MCN Curated Headlines Archive for August, 2017

NY Times

“The final impression he gives is of a man of considerable intellectual integrity who is not prepared to compromise, in ill-considered conversation, the greater truths he seeks to express on stage.”
Playwright Bernard Pomerance, 76, Won Tony For “The Elephant Man”

variety

“His look alone — the inky perfect hair, the thrusting chin and reluctant smile, the killer eyes that could melt or freeze you — was worthy of 007.”
In Late August Doldrums, Owen Gleiberman Thrusts Poor, Poor Jon Hamm Toward An Indifferent Screen

“We work far too hard crafting our jokes for them to be taken as fact. If someone doesn’t recognize the joke we’re making, then that’s a whole lot of labor lost. We aim never to trick people but rather to train them to see the world as we see it. In a world infested by ‘fake news’, the intention is everything.”
Onion On Onion Action

“Fox News is focused on the U.S. market and designed for a U.S. audience and, accordingly, it averages only a few thousand viewers across the day in the U.K.”
Murdochs Yank Fox News From Blighty As $15 Billion-Plus Sky Deal Remains Aloft

“Belove doesn’t drop the H-word pejoratively — in fact, breaking through the cycle of “hipster self-loathing” is key to the “family” part of Cinefamily’s mission. “ ’Hipster’ just means anyone who’s interested, who is hip to culture. It should be something of a badge. We want to be welcoming. We want to be a theater that encompasses a little bit of everybody. Come on in, grandpa, come on in.”
From 2010, Katrina Longworth On Cinefamily’s “Hadrian Belove: Pathologically Idiosyncratic Programming”

“When the president tweeted about me the morning after I released the image, it served as an executive order of sorts to his family and supporters to go after me. You may say I deserved it, but just think about it… the president of the United States and his family are going after a stand-up comic who had a show on the Bravo network called ‘My Life on the D-List.’ If that isn’t punching down, I don’t know what is.”
Kathy Griffin Strikes Back

“Representation of ethnic diversity is important.”
“Hellboy” Reboot Actor Leaves After Race Concerns

“The same day that Fred Roos came to Rome to speak with me, I met with Jodorowsky; he was planning to direct ‘Dune,’ and he offered me the chance to shoot it. I love Frank Herbert’s book, and at that time I thought Apocalypse Now was just another war picture. To Italians in the year 1975, the topic of the Vietnam War was not that compelling, because it was so far away from us. But Francis told me, ‘Read Joseph Conrad’s “Heart of Darkness.” I took some of the spirit of Apocalypse from that.'”
American Cinematographer Unlocks Vittorio Storaro On Making Apocalypse Now

“They staged their performance before 14,623 fans at the T-Mobile Arena, many of the men in sharp suits and no socks, many of the women in cocktail dresses and heels, as if attired for a garish wake. There were A-list celebrities, D-list celebrities, people who consider themselves celebrities and swarms of Irish people wrapped in their country’s tricolours. Also, some boxing fans.”
“Mayweather vs McGregor: Business Partners Pull Off Fleece Of The Century”

“In a time when the political climate seems very much divisive, it fills my heart with hope that a masterful filmmaker like Lee Unkrich is using his and Pixar’s considerable talents to showcase the people and culture of our beloved Mexico. I will be there on Coco‘s opening night with my whole family, living and remembered. Support films that celebrate the diversity in our world.”
Book Of Life Director Jorge R. Gutierrez

“I became obsessed with Texas Chain Saw right away and have seen it almost as many times as I have seen Psycho or Repulsion or any of the other romantic comedies I’m so steeped in.” 
Glenn Kenny‘s Notes On Tobe Hooper

“The more you learn about its making, the less it seems the invention of a screenwriter or a director or an acting company than the product of Austin itself at the end of the Vietnam era.”
Texas Monthly’s Expansive, 13,000-Word 2004 Oral History Of The Making Of The ‘Saw

“An endgame that is pure political show, as government seeks to dragoon a state-created asset and thoroughly degrades it in the process.”
Gov’t Mandated Move For UK’s Channel 4 From London To Birmingham, Just Because, Will Cost Tens Of Millions

NY Times

“Word quickly spread that this tiny newspaper was willing to publish information others ignored. That’s when anguished mothers started arriving at the Herald in the hopes of getting answers.”
141-Year-Old English-Language Buenos Aires Herald Outlasted The Generals But Not The Modern Economy

MCN Curated Headlines

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

WEEKEND READS ON MEDIAQUAKE

Tribune Trolley Problem

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon