MCN Curated Headlines Archive for January, 2016

variety

“Why don’t we do a trial of five years throughout the industry, of hiring those writers, developing those artists, hiring those executives and see what happens?”
Variety Cover-Stories Whiteness

“This is exactly like MTV was in the 1980s. Could you imagine now if MTV only showed music videos by a majority of white people, then after 11:00 it showed a majority of black people? Could you imagine that happening now? It’s the same situation happening in the movies.”
Says Oscar-Winner Steve McQueen

variety

“Instead of sitting around and complaining about that, do something. Go write something, go do something. And that’s easy to say. Like, f—, it’s hard to get movies made. It’s a huge luxury. Who gets to just make movies? But that subject is just so prevalently everywhere right now, and it’s boring.” 
Kristen Stewart At Sundance

But – Variety Retracts False Claim That Stewart Was Talking About Diversity

“You are still eligible to receive screeners. The Academy does not distribute screeners. Production companies and studios do. We will ask our members who run these companies not to make an issue of it. Rest assured, your status—whether active or emeritus—will not be shared with any other outside entity.”
Oscar FAQs The New Rules

NY Times

“In the Sunday Review, one commentator named Roxane Gay refers to Hollywood’s ‘diseased industry’ and demands a boycott of studios. In the arts section, A.O. Scott refers to Oscar voters as “those pasty old members” and Wesley Morris, identified as a critic at large, accuses distributors of Creed and Straight Outa Compton of deliberately undermining their films’ Oscar chances while Manohla Dargis insists ‘the only way the industry will change is if people give them hell.’ Really?”
Bart & Fleming Pooh-Pooh Academy Diversity Initiatives
WithRoxane Gay’s Op-Ed
AndDargisMorrisScott

variety

“Just the technical problems with film, I’m sorry, it’s over.”
Roger Deakins On Hail, Caesar!, Old H’wd And Shooting Celluloid

indie wire

“Statements, statistics, pleas, and calls for action have done little to move the needle. It is time to be clear–structural changes are needed. Those who control the pipeline and entryway to jobs must move beyond the “old boy” network and word-of-mouth hiring.”
States Directors Guild President Paris Barclay

“You want to break stuff in–essentially stonewash the whole wardrobe. With shirts, you need to pick something in a cheerless color–light blue or khaki green–then pop a bit of Cascade in the wash, maybe a little bleach, and that takes the color out.”
Spotlight Costume Designer On How To Dress A Journo

NY Times

“We’re hearing a lot about diversity. I hate that word so, so much. It’s a medicinal word that has no emotional resonance, and this is a really emotional issue. It’s emotional for artists who are women and people of color to have less value placed on our worldview.”
Ava DuVernay Talks Inclusion At Sundance

“Within a few years, Kavanaugh had funneled billions of dollars from banks and investment funds into Holly­wood.”
NYMag’s Relativity Chronicles

deadline

“Look, culture and business take time to change organically. We live in a culture of society where there has been a very white picket fence that has surrounded a lot of the precincts where decisions get made. These things don’t change overnight. It’s just that if you’re going to ask an Academy member like me, an old white guy, to die sooner so that somebody else can come in that doesn’t look like me, I will demur.”
James Schamus, In Second Part Of Mike Fleming Interview, On Starting With Ang Lee, 3D, And Latest Shifts In What’s Called The Indie Film Biz

LA Times

“That’s the big problem with the Oscars: you never know how many people see all the films. And if it’s a lot of white people, the last bunch of films seen are going to be black films. Lord knows everybody knew Compton was a black film.”
Josh Rottenberg And Glenn Whipp Find Acting Branch Members In Degrees Of Uproar

NY Times

“Some attendees, especially distributors seeking potential hits, are complaining that this year’s festival has fallen too deep into the arthouse rabbit hole.”
Brooks Barnes Dismayed To Find Fetishes And Flatulence In Park City

MCN Curated Headlines

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

WEEKEND READS ON MEDIAQUAKE

Tribune Trolley Problem

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon