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David Poland

By David Poland poland@moviecitynews.com

This Week in Weinstein: 'Sicko' Promises, Paltry 'Feast'


Perhaps the most conspicuous and devastating casualty of my pathetic time-management skills has been the maintenance of my Weinstein Company Infancy Scrapbook, which has attenuated to nearly nothing as the fledgling shingle approaches its first birthday. No single post can make up for such lost time, but Harvey and Bob’s recent activity indicates the summertime blahs are over and the baby teeth are coming in:
–Variety reported Sunday that the brothers are touting Michael Moore’s upcoming Sicko to potential financiers as a $40 million earner. Not only did Moore hint that he was flattered yet dismayed by the resulting high expectations, but he also intimated that all the fun has gone out of muckraking: “There has been a 100% success rate of the people we’re filming of getting whatever they need from the HMOs, pharmaceutical companies, whatever.” Yes, indeed–that’s entertainment.
–Screen Daily (via Cinematical) reported Tuesday that TWC picked up distribution rights to the $35 million “Kazakh epic” Nomad. The jokes here make themselves: In a fit of Borat counteractivity, the government of Kazakhstan ponied up 80 or so percent of its gross domestic product for the sweeping film’s budget, resulting in what insiders have referred to as the “Kazakh Crouching Tiger, Hidden Dragon.” Fittingly, the producers brought in Jay Hernandez and Jason Scott Lee to act alongside Kazakhstars like Dilnaz Akhmadieva and Ayana Yesmagambetova. Much dubbing ensues, and maybe distribution–The Reeler hears Chen Kaige already has a release date pool going on this one.

–John Gulager, whose horror film Feast was the subject of Project Greenlight‘s third season, will get the ultimate TWC tribute next month: A Las Vegas casino premiere, two nights of large-market midnight screenings and an unceremonius dump onto DVD Oct. 12. “We are thrilled to be able to bring this film — an incredible accomplishment for a first time filmmaker — to audiences everywhere,” said Bob Weinstein in a statement released Tuesday, pausing momentarily to swallow Gulager’s ego before indulging a deep, satisfied laugh and a two-hour nap.
–Finally, we learn what a billion dollars in venture capital really gets you in 2006: Peter Weller running from lions. “What a gyp,” cries Wall Street, turning its framed photo of Harvey 180 degrees and sizing up the window ledge.

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One Response to “This Week in Weinstein: 'Sicko' Promises, Paltry 'Feast'”

  1. Sicko will be outstanding. I appreciate your article,i have a victims support page against Eli Lilly for it’s Zyprexa product causing my diabetes.

    Daniel Haszard http://www.zyprexa-victims.com

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon