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David Poland

By David Poland poland@moviecitynews.com

Eulogizing Bruno: New Yorker Kirby Dead at 57

As pretty much everyone who writes about film on the Internet has noted by now, veteran character actor (and native New Yorker) Bruno Kirby died Monday from complications imposed by leukemia. He was 57. Naturally, his passing has inspired a surge of recollections from legions of fans he likely never knew he had, but that, as they say, is showbiz.

Silent, terrified, terrifying: Bruno Kirby as Clemenza in The Godfather, Part II

Now, for your browsing convenience, find below a handy guide to those who miss him, what they say made him officially famous and their own favorite Kirby role.
S.T. VanAirsdale, The Reeler
“Kirby was best known for…”: City Slickers
“But my favorite Kirby role is…”: The Godfather, Part II
Sample praise: “For a guy with more than five dozen screen credits in 35 years, Kirby will be best remembered as young Pete Clemenza, backed against a wall and pointing a revolver at the door through which that New York cop could enter… at… any… moment. Silent, terrified and terrifying. And indelible.”
Nikki Finke, Deadline Hollywood Daily
“Kirby was best known for…”: City Slickers, When Harry Met Sally
“But my favorite Kirby role is…”: Between the Lines
Sample praise: None
Erik Davis, Cinematical
“Kirby was best known for…”: City Slickers, When Harry Met Sally, Good Morning, Vietnam
“But my favorite Kirby role is…”: City Slickers
Sample praise: “I will never forget about that performance, and we will never forget about Bruno Kirby. Farewell my good man. Farewell.”
Reader comment bonus: “Ah man, that’s terrible news. ‘Baby fishmouth!’ always makes me laugh. RIP, Mr. Kirby.” — Scott Weinberg
Joe Leydon, Moving Picture Blog
“Kirby was best known for…”: City Slickers, Good Morning, Vietnam
“But my favorite Kirby role is…”: “I’ll Be Waiting,” from the Showtime series Fallen Angels
Sample praise: “‘When I was casting this role,’ [director Tom] Hanks told me years later, ‘I wanted someone who looked like he was a shoe salesman – but who could break your thumbs if he had to.’ If other directors had been as audacious as Hanks, Kirby might have had a very different career.”
Jeffrey Wells, Hollywood Elsewhere
“Kirby was best known for…”: The Godfather, Part II, City Slickers, Modern Romance
“But my favorite Kirby role is…”: None
Sample praise: “A sad thing… sorry.”
Reader comment bonus: “If I were ever asked for a list of my favorite character actors, Bruno Kirby would never have crossed my mind; but hearing he’s died is like losing a piece of my childhood because he was just one of my favorite people in movies, and I plain took him for granted.” — “Hallick”
Edward Copeland, Edward Copeland on Film
“Kirby was best known for…”: A dozen films, evidently, including The Harrad Experiment, City Slickers and Tin Men
“But my favorite Kirby role is…”: The Freshman
Sample praise: “He wasn’t just about comedy though — he also played the closeted coach in The Basketball Diaries and appeared in Donnie Brasco as well.”
(Copeland and Leydon via GreenCine Daily)

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One Response to “Eulogizing Bruno: New Yorker Kirby Dead at 57”

  1. NYCinephile says:

    Thanks for posting this tribute…it stands apart from some of the snarky commentary circulating through the Web today.
    I sat across from Kirby in a small, unexceptional Chinese restaurant near Columbus Circle several years ago…he seemed to be enjoying his meal and the pleasure of browsing the tabloids. I remember his graciousness when I introduced myself, thanked him for his work and mistakenly identified him as Bruno Ganz.

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon