MCN Curated Headlines Archive for July, 2016


“I just think it’s incumbent on the exhibition community to provide the absolute maximum possible experience. We’re never quite there.”
James Cameron And Gale Anne Hurd On Preserving Moviegoing

“There are pockets of age groups and demographics that have not been inspired by what they’re seeing at movie theaters.”
Sea Of Sighs Over So-So Summer
“They made it look great. It finally looks like a bad John Cassavetes movie.”
Michael Musto And John Waters Talk “Fabulous Filth” On The Restoration And Reissue Of 1970’s Multiple Maniacs
“It’s almost like an 80s movie or something – the kind that studios don’t make anymore.”
Don’t Think Twice‘s Mike Bisbiglia On Ambition
“It might have seemed brilliant for Sam Beckett to dispense with plot and give us dated philosophical chattering for three hours, but even superb acting could not prevent time standing still for me.”
Elder Playwright David Williamson Urges Australian Writers To Make Work Like Television
“Is it correct that new Australian plays are being ‘swept off the stage’ by cheap and easy adaptations of classics by auteur directors? I can categorically tell you that these accusations are completely untrue.”
While – Oz Critic Alison Croggon, Dissed By Williamson, Differs
Good Dr. Bordwell Criterion-Essays A Touch Of Zen
With – A Touch Of Zen‘s 1975 Director’s Notes By King Hu

“People think dialogue is unexplainable. Great dialogue has transparency. Something is being said while something else is being felt. You sense not only the unsaid, but the unsayable. When dialogue achieves that kind of multilayered expressivity, it becomes really terrific stuff.”
Robert McKee Articulates “Dialogue”

“It could be something lovely, it could be something funny. It could be ‘Hang yourself, here’s a noose. When can I kill you?’ That’s less fun. That’s less interesting. Eventually, it becomes kind of a white noise. You can’t remember what the dialogue was, so you stop having it. I would like always to have a dialogue with the audience, but at the same time you can’t create by committee.”
Joss Whedon On Avoiding Social Media
“It is not ghosts that haunt the film’s protagonists; it’s their inability to connect with women.”
“The Spiritualist Origins Of Ghostbusters (1984)”
“Everything is being destroyed in Tehran, without us knowing what’s going to come next.”
Asghar Farhadi On Freedom and Salesmanship