Golden Globes Awards

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012

Winners

BEST MOTION PICTURE – DRAMA
Lord of the Rings: The Return of the King

Cold Mountain
Master and Commander: The Far Side of the World
Mystic River
Seabiscuit

BEST MOTION PICTURE – MUSICAL OR COMEDY
Lost in Translation

Bend It Like Beckham
Big Fish
Finding Nemo
Love Actually

BEST DIRECTOR – MOTION PICTURE
Peter Jackson
Lord of the Rings: The Return of the King

Sofia Coppola – “Lost in Translation”
Clint Eastwood – “Mystic River”
Anthony Minghella – “Cold Mountain”
Peter Weir – “Master & Commander”

BEST PERFORMANCE BY AN ACTRESS  IN A MOTION PICTURE DRAMA
Charlize Theron – Monster

Cate Blanchett – “Veronica Guerin”
Scarlett Johansson – “Girl With A Pearl Earring”
Nicole Kidman – “Cold Mountain”
Uma Thurman – “Kill Bill, Volume One”
Evan Rachel Wood – “Thirteen”

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
Sean Penn – Mystic River

Russell Crowe – “Master and Commander”
Tom Cruise – “The Last Samurai”
Sir Ben Kingsley – “House of Sand and Fog”
Jude Law – “Cold Mountain”

BEST PERFORMANCE BY AN ACTOR  IN A MOTION PICTURE -MUSICAL OR COMEDY
Bill Murray – Lost in Translation

Jack Black – “School Of Rock”
Johnny Depp – “Pirates of the Caribbean”
Bill Murray – “Lost in Translation”
Jack Nicholson – “Something’s Gotta Give”
Billy Bob Thornton – “Bad Santa”
BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY
Diane Keaton – Something’s Gotta Give

Jamie Lee Curtis – “Freaky Friday”
Scarlett Johansson – “Lost in Translation”
Diane Lane – “Under The Tuscan Sun”
Helen Mirren – “Calendar Girls”

BEST PERFORMANCE BY AN ACTRESS  IN A SUPPORTING ROLE IN A MOTION PICTURE
Renee Zellweger – Cold Mountain

Maria Bello – “The Cooler”
Patricia Clarkson – “Pieces of April”
Hope Davis – “American Splendor”
Holly Hunter – “Thirteen”

BEST PERFORMANCE BY AN ACTOR  IN A SUPPORTING ROLE IN A MOTION PICTURE
Tim Robbins – Mystic River

Alec Baldwin – “The Cooler”
Albert Finney – “Big Fish”
William H. Macy – “Seabiscuit”
Peter Sarsgaard – “Shattered Glass”
Ken Watanabe – “The Last Samurai”

BEST FOREIGN LANGUAGE FILM
Osama (United Arists)

The Barbarian Invasions (Miramax)
Good Bye Lenin (Sony Classics)
Monsieur Ibrahim (Sony Classics)
The Return (Kino International)

BEST SCREENPLAY – MOTION PICTURE
Sofia Coppola – Lost in Translation

Richard Curtis – “Love Actually”
Brian Helgeland – “Mystic River”
Anthony Minghella – “Cold Mountain”
Jim Sheridan, Kirsten Sheridan, and Naomi Sheridan – “In America”

BEST ORIGINAL SONG – MOTION PICTURE
“Into The West” by Howard Shore, Fran Walsh and Annie Lennox From Lord of the Rings: The Return of the King
“The Heart of Every Girl” by Elton John and Bernie Taupin performed by Elton John from “Mona Lisa Smile”
“Man of the Hour” by Eddie Vedder performed by Pearl Jam from “Big Fish”
“Time Enough for Tears” by Bono, Gavin Friday and Maurice Seezer performed Andrea Corr from “In America”
“You Will Be My Own True Love” by Sting from “Cold Mountain”

BEST ORIGINAL SCORE – MOTION PICTURE
Howard Shore
Lord of the Rings: The Return of the King
Alexandre Desplat – “Girl With A Pearl Earring”
Danny Elfman – “Big Fish”
Gabriel Yared – “Cold Mountain”Hans Zimmer – “The Last Samurai”

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon