Annie Awards

2003 | 2005 | 2006 | 2007 | 2008 | 2009

Winners

PRODUCTION CATEGORIES

Outstanding Achievement in an Animated Theatrical Feature
“Finding Nemo” – Pixar Animation Studios

Outstanding Achievement in an Animated Home Entertainment Production
“The Animatrix” – Silver Pictures/Warner Home Video

Outstanding Achievement in an Animated Short Subject
“Boundin” – Pixar Animation Studios

Outstanding Achievement in an Animated Television Commercial
Lamisil: “It’s Alive” – Wild Brain Inc.

Outstanding Achievement in an Animated Television Production
“The Simpsons” – Gracie Films

Outstanding Achievement in an Animated Television Production Produced For Children
“The Adventures of Jimmy Neutron, Boy Genius” – Nickelodeon & DNA Productions

INDIVIDUAL ACHIEVEMENT CATEGORIES

Character Animation
Doug Sweetland “Finding Nemo”

Character Design in an Animated Feature Production
Ricky Nierva “Finding Nemo”

Character Design in an Animated Television Production
Andy Suriano “Samurai Jack – Episode XXXV”

Directing in an Animated Feature Production
Andrew Stanton & Lee Unkrich “Finding Nemo”

Directing in an Animated Television Production
Steven Dean Moore – The Simpsons: “‘Scuse Me While I Miss The Sky”

Effects Animation
Martin Nguyen – “Finding Nemo”

Music in an Animated Feature Production
Thomas Newman “Finding Nemo”

Music in an Animated Television Production
Alf Clausen, Ian Maxtone-Graham, Ken Keeler – The Simpsons – “Dude, Where’s My Ranch?”

Production Design in an Animated Feature Production
Ralph Eggleston – “Finding Nemo”

Production Design in an Animated Television Production
Scott Wills – “Samurai Jack – The Birth of Evil”

Storyboarding in an Animated Feature Production
Sharon Forward – “The Jungle Book 2”

Storyboarding in an Animated Television Production
Dave Thomas – “The Fairly OddParents – Pipe Down”

Voice Acting in an Animated Feature Production
Ellen DeGeneres as the voice of Dory – “Finding Nemo”

Voice Acting in an Animated Television Production
Jeff Garcia as the voice of Sheen Estevez – “The Adventures of Jimmy Neutron – Nightmare in Retroville”

Writing in an Animated Feature Production
Andrew Stanton, Bob Peterson, Dave Reynolds – “Finding Nemo”

Writing in an Animated Television Production
Matt Warburton – “The Simpsons – Three Gays of the Condo”

International Animated Film Society’s Annie Awards Nominations

PRODUCTION CATEGORIES

Outstanding Achievement in an Animated Theatrical Feature
“Brother Bear” – Walt Disney Pictures
“Finding Nemo” – Pixar Animation Studios
“Looney Tunes: Back In Action” – Warner Bros.
“Millennium Actress” – Go Fish Pictures
“Triplets of Belleville” – Les Armateurs

Outstanding Achievement in an Animated Home Entertainment Production
“101 Dalmatians II: Patch’s London Adventure” – DisneyToon Studios
“The Animatrix” – Silver Pictures/Warner Home Video
“Rolie Polie Olie: The Baby Bot Chase” Nelvana Limited/Sparkling
“Disney’s Stitch! The Movie” – Walt Disney Television Animation

Outstanding Achievement in an Animated Short Subject
“Ananda” – Vinton Studios
“Boundin” – Pixar Animation Studios
“Boys Night Out” – Barley Films LTD
“Destino” – Walt Disney Pictures
“Nibbles” – Acme Filmworks

Outstanding Achievement in an Animated Television Commercial
Bombay “Drift” – Psyop Inc.
Colorado Lottery “Woodcut” – Acme Filmworks
Lamisil: “It’s Alive” – Wild Brain Inc.
Wisconsin Lottery “Casino” – Acme Filmworks

Outstanding Achievement in an Animated Television Production
“Captain Sturdy” – Renegade Animation
“The Fairly OddParents” – Nickelodeon
“Samurai Jack” – Cartoon Network Studios
“The Simpsons” – Gracie Films
“Spider-Man Animated Series” – Adelaide Productions, Inc.

Outstanding Achievement in an Animated Television Production Produced For Children
“ChalkZone” – Nickelodeon
“Duck Dodgers” – Warner Bros. Animation
“Jakers! The Adventures of Piggley Winks” – Mike Young Productions, Inc.
“JoJo’s Circus” – Cartoon Pizza, Inc. and Cuppa Coffee Studios
“The Adventures of Jimmy Neutron, Boy Genius” – Nickelodeon & DNA Productions

INDIVIDUAL ACHIEVEMENT CATEGORIES

Character Animation
Anthony DeRosa “Looney Tunes: Back In Action”
Dave DeVan “Finding Nemo”
Byron Howard “Brother Bear”
Gini Santos “Finding Nemo”
Doug Sweetland “Finding Nemo”

Character Design in an Animated Feature Production
Rune Brandt Bennicke “Brother Bear”
Carter Goodrich “Sinbad”
Ricky Nierva “Finding Nemo”

Character Design in an Animated Television Production
Andrew Bialk “The Powerpuff Girls: Save Mojo”
Matt Danner “Xiaolin Showdown”
Andy Suriano “Samurai Jack – Episode XXXV”
Shannon Tindle “The Proud Family: Culture Shock”

Directing in an Animated Feature Production
Sylvain Chomet “Triplets of Belleville”
Eric Goldberg “Looney Tunes: Back In Action”
Satoshi Kon “Millennium Actress”
Andrew Stanton & Lee Unkrich “Finding Nemo”

Directing in an Animated Television Production
Mike Gasaway – The Adventures Jimmy Neutron: “Operation: Rescue Jet Fusion!”
Steven Dean Moore – The Simpsons: “‘Scuse Me While I Miss The Sky”
Rob Renzetti – My Life As A Teenage Robot “Ragged Android”
Genndy Tartakovsky – Samurai Jack: “The Birth of Evil”
Darrell Van Citters – Captain Sturdy: “The Originals”

Effects Animation
Martin Nguyen – “Finding Nemo”
Justin Ritter – “Finding Nemo”
Dave Stephens – “Haunted Mansion
Jason Wolbert – “Brother Bear”
Madoka Yasuet – “Piglet’s BIG Movie”

Music in an Animated Feature Production
Phil Collins & Mark Mancina “Brother Bear”
Harry Gregson-Williams “Sinbad”
Thomas Newman “Finding Nemo”>

Music in an Animated Television Production
Alf Clausen, Ian Maxtone-Graham, Ken Keeler – The Simpsons – “Dude, Where’s My Ranch?”
Robert Kral, Wayne Coyne, Steven Drozd – Duck Dodgers – “Shiver Me Dodgers”
Ken Keeler – Futurama “The Devil’s Hands Are Idle Playthings”
Lolita Ritmanis, Kristopher Carter, Michael McCuistion, Andy Sturmer – Teen Titans “Divide & Conquer”

Production Design in an Animated Feature Production
Ralph Eggleston – “Finding Nemo”
Seth Engstrom – “Sinbad”
Bill Perkins – “101 Dalmatians II: Patch’s London Adventure”
Robh Ruppel – “Brother Bear”
Raymond Zibach – “Sinbad”

Production Design in an Animated Television Production
Seonna Hong – “My Life As A Teenage Robot”
Joseph Holt – “My Life As A Teenage Robot”
Scott Wills – “Samurai Jack – The Birth of Evil”
Mark Whiting – “Duck Dodgers”

Storyboarding in an Animated Feature Production
Holly Forsyth – “The Jungle Book 2”
Sharon Forward – “The Jungle Book 2”
Chris Otsuki – “The Jungle Book 2”
Dean Roberts – “101 Dalmatians II: Patch’s London Adventure”

Storyboarding in an Animated Television Production
Tim Divar – “He Man & The Masters of The Universe – Power of Grayskull” Enrique Braxton May – “ChalkZone – Pumpkin Love”
Kyle Menke – “Spider-Man – Keeping Secrets”
Dave Thomas – “The Fairly OddParents – Pipe Down”
Matt Youngberg – “Teen Titans – Switched”

Voice Acting in an Animated Feature Production
Joe Alaskey as the voice of Daffy Duck – “Looney Tunes: Back In Action”
Jim Cummings as the voice of Kaa – “The Jungle Book 2”
Ellen DeGeneres as the voice of Dory – “Finding Nemo”
Miyoko Shoji as the voice of Chiyoko Fujiwara – “Millennium Actress”
Jeremy Suarez as the voice of Koda – “Brother Bear”

Voice Acting in an Animated Television Production
Bob Bergen as the voice of Eager Young Space Cadet – “Duck Dodgers”
Jeff Garcia as the voice of Sheen Estevez – “The Adventures of Jimmy Neutron – Nightmare in Retroville”
Janice Kawaye as the voice of Jenny – “My Life As A Teenage Robot”
Candi Milo as the voice of Mrs. Wakeman – “My Life As A Teenage Robot”
Tara Strong as the voice of Dannon O’Mallard – “Jakers! The Adventures of Piggley Winks”

Writing in an Animated Feature Production
Sylvain Chomet – “Triplets of Belleville”
Satoshi Kon, Sadayuki Murai – “Millennium Actress”
Jim Kammerud, Brian Smith – “101 Dalmatians II: Patch’s London Adventure”
Tab Murphy, Lorne Cameron, David Hoselton, Steve Bencich, Ron J. Friedman – “Brother Bear”
Andrew Stanton, Bob Peterson, Dave Reynolds – “Finding Nemo”

Writing in an Animated Television Production
Paul Dini – “Justice League – Comfort & Joy”
Tony Gama-Lobo, Rebecca May – “King of the Hill – Reborn to be Wild”
Patric Verrone – “Futurama – The Sting”
William Waldner – “Captain Sturdy – The Originals”
Matt Warburton – “The Simpsons – Three Gays of the Condo”

JURIED AWARDS

June Foray Award
Significant and benevolent or charitable impact on the art and industry of animation.
Martha Sigall

Winsor McCay Award
Recognition of lifetime or career contributions to the art of animation.
Gene Deitch
John Hench
Thurl Ravenscroft

Ub Iwerks Award
Scott Johnston

Certificate of Merit
David DerksMike Judge/Don Hertzfeldt (Team)

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon