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David Poland

By David Poland poland@moviecitynews.com

Hustons, We Have a Program: MoMA Planning Family Retrospective in August and September


The gang at MoMA sent late word Monday about a kind of staggering program planned to close out the summer: The Huston Family: 75 Years on Film, featuring a total of 42 films directed by and/or starring Walter, John, Angelica or Danny Huston. The selections comprise a spectrum of studio benchmarks (The Treasure of the Sierra Madre, Chinatown) and more recent indie titles (Buffalo 66, The Proposition); many of the features are paired with original trailers, newsreel interviews and rarities. And admit it–you know you have been clamoring for Walter Huston’s Texaco Star Theater rendition of Septemeber Song since at least 1960.
Anyway, the exclusions of films like Under the Volcano and even The Bible kind of surprised me (2006 is John Huston’s centenary year, after all), although MoMA did score the North American premiere of the upcoming Danny Huston-as-Orson Welles thriller Fade to Black, and the museum is springing for a new print of D.W Griffith’s 1930 film Abraham Lincoln, starring Walter Huston. Meanwhile, Anjelica Huston will be on hand to introduce her 1996 directorial debut Bastard Out of Carolina on Aug. 19.
Follow the jump for the full schedule and program (for whatever reason, MoMA’s film and media HQ offers only a partial listing of titles), and expect additonal coverage on The Reeler as the series approaches next month.
(Photo of John and Angelica Huston, 1963: Berlinale)


THE HUSTON FAMILY: 75 YEARS ON FILM
SCREENING SCHEDULE
Friday, August 18
5:45 The Treasure of the Sierra Madre. 1948. USA. Directed by John Huston. Screenplay by Huston, based on the novel by B. Traven. With Walter Huston, Humphrey Bogart. As a genial gold prospector, Walter has the last—near-crazy—laugh in this iconic collaboration between father and son. New print. 103 min.
Preceded by footage of Walter Huston singing “September Song” on Texaco Star Theater.
8:00 The Life and Times of Judge Roy Bean. 1972. USA. Directed by John Huston. Screenplay by John Milius. With Huston, Paul Newman. In this eccentric Western, former bank robber Roy Bean crowns himself judge and legislator after killing the town’s motley crew of whores, barmen, and outlaws. Full of campy cameos—including Anthony Perkins as a fey preacher, and old John himself. 124 min.
Saturday, August 19
3:30 Prizzi’s Honor. 1985. USA. Directed by John Huston. Screen-play by Richard Condon, Janet Roach, based on Condon’s novel. With Anjelica Huston, Jack Nicholson. Anjelica’s breakthrough role came in this mature satire on the constraints of love and family honor. As Maerose, a salacious Mafia princess who favors the fuschia end of the lipstick spectrum, she steals the film from her first moment on screen. 130 min.
6:00 Bastard out of Carolina. 1996. USA. Directed by Anjelica Huston. Screenplay by Anne Meredith, based on the novel by Dorothy Allison. With Jena Malone, Jennifer Jason Leigh. A nuanced portrait of a mother-daughter relationship in which love, neglect, and abuse are captured with an intensity that sidesteps sensationalism and sentimentality. 97 min. (Introduced by Anjelica Huston.)
8:00 Mr. Corbett’s Ghost. 1987. Great Britain/USA. Directed by Danny Huston. Based on a short story by Leon Garfield. With Paul Scofield, John Huston, Burgess Meredith. In his final performance, fittingly directed by his son, Huston trades for the soul of a young apprentice intent on eliminating his boss in this period comedy. 60 min.
Sunday, August 20
1:30 Rain. 1932. USA. Directed by Lewis Milestone. Screenplay by Maxwell Anderson, based on a story by Somerset Maugham. With Walter Huston, Joan Crawford. Trapped on an island in the tropics, a prostitute (Crawford, of course) repents—only to find herself at the mercy of a lustful preacher (Huston). 92 min.
Preceded by original theatrical trailer.
3:30 Fat City. 1972. USA. Directed by John Huston. Screenplay by Huston, Leonard Gardner, based on the novel by Gardner. With Stacy Keach, Jeff Bridges. Drawing on his abbreviated career inside the ring, Huston evokes the listless days of Tully, a former boxer turned full-time drinker. Beautifully photographed by famed cinematographer Conrad Hall. 100 min.
5:30 ivansxtc. 2002. USA. Directed by Bernard Rose. Screenplay by Rose, Lisa Enos. With Danny Huston, Peter Weller. Based on Leo Tolstoy’s The Death of Ivan Ilyich, this dark look at life in Hollywood examines the last days of a powerful agent (Danny) surrounded by unloved ones and ill-wishers. 94 min.
Monday, August 21
6:15 Beat the Devil. 1954. USA. Directed by John Huston. Screenplay by Huston, Truman Capote, based on the novel by James Helvick. With Humphrey Bogart, Jennifer Jones. A low-key satire of Maltese Falcon–like intrigue on the coast of Italy, with a sense of the absurd that has made it a cult favorite. 92 min.
8:15 Wise Blood. 1979. USA. Directed by John Huston. Screenplay by Michael Fitzgerald. With Brad Dourif, Harry Dean Stanton. Adapted from Flannery O’Connor’s novel, this Southern Gothic tale of a hell-and-salvation preacher is Huston’s strongest statement on the terrors of religious extremism. 106 min.
Wednesday, August 23
6:15 Swamp Water. 1941. USA. Directed by Jean Renoir. Screenplay by Dudley Nichols. With Walter Huston, Anne Baxter. In Renoir’s first American film, Walter plays a stern patriarch in a Faulkneresque melodrama set in the Okefenokee. New print courtesy of Twentieth Century Fox. 90 min.
8:15 The African Queen. 1951. USA. Cowritten and directed by John Huston. With Katharine Hepburn, Humphrey Bogart. Filmed on location in the Belgian Congo, this romantic adventure film set a new standard for the genre, thanks to the powerful chemistry Huston drew from his stars. Vintage IB-Technicolor print courtesy of UCLA Film and Television Archive. 105 min.
Preceded by original theatrical trailer.
Thursday, August 24
6:30 The Maltese Falcon. 1941. USA. Written and directed by John Huston. With Humphrey Bogart, Mary Astor. John’s first directorial effort was this quintessential adaptation of Dashiell Hammett’s detective novel. 100 min.
8:30 The Grifters. 1990. USA. Directed by Stephen Frears. Screenplay by David Westlake, based on the novel by Jim Thompson. With Anjelica Huston, John Cusack. As the sexy corner of a mother-son-floozy triangle of con artists, Anjelica brandishes a head of platinum and a heart of ice. 119 min.
Friday, August 25
4:30 A Walk with Love and Death. 1969. USA. Directed by John Huston. Screenplay by Dale Wasserman, Hans Koningsberger, based on the novel by Koningsberger. With Anjelica Huston, John Huston. In her screen debut, Anjelica plays a star-crossed lover in a film, set in medieval France, that explores themes of beauty and war. Print preserved by Twentieth Century Fox. 90 min.
6:30 Agnes Browne. 1999. USA/Ireland. Directed by Anjelica Huston. Screenplay by John Goldsmith. With Huston, Marion O’Dwyer. Favoring a surprisingly bright and often comedic tone, Anjelica’s second feature centers on a recent widow struggling to raise a brood of seven in 1960s Dublin. 92 min.
8:30 The Dead. 1987. USA. Directed by John Huston. Screenplay by Tony Huston, based on the short story by James Joyce. With Anjelica Huston, Donal McCann. His last film, The Dead, was a realization of John’s lifelong ambition of adapting Joyce’s story for the screen. A complete and detailed portrait of a holiday party that evokes all that is joyful and finite in life. 83 min.
Saturday, August 26
2:00 Law and Order. 1932. USA. Directed by Edward L. Cahn. Screenplay by Tom Reed, John Huston, based on the novel by W. R. Burnett. With Walter Huston, Harry Carey. An early take on Burnett’s endlessly adapted tale of Doc Holliday and the gunslinging that went down in the old-West town of Tombstone. 73 min.
3:45 The Shanghai Gesture. 1941. USA. Directed by Josef von Sternberg. Screenplay by Sternberg, Karl Vollmoeller, Geza Herczeg. With Walter Huston, Gene Tierney. The sins of the father, Walter, are visited on the child in this lavishly visual stage melodrama heavy with Hollywood Orientalism. Preserved by George Eastman House with funds from the National Endowment for the Arts. 98 min.
6:00 The Night of the Iguana. 1964. USA. Directed by John Huston. Screenplay by Huston, Tennessee Williams, based on Williams’s play. With Richard Burton, Ava Gardner. A defrocked priest fends off the affections of a young Christian maiden and the threats of her less-than-approving chaperone in Puerto Vallarta, Mexico. 125 min.
Sunday, August 27
1:30 The Cardinal. 1963. USA. Directed by Otto Preminger. Screenplay by Robert Dozier. With John Huston, Tom Tryon. An Irish American’s epic rise through the church hierarchy features John in the first of the fatherly performances that he built upon later in his career. 175 min.
5:00 The Kremlin Letter. 1970. USA. Directed by John Huston. Screenplay by Huston, Gladys Hill, based on the novel by Noel Behn. With Bibi Anderson, Max von Sydow. A cynical Cold War spy thriller with an all-star international cast, the film boasts even more story twists than stars. 116 min.
Monday, August 28
5:30 Mr. North. 1988. USA. Directed by Danny Huston. Screenplay by John Huston and Janet Roach. With Anjelica Huston, Anthony Edwards. Based on Thorton Wilder’s last novel, this comedy of manners set in 1920s Rhode Island was John’s last collaboration with his family. Full of colorful performances from Lauren Bacall, Harry Dean Stanton, and Robert Mitchum (stepping in to the grand patriarchal role intended for John), all veterans from earlier Huston films. 93 min.
7:30 Freud. 1962. USA. Directed by John Huston. Screenplay by Wolfgang Reinhardt, Charles Kaufman. With Montgomery Clift, Susannah York. John’s portrait of Sigmund Freud, a young doctor revealing his psychiatric theories to the world, is shot in clinical black and white and steeped in Christian metaphor. 120 min.
Wednesday, August 30
6:00 A Walk with Love and Death. See Friday, August 25, 4:30
8:15 The Royal Tenenbaums. 2001. USA. Written and directed by Wes Anderson. With Anjelica Huston, Gene Hackman. As the presiding matriarch of a clan of aging child prodigies, Anjelica is the stable and subdued center in Anderson’s elaborately wacky third feature. 108 min.
Thursday, August 31
6:30 Abraham Lincoln. 1930. USA. Directed by D. W. Griffith. Screenplay by Gerrit J. Lloyd, Stephen Vincent Ben�t. With Walter Huston, Una Merkel. Walter’s most prestigious role in his first year on the screen was his sincere impersonation in this presidential biography. Premiere of MoMA’s newly restored print, preserved with funds from The Film Foundation and The Lillian Gish Trust for Film Preservation. 97 min.
8:30 The Shanghai Gesture. See Saturday, August 26, 3:45
Friday, September 1
4:30 Dodsworth. 1936. USA. Directed by William Wyler. Screenplay by Sidney Howard, based on the novel by Sinclair Lewis. With Walter Huston, Ruth Chatterton. Walter reprises his Broadway role as a retired American industrialist torn between his loyalty to a vain wife (Chatterton) and his love for nurturing expatriate Mary Astor, in the first of her career high performances with the Hustons. 101 min.
6:30 The Maltese Falcon. See Thursday, August 24, 6:30
8:30 Chinatown. 1974. USA. Directed by Roman Polanski. Screenplay by Robert Towne. With John Huston, Jack Nicholson, Faye Dunaway. John gives his most celebrated performance as wealthy and all-powerful landowner Noah Cross in this stylish, late entry into the film noir canon. 131 min.
Saturday, September 2
2:00 Swamp Water. See Wednesday, August 23, 6:15
4:15 And Then There Were None. 1945. USA. Directed by Rene Clair. Screenplay by Dudley Nichols, based on the story by Agatha Christie. With Walter Huston, Judith Anderson. Ten people are murdered one by one in this atmospheric adaptation. 98 min.
6:45 The Great Sinner. 1949. USA. Directed by Robert Siodmak. Screenplay by Ladislas Fodor, Christopher Isherwood, based on the novel by Fodor, Rene Rueloep Miller. With Walter Huston, Ava Gardner, Gregory Peck. Walter plays a decadent member of the Russian aristocracy to amusing effect in this period drama of gambling addiction set in Germany. 110 min.
Sunday, September 3
1:30 Mr. North. See Monday, August 28, 5:30
3:30 The Grifters. See Thursday, August 24, 8:30
6:00 Prizzi’s Honor. See Saturday, August 19, 3:30.
Monday, September 4
1:30 Key Largo. 1948. USA. Directed by John Huston. Screenplay by Richard Brooks, John Huston, based on the play by Maxell Anderson. With Humphrey Bogart, Edward G. Robinson, Lauren Bacall. In the first of John’s stage adaptations, his recurring subject of group isolation appears in the claustrophobic environment of a hotel terrorized by a gangster during a hurricane. 101 min.
3:30 The Treasure of the Sierra Madre. See Friday, August 18, 5:45.
Preceded by footage of Walter Huston singing “September Song” on Texaco Star Theater.
6:00 Moulin Rouge. 1952. USA/Great Britain. Directed by John Huston. Screenplay by Huston, Anthony Veiller, based on the novel by Pierre La Mure. With Jos� Ferrer, Zsa Zsa Gabor, Suzanne Flon. Opening with exuberant cancans and unladylike brawls on the music hall floor, John’s take on the life and unrequited loves of Toulouse-Lautrec was shot on location in Paris. Famed at the time of its release for its dramatic experimentations with technicolor, the film was John’s first of many collaboration with Cinematographer Oswald Morris. 119 min.
Wednesday, September 6
6:00 The Asphalt Jungle. 1950. USA. Directed by John Huston. Screenplay by Huston, Ben Maddow, based on the novel by W.R. Burnett. With Sterling Hayden, Sam Jaffe. A classic jewel-heist story, this urban crime drama shines a brief spotlight on Marilyn Monroe in her breakout role. 112 min.
Preceded by Huston’s statement on the film for Hearst Newsreel. 10 min.
8:30 The Misfits. 1961. USA. Directed by John Huston. Screenplay by Arthur Miller. With Marilyn Monroe, Clark Gable, Montgomery Clift. Roslyn (Monroe), a beautiful but disconsolate woman, comes to Reno for a divorce and then falls in with three cowboys. Written for Monroe, the film was her last as well as Gable’s. 124 min.
Preceded by footage shot by Huston on the set of the film. 15 min.
Thursday, September 7
6:30 Rain. See Sunday, August 20, 1:30
Preceded by original theatrical trailer.
8:30 And Then There Were None. See Saturday, September 2, 4:15
Friday, September 8
6:00 Freud. See Monday, August 28, 7:30
8:30 Reflections in a Golden Eye. 1967. USA. Directed by John Huston. Screenplay by Chapman Mortimer and Gladys Hill, based on the novel by Carson McCullers. With Marlon Brando, Elizabeth Taylor, Julie Harris. Playing against type, Brando is a sexually repressed officer on a southern Army base, struggling with his desire for a young recruit (Robert Forster), and the blatant disgust of his sexually unfulfilled wife (Taylor). With strong ensemble performances, the film was, in Huston’s own estimation, one of his best. 115 min.
Saturday, September 9
5:30 A House Divided. 1931. USA. Directed by William Wyler. Screenplay by John Clymer, Dale Van Emery and John Huston, based on the novel by Olive Edens. With Walter Huston, Helen Chandler, Kent Douglas. With dialogue written for him by his son John, Walter is an alcoholic fisherman whose mail-order bride falls for his estranged son, in this melodrama set in Eugene O’Neill’s New England. 68 min.
7:00 The Misfits. See Wednesday, September 6, 8:30
Sunday, September 10
1:30 The Cardinal. See Sunday, August 27, 1:30
5:00 Wise Blood. See Monday, August 21, 8:15
Monday, September 11
6:30 ivansxtc. See Sunday, August 20, 5:30
8:30 The Kremlin Letter. See Sunday, August 27, 5:00
Wednesday, September 13
6:30 Fat City. See Sunday, August 20, 3:30
8:30 Buffalo ’66. 1998. USA. Directed by Vincent Gallo. Screenplay by Gallo, Alison Bagnall. With Anjelica Huston, Gallo, Christina Ricci. Just released from prison, Billy (Gallo) hijacks the nearest young lady (Ricci) and convinces her to pose as his beloved for a quick trip to meet the parents. Armed with team paraphernalia and a chipper manner, Anjelica is a lunatic Buffalo Bills fan who gives no love and even less notice to her palpably lonely and mildly deranged son. 110 min.
Saturday, September 16
2:00 Law and Order. See Saturday, August 26, 2:00
4:00 The African Queen. See Wednesday, August 23, 8:15
Battle of San Pietro. 1945. USA. Directed by John Huston. Narrated by Walter Huston. 32 min.
7:00 Beat the Devil. See Monday, August 21, 6:15
Sunday, September 17
1:30 The Night of the Iguana. See Saturday, August 26, 6:00
1:30 Bastard Out of Carolina. See Saturday, August 19, 6:00
3:30 Agnes Browne. See Friday, August 25, 6:30
5:30 The Dead. See Friday, August 25, 8:30
John Huston and The Dubliners. 1988. USA. Directed by Lilyan Sievernich. With John Huston, Anjelica Huston, Danny Huston. Shot during the making of The Dead, Sievernich captures with an intimate and informal tone a great director in the midst of his last project. 60 min.
Monday, September 18
6:30 A House Divided. See Saturday, September 9, 5:30
8:00 Chinatown. See Friday, September 1, 8:30
Wednesday, September 20
6:00 Moulin Rouge. See Monday, September 4, 6:00
8:30 Reflections in a Golden Eye. See Friday, September 8, 8:30
Thursday, September 21
6:00 The Life and Times of Judge Roy Bean. See Friday, August 18, 8:00.
8:30 The Proposition. 2005. Australia/Great Britain. Directed by John Hillcoat. Screenplay by Nick Cave. With Danny Huston, Ray Winstone, Emily Watson, Guy Pearce. Danny brings a “touch of the poet” to his role as a psychotic outlaw chief in this violent western set in the bleak Australian outback. 104 min.
Friday, September 22
4:30 The Devil and Daniel Webster. 1941. USA. Directed by William Dieterle. Screenplay by Dan Totheroh, based on the novel by Stephen Vincent Ben�t. With Walter Huston, Edward Arnold. Walter plays the devil himself in this morality tale of a poor farmer (James Craig) who pledges his soul for a pot of gold, only to repent. 107 min.
Preceded by footage of Walter Huston singing “September Song” on Texaco Star Theater.
7:00 Mr. Corbett’s Ghost. See Saturday, August 19, 8:00.
8:30 Fade to Black. 2006. UK. Directed by Oliver Parker. Written by Parker and Davide Ferrario. With Danny Huston, Paz Vega, Christopher Walken. As famed director Orson Welles, Danny is caught in a web of political intrigue when an actor is murdered on his Italian film set. 104 min. North American premiere.

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One Response to “Hustons, We Have a Program: MoMA Planning Family Retrospective in August and September”

  1. Bayard Veiller says:

    Your writing attribution for The Night of the Iguana is wrong. The screenplay was written by John Huston and Anthony Veiller, based on Tennessee Williams’ play.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon