreporter.com

“Cumberbatch’s character is clearly portrayed as an over-the-top, cartoonish mockery of androgyne-trans-non-binary individuals. This is the modern equivalent of using blackface to represent a minority.”
A Petition Is Issued Against Zoolander 2

NY Times

“Leslye Headland wants to be a Martin Scorsese, and ‘’not just the female Martin Scorsese.’ She wants to make films in which women behave badly and are not held to a higher moral standard or seen as ‘less than.’ She wants to look cool in magazine pictures so that ‘little girls will put female filmmakers on their Pinterest boards.’ She has several movie tattoos: ‘redrum’ from The Shining on her lower back; a line from War Games—’The only winning move is to not play’—on her left forearm; ‘How would Lubitsch do it?’ in script on her right.”
“Just Get Us In The Room”: Maureen Dowd Surveys “The Women Of Hw’d”

“It’s so clean, her performance. And then that explosion of emotion, it knocks you back in your seat. It breaks your heart. It makes you weep. Breathtaking. To watch that breakdown—the snot and the tears and the… Jesus, I love her to death.”
Thelma Adams Visits With Hunger Games‘ Donald Sutherland

MCN Curated Headlines

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

WEEKEND READS ON MEDIAQUAKE

Tribune Trolley Problem

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon