MCN Curated Headlines Archive for April, 2017

indie wire

“They are low-key, organic, humble, small, not flashy, honest, and earnest. They are nice people who really love films. They don’t have the arrogance.”
Anne Thompson Sees A24 Chasing The Oldies

“Imagine being able to say, “Al and Bob” for the rest of your life. Not many people can do that. I have seen Bob, giggling like a school girl in a van in the middle of the night, because we have to be quiet cause they are filming outside… I have been hugged by Al Pacino in the middle of downtown LA like he was my older brother. I have shot live rounds from high powered assault weapons over Bob’s head while rehearsing lines from our film. I got to kiss Ashley Judd. I sometimes lived at Michael Mann’s house. I am in one of the greatest cops and robbers films in film history, has to be in the top 20. I am on the poster for goodness sake.”
Val Kilmer Does An AMA

NY Times

“Every imaginary future ever written is about the time it was written in. People talk about science fiction’s predictive possibilities, but that’s a byproduct. It’s all really about now.”
William Gibson Reimagines The World After The 2016 Election

“You can have a deep affection for your characters, you can feel that they have a future. Tomorrow has the possibility of being as good or even better than today. In their lives there is always the possibility as well as the reality of things getting better. There are, however, many other options for what might happen and how it might be perceived. This, then, is not ‘optimistic,’ which has to do with naively underestimating the terrible situations and dire circumstances that people confront every day. You can believe and hope without exactly being optimistic.”
Louis Black On His Friend Jonathan Demme

paint-dryingCharlie Lyne Continues His Absurdist Battle Against British Film Censorship

NY Times

“A personable man with the curiosity gene and the what-comes-next instinct of someone who likes to both hear and tell stories, Mr. Demme had a good one of his own, a Mr. Deeds kind of tale in which he wandered into good fortune and took advantage of it.”
Bruce Weber’s Lilting Obit For Jonathan Demme

hollywoodreporter.com

“We are exploring theatrical distribution of these two films in France, for a limited theatrical run, day-and-date with the films’ release on Netflix.”
Netflix May Do Truncated Theatrical Releases Of Cannes Competition Titles

hollywoodreporter.com

“None of that changes the fact that I am scared shitless. I am not a 24-year-old kid coming out of film school and sharing an apartment with a gaggle of friends. I have a family that needs health insurance and a mortgage that needs to be paid. I am a grown-ass man who lives in the real world.”
Marc Bernardin On Voting WGA Strike Authorization

“Jonathan’s skill was to see the show almost as a theatrical ensemble piece, in which the characters and their quirks would be introduced to the audience, and you’d get to know the band as people, each with their distinct personalities. They became your friends, in a sense.”
David Byrne On His Friend Jonathan Demme

Mark: I just wish you’d stop sniping.
Joanna: I haven’t said a word.
Mark: Just because you use a silencer doesn’t mean you’re not a sniper.
Mark Harris Looks Back To Two For The Road For “Cinema ’67 Revisited”

deadline

“Every night we were shooting, I’d study the scene for tomorrow, and I’d also go back to the book and read what Harris had written, all the levels that were going on there. I’d arrive on the set just tremendously fortified, from the Harris point of view and the terrific Ted Tally script.”
From Its 25th Anniversary, An Oral History Of How Silence Of The Lambs Made It To The Screen

“For a love story, it mirrors what often happens when people do fall for another – it’s destabilizing and terrifying.”
Kim Morgan On Jonathan Demme’s Something Wild

“I didn’t even know that I was in the documentary until a ‘fan’ messaged me telling me they knew my real name and personal information. Do you understand how scary that is? Nobody called me to warn me.”
Allegations Of Exploitation By Netflix’s “Hot Girls Wanted: Turned On”

“What struck me instead was the haunting notion that we’ve reached a point in history where an explicitly political, feminist work of art must be depoliticized and downplayed for fear of alienating the men who might feel excluded by it.”
On “The Handmaid’s Tale” And That “F” Word

variety

“Miramax is a storied brand that is poised for growth across all of its divisions. It is an honor to helm this legacy and expand it qualitatively across all platforms including the immense growth potential across digital and in new media.”
Expansion-Minded Miramax Names Bill Block CEO

“Leni Riefenstahl’s playbook was key for him. I think he used her technique of fear, which you can see in that movie.”
“The barriers in Hollywood are simple. First, you have to have talent. And, second, you have to know how to get along with people. It’s a small club.”
Connie Bruck On How H’wd Remembers Steve Bannon

MCN Curated Headlines

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

WEEKEND READS ON MEDIAQUAKE

Tribune Trolley Problem

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon