MCN Curated Headlines Archive for January, 2017

hollywoodreporter.com

Call Me By Your Name‘s Luca Guadagnino On 🍑 🍑  🍑  spoilers

hollywoodreporter.com

“Her enormous green eyes survey the dining room as she picks nervously at a hummus and veggie platter. She takes a nibble of hummus and gamely prepares to do one more.”
THR Cover-Stories Shy, Anxious Emma Stone

variety

“This misleading footage, first shared by TMZ last week, depicts a German shepherd [that] appears to show signs of resistance to entering a pool of water.”
American Humane Differs With Footage From A Dog’s Purpose Production

the wrap

“Holding firm to our standards of truth-telling, fact-checking and fair-minded news judgement is more essential than ever. In Hollywood as anywhere else, these principles are the bedrock of who we are.”
Sharon Waxman Celebrates Eight Years Of The Wrap, As Well As Demise Of Gawker And Nikki Finke

hollywoodreporter.com

“I am incensed that artists are being silenced and prevented from showing their work. We cannot allow our filmmakers to be silenced. This is not something where we are going to just sit back and say, ‘Oh well.’ This is not the way the soul and spirit of America works.”
Trump Visa Ban Affects U. S. Premiere Of Iraqi Film

“For me, the Mary Tyler Moore show was like a glimpse of what the best of adulthood might be like: to live in your own apartment with a big wooden initial on the wall, with your best friend right upstairs; to have a job in a real office, wear glamorous but practical outfits, and do interesting work with funny, warm, sometimes crabby but ultimately lovable people. Who could want more than that? It never occurred to me that Mary Richards was lacking a man or living through any sort of temporary phase.”
Dana Stevens On MTM

“Mary Richards: the solitary, shoulders-squared gal showing up for that first TV job after a bad breakup. Not just showing up, of course, but showing up sporting white go-go boots and a suede jacket and a can-do attitude.”
Margaret Sullivan On Mary Tyler Moore

LA Times

“From what I understand, one of the perks of being nominated is you get to be a part of the academy and one of the perks of being part of the academy is screeners, so I’m really down for some screeners right now. So, you know, hook a brother up.”
Lin-Manuel Miranda Pleased By Oscar Nomination

hollywoodreporter.com

“This sure enough is a bizarre sight in the middle of all this shit.”
Francis Coppola Launches $900,000 Kickstarter For Apocalypse Now Video Adaptation
With – The Kickstarter Page

“None of this existed on some flat plane of postmodern equivalence. Criticism was not a low-stakes distraction, and the casual clubbability of much cultural discussion was anathema to him.”
Remembering “Thrillingly Creative” Film Critic Mark Fisher, Who Was 48

MCN Curated Headlines

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

WEEKEND READS ON MEDIAQUAKE

Tribune Trolley Problem

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon