British Independent Film

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Best British independent film
Vera Drake

Also nominated:
Dead Man’s Shoes
Touching the Void
Shaun of the Dead
My Summer of Love

Best foreign independent film
Oldboy

Also nominated:
Motorcycle Diaries
Fahrenheit 9/11
Hero
Pieces of April

Best performance by an actor
Phil Davis – Vera Drake

Also nominated:
Paddy Considine – Dead Man’s Shoes
Geoffrey Rush – The Life and Death of Peter Sellers
Daniel Craig – Enduring Love
Ian Hart – Blind Flight

Best performance by an actress
Imelda Staunton – Vera Drake

Also nominated:
Natalie Press – My Summer of Love
Eva Birthistle – Ae Fond Kiss¿
Anne Reid – The Mother
Scarlett Johansson – Girl With A Pearl Earring

Best performance by a supporting actor/actress
Eddie Marsan – Vera Drake

Also nominated:
Paddy Considine – My Summer of Love
Gary Stretch – Dead Man’s Shoes
Romola Garai – Inside I’m Dancing
Samantha Morton – Enduring Love

Best director
Mike Leigh – Vera Drake

Also nominated:
Kevin Macdonald – Touching the Void
Shane Meadows – Dead Man’s Shoes
Pawel Pawlikowsky – My Summer of Love
Roger Michell – Enduring Love

The Douglas Hickox award for best directorial debut
John Crowley – Intermission

Also nominated:
Peter Webber – Girl With A Pearl Earring
Matthew Vaughn – Layer Cake
Saul Dibb – Bullet Boy
Emily Young – Kiss Of Life

Best Screenplay
Simon Pegg and Edgar Wright – Shaun Of The Dead

Also nominated:
Shane Meadows and Paddy Considine – Dead Man’s Shoes
Paul Laverty – Ae Fond Kiss¿
Mike Leigh – Vera Drake
Christopher Markus and Stephen McFeely – The Life and Death Of Peter Sellers

Most promising newcomer
Ashley Walters – Bullet Boy

Also nominated:
Toby Kebbell – Dead Man’s Shoes
Emily Blunt – My Summer of Love
Nick Frost – Shaun Of the Dead
Atta Yaqub – Ae Fond Kiss

Best British feature documentary
Touching the Void

Also nominated:
Aileen
Trollywood
Drowned Out
Peace One Day

Best achievement in production
Vera Drake

Also nominated:
Dead Man’s Shoes
Girl With a Pearl Earring
Code 46
Bride and Prejudice

Best technical achievement
Cinematography – Touching the Void – Mike Eley

Also nominated:
Wardrobe – Bride and Prejudice – Eduardo Castro and Ralph Holes
Cinematography – Enduring Love – Haris Zambarloukos
Editing – Dead Man’s Shoes – Lucas Roche and Chris Wyatt
Production Design – Code 46 – Mark Tildesley

Best British Short (Nokia supported by The British Council)
School of Life

The Richard Harris Award for outstanding contribution by an actor to British film
Bob Hoskins

The Special Jury Prize (Supported by the UK Film Council)
Norma Heyman

The Variety UK entertainment personality award
J K Rowling

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon