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David Poland

By David Poland poland@moviecitynews.com

For Your Disappointment: 'World Trade Center' Trailer Now Available


With a few dramatic exceptions–a sequence featuring the collapsing interior of a tower lobby, for example–the trailer for the upcoming Oliver Stone/ Nicolas Cage film World Trade Center does not quite stir me to circle the film’s August 9 release date a thousand times in bright red ink. Rather, it makes me wonder what marvelous new hallucinogen Stone found that makes him think he is Steven Spielberg. If that is the music Stone actually plans on using in his finished film, I am going to have to up my insulin dosage.
But I don’t know–you tell me.

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4 Responses to “For Your Disappointment: 'World Trade Center' Trailer Now Available”

  1. Jason Okamoto says:

    It’s a thin line. If that shit didnt really happen. Film snobs would have a hard on, anticipating it like it was the latest Spike Jonze movie.

  2. STV says:

    Oh, of course. And if my aunt had balls, she would be my uncle.
    At any rate, I am not saying I do not anticipate this film or that it will not be good. I am just saying the trailer is a treacly drag.

  3. thatgirlinnewyork says:

    I see evil, too–cheap exploitation of suffering,a bandwagon of bad reviews, and many empty theatres come August 9.

  4. Dumbo says:

    Nicolas Cage sounds to do his best …hope he will be there for the families !!! Who the hell Micheal Moore think he is !!! šŸ™
    Nicolas Cage needs to be hire by Steven Spielberg

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” ā€” some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it ā€” I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury ā€” he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” ā€” and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging ā€” I was with her at that moment ā€” she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy namedā€”” “Yeah, sure ā€” you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that Iā€™m on the phone with you now, after all thatā€™s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didnā€™t seek to use his position to have sex with anyone. Thereā€™s not a case of that. He wasnā€™t using his position or status to try to solicit a sexual favor from anyone. If he had ā€” if that were what the accusation involved ā€” the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. Iā€™m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, ā€œYou know, itā€™s not this, itā€™s thatā€? Because ā€” let me go on and speak further to this. If you go back to the L.A. TimesĀ piece, thatā€™s what it lacked. Thatā€™s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon