Golden Satellite Awards

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The Motion Picture Nominations

Actress In A Motion Picture – Drama
Uma Thurman, Kill Bill 2 (Miramax)
Catalina Sandino Moreno , Maria Full Of Gra (HBO/Fine Line Features)
Laura Linney, P.S. (NMarkFilms)
Sigourney Weaver, Imaginary Heroes, Sony Picttures Classics)
Imelda Staunton, Vera Drake (New Line/Fine Line)
Hilary Swank, Million Dollar Baby (Warner Bros)

Actor In A Motion Picture Drama
Gael Garcia Bernal, The Motorcycle Diaries (Focus Features)
Johnny Depp, Finding Neverland (Miramax)
Sean Penn, The Assassination Of Richard Nixon (Thinkfilm)
Javier Bardem, The Sea Inside (Fine Line Features)
Liam Neeson, Kinsey (Fox Searchlight)
Kevin Bacon*, The Woodsam (NewmarkFilms)
Don Cheadle*, Hotel Rwanda (United Artistss)
(*Tie)

Actress In A Motion Picture Comedy Or Musical
Kate Winslet, Eternal Sunshine Of The Spotless Mind (Focus Features)
Jena Malone, Saved! (United Artists)
Natalie Portman, Garden State (Fox Searchlight)
Annette Bening, Being Julia (Sony Pictures Classics)
Kerry Washington, Ray (Universal)
Emmy Rossum, The Phantom Of The Opera (Warner Bros)

Actor In A Motion Picture Comedy Or Musical
Jamie Foxx, Ray (Universal)
Kevin Kline, De-Lovely (MGM)
Jim Carrey, The Eternal Sunshine Of The Spotless Mind (Focus Features)
Paul Giamatti, Sideways (Fox Searchlight)
Bill Murray, The Life Aquatic With Steve Zissou (Touchstone Pictures)
Gerard Butler, The Phantom Of The Opera a (Warner Bros)

Actress In A Supporting Role Drama
Gena Rowlands, The Notebook (New Line)
Laura Linney, Kinsey (Fox Searchlight)
Kyra Sedgewick, The Woodsm (NewmarkFilms)
Cate Blanchett, The Aviator (Fox Searchlight)
Daryl Hannah, Kill Bill 2 (Miramax)
Natalie Portman, Closer (Columbia)

Actor In A Supporting Role Drama
Peter Sarsgaard, Kinsey(Fox Searchlight)
David Carradine, Kill Bill 2 (Miramax)
Jamie Foxx, Collateral (Dreamworks)
Alfrd Molina, Spider-Man 2 (Columbia)
Christopher Walken, Around The Bend (Warner Independent Pictures)
Clive Owen, Closer (Columbia)

Actress In A Supporting Role Comedy Or Musical
Regina King, Ray (Universal)
Minnie Driver, The Phantom Of The Opera (Warner Bros)
Virginia Madsen, Sideways (Fox Searchlight)
Sharon Warren, Ray (Universal)
Lynn Collins, Merchant Of Venice (Sony Picture Classics)
Cloris Leachman, Spanglish (Columbia)

Actor In A Supporting Role Comedy Or Musical
Jeremy Irons, Being Julia (Sony Picture Classics)
Thomas Haden Church, Sideways (Fox Searchlight)
Peter Sarsgaard, Garden State (Fox Searchlight)
Patric Wilson, The Phantom Of The Opera (Warner Bros)
Joseph Fiennes, The Merchant Of Venice (Sony Picture Classics)
Mark Wahlberg, I Heart Huckabees (Fox Searchlight)

Motion Picture Drama
Maria Full Of Grace, HBO/Fine Line Features
Kinsey, Fox Searchlight
Hotel Rwanda, United Artists
Kill Bill Vol 2, Miramax
Vera Drake, New Line/Fine Line
The Aviator, Miramax

Motion Picture Comedy Or Musical
Ray, Universal
Merchant Of Venice, Sony Picture Classics
Sideways, Fox Searchlight
Napoleon Dynamite, Fox Searchlight
The Life Aquatic With Steve Zissou, Touchstone Pictures
The Phantom Of The Opera, Warner Bros.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon