Golden Globes (Television) Awards

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Awards: January 16, 2006

Best Television Series – Drama
Lost

Best Television Series – Musical Or Comedy
Desperate Housewives

Best Performance By An Actress In A Mini-Series Or A Motion Picture Made For Television
S. Epatha Merkerson – Lackawanna Blues

Best Performance By An Actor In A Mini-Series Or A Motion Picture Made For Television
Jonathan Rhys Meyers – Elvis

Best Performance By An Actress In A Television Series – Musical Or Comedy
Mary-Louise Parker – Weeds

Best Performance By An Actor In A Television Series –
Musical Or Comedy

Steve Carell – The Office

Best Mini-Series Or Motion Picture Made For Television
Empire Falls

Best Performance By An Actor In A Television Series – Drama
Hugh Laurie – House

Best Performance By An Actress In A Television Series – Drama
Geena Davis – Commander In Chief

Best Performance By An Actress In A Supporting Role In A Series, Mini-Series Or Motion Picture Made For Television
Sandra Oh – Grey’s Anatomy

Best Performance By An Actor In A Supporting Role In A Series, Mini-Series Or Motion Picture Made For Television
Paul Newman – Empire Falls

Nominations
Nominations: December 13, 2005

Best Television Series – Drama
Commander In Chief
Grey’s Anatomy
Lost
Prison Break
Rome

Best Performance By An Actress In A Television Series – Drama
Patricia Arquette – Medium
Glenn Close – The Shield
Geena Davis – Commander In Chief
Kyra Sedgwick – The Closer
Polly Walker – Rome

Best Performance By An Actor In A Television Series – Drama
Patrick Dempsey – Grey’s Anatomy
Matthew Fox – Lost
Hugh Laurie – House
Wentworth Miller – Prison Break
Kiefer Sutherland – 24

Best Television Series – Musical Or Comedy
Curb Your Enthusiasm
Desperate Housewives
Entourage
Everybody Hates Chris
My Name Is Earl
Weeds

Best Performance By An Actress In A Television Series – Musical Or Comedy
Marcia Cross – Desperate Housewives
Teri Hatcher – Desperate Housewives
Felicity Huffman – Desperate Housewives
Eva Longoria – Desperate Housewives
Mary-Louise Parker – Weeds

Best Performance By An Actor In A Television Series – Musical Or Comedy
Zach Braff – Scrubs
Steve Carell – The Office
Larry David – Curb Your Enthusiasm
Jason Lee – My Name Is Earl
Charlie Sheen – Two And A Half Men

Best Mini-Series Or Motion Picture Made For Television
Empire Falls
Into The West
Lackawanna Blues
Sleeper
Viva Blackpool
Warm Springs

Best Performance By An Actress In A Mini-Series Or A Motion Picture
Made For Television
Halle Berry – Their Eyes Were Watching God
Kelly Macdonald – The Girl In The Café
S. Epatha Merkerson – Lackawanna Blues
Cynthia Nixon – Warm Springs
Mira Sorvino – Human Trafficking

Best Performance By An Actor In A Mini-Series Or A Motion Picture
Made For Television

Kenneth Branagh – Warm Springs
Ed Harris – Empire Falls
Jonathan Rhys Meyers – Elvis
Bill Nighy – The Girl In The Café
Donald Sutherland – Human Trafficking

Best Performance By An Actress In A Supporting Role In A Series, Mini-Series Or
Motion Picture Made For Television

Candice Bergen – Boston Legal
Camryn Manheim – Elvis
Sandra Oh – Grey’s Anatomy
Elizabeth Perkins – Weeds
Joanne Woodward – Empire Falls

Best Performance By An Actor In A Supporting Role In A Series, Mini-Series Or
Motion Picture Made For Television

Naveen Andrews – Lost
Paul Newman – Empire Falls
Jeremy Piven – Entourage
Randy Quaid – Elvis
Donald Sutherland – Commander In Chief

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon