Washington, D.C. Area Film Critics Association

2003 | 2004 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010 | 2012 | 2013 | 2014

And The Winners Are …

Best Film
The Lord of the Rings: The Return of the King

Best Ensemble
Love Actually

Best Director
Peter Jackson/Lord of the Rings: Return of the King

Best Actor
Bill Murray/Lost in Translation

Best Actress
Naomi Watts/21 Grams

Best Supporting Actor
Benicio del Toro/21 Grams

Best Supporting Actress
Anna Deveare Smith/The Human Stain

Best Screenplay, Original
Sofia Coppola/Lost in Translation

Best Screenplay, Adapted
Brian Helgeland/Mystic River

Best Animated Feature
Finding Nemo

Best Documentary
Fog of War

Best Guilty Pleasure
Pirates of the Caribbean
NOMINATIONS

Best Film
Lost in Translation
Mystic River
Lord of the Rings: Return of the King
Master and Commander: The Far Side of the World
City of God

Best Ensemble
Mystic River
A Mighty Wind
Master and Commander: The Far Side of the World
Lord of the Rings: Return of the King
Love Actually

Best Director
Sophia Coppola/Lost in Translation
Peter Jackson/Lord of the Rings: Return of the King
Peter Weir/Master and Commander: The Far Side of the World
Clint Eastwood/Mystic River
Kátia Lund & Fernando Meirelles/City of God

Best Actor
Sean Penn/Mystic River
Bill Murray/Lost in Translation
Ben Kingsley/House of Fog and Sand
Chiwetel Ejiofor/Dirty Pretty Things
Johnny Depp/Pirates of the Caribbean

Best Actress
Evan Rachel Wood/Thirteen
Cate Blanchett/Veronica Guernin
Naomi Watts/21 Grams
Keisha Castle-Hughes/Whale Rider
Diane Keaton/Something’s Gotta Give

Best Supporting Actor
Ken Watanabe/The Last Samurai
Alec Baldwin/The Cooler
Benicio del Toro/21 Grams
Tim Robbins/Mystic River
Peter Sarsgaard/Shattered Glass

Best Supporting Actress
Renee Zellweger/Cold Mountain
Holly Hunter/Thirteen
Ludivine Sagnier/Swimming Pool
Sarah Bolger/In America
Anna Deveare Smith/The Human Stain

Best Screenplay, Original
Sofia Coppola/Lost in Translation
Stephen Knight/Dirty Pretty Things
Bob Peterson and David Reynolds/Finding Nemo
Guillermo Arriaga Jordan/21 Grams
Nikki Reed and Catherine Hardwicke/Thirteen

Best Screenplay, Adapted
Billy Ray/Shattered Glass
Fran Walsh and Philippa Boyens/Lord of the Rings: Return of the King
Brian Helgeland/Mystic River
Fernando Meirelles and Braulio Mantovani/City of God
Peter Weir and John Collee/Master and Commander: The Far Side of the World

Best Animated Feature
Finding Nemo
Triplettes of Bellville
Brother Bear

Best Documentary
Capturing the Friedmans
Fog of War
Step Into Liquid
Tupac: Resurrection
Amandla: A Revolution in Four-Part Harmony

Best Guilty Pleasure
Willard
Pirates of the Caribbean
Charlie’s Angels: Full Throttle
2 Fast 2 FuriousFreaky Friday

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon