Old MCN Blogs
David Poland

By David Poland poland@moviecitynews.com

Sweet Keanu, Scowling Hawke: 'Scanner Darkly' Takes Lincoln Center

The Reeler visited the Walter Reade Theater last night to see what there was to see before a special screening of Richard Linklater’s animated sci-fi yak-a-thon A Scanner Darkly. The fanboys were out in force–or at least in the stand-by line (“I dunno,” said the video game player to the guy in the University of Texas shirt, discussing previous Philip K. Dick screen adaptations. “They screwed up all the other ones!”)–and the Julliard summer camp crowd summoned a chorus of shrieks to announce the arrival Scanner star Keanu Reeves. Perhaps practicing an act of karma to compensate for Ethan Hawke’s own glowering entrance, Reeves dutifully did his press and sweetly joined the kids for an impromptu autograph and photo session.

Clearly over The Lake House, Keanu Reeves’ adoring fans meet their hero Wednesday evening at the Walter Reade Theater (Photos: STV)

On the depressing side of things, Robert Downey Jr.’s appearance elicited more than one “Who?” among the Tiger Beat set, and Linklater himself was a no-show, apparently having experienced a delayed flight out of Austin. I was informed he would be on hand for the post-screening Q&A–a fairly inconvenient circumstance considering A) I did not have a ticket for the screening, and B) you could not pay me to sit through Scanner again (or at least the 20 minutes I endured before walking out the first time) anyway. My heart ached at the reality of hard questions that would forever remain unasked and unanswered, but a Frappucino and a pleasant walk home pretty much assuaged all that.
So thus passes The Reeler’s triumphant coverage of A Scanner Darkly‘s incursion into New York. I could not be prouder.

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3 Responses to “Sweet Keanu, Scowling Hawke: 'Scanner Darkly' Takes Lincoln Center”

  1. indi'ra says:

    Linklater made it for the post Q&A, which was wacky and profound just like the movie. Philip K. Dick’s daughter and Jonathan Lethem also joined. All in all, a trip and a half.

  2. Scott says:

    met linklater today on the press rounds for scanner. He signed my poster which i’ll post on my site. Seemed like a decent guy, a little odd but cool.
    Awesome job on catching keanu though reel, i was at the matrix premiere and couldn’t get close to him.
    Jada pinkett smith on the other hand was just chillen at the snack counter

  3. Carla Y. Brown says:

    I think this was a personal movie. Robert Downey Jr. was good. It was anti-government in the end. Makes you wonder about the DEA.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon