Art Directors Guild

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NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2007

Period Film

THERE WILL BE BLOOD
PD: Jack Fisk

Fantasy Film

THE GOLDEN COMPASS
PD: Dennis Gassner

Contemporary Film

NO COUNTRY FOR OLD MEN
PD: Jess Gonchor

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN IN TELEVISION FOR 2007

Single Camera Television Series

Mad Men
Episode 9 “Shoot”
PD: Dan Bishop

Multi-Camera Television Series

Mad TV
Episode 1221 “Mad TV”
PD: John Sabato

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN IN TELEVISION FOR 2007

Television Movie or Mini-Series

PU 239
PD: Tom Meyer

Awards Show, Variety, Music, or Non- Fiction Program

Hell’s Kitchen – Episode 301
PD: John R. Janavs

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR COMMERCIALS FOR 2007

Budweiser
Title: “Space Station”
PD: Jeremy Reed

Nominations

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2007

Period Film

AMERICAN GANGSTER
PD: Arthur Max

ATONEMENT
PD: Sarah Greenwood

ELIZABETH:
THE GOLDEN AGE
PD: Guy Hendrix Dyas

SWEENEY TODD THE DEMON
BARBER OF FLEET STREET
PD: Dante Ferretti

THERE WILL BE BLOOD
PD: Jack Fisk

Fantasy Film

THE GOLDEN COMPASS
PD: Dennis Gassner

HARRY POTTER AND
THE ORDER OF THE PHOENIX
PD: Stuart Craig

PIRATES OF THE CARIBBEAN:
AT WORLD’S END
PD: Rick Heinrichs

RATATOUILLE
PD: Harley Jessup

300
PD: James Bissell

Contemporary Film

THE BOURNE ULTIMATUM
PD: Peter Wenham

THE DIVING BELL AND
THE BUTTERFLY
PD: Michel Eric and Laurent Ott

THE KITE RUNNER
PD: Carlos Conti

MICHAEL CLAYTON
PD: Kevin Thompson

NO COUNTRY FOR OLD MEN
PD: Jess Gonchor

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN IN TELEVISION FOR 2007

Single Camera Television Series

Heroes
Episode 1020 “Five Years Gone”
PD: Ruth Ammon

Lost
Episode 322 “Through the Looking Glass”
PD: Zack Grobler

Mad Men
Episode 9 “Shoot”
PD: Dan Bishop

Pushing Daisies
Episode 101 “Pie Lette”
PD: Michael Wylie

Ugly Betty
Episode 123 “East Side Story”
PD: Mark Worthington

Multi-Camera Television Series

Back to You
Episode Pilot
PD: Bernard Vyzga

How I Met Your Mother
Episode 222 “Something Blue”
PD: Stephan Olson

Mad TV
Episode 1221 “Mad TV”
PD: John Sabato

Rules of Engagement
Episode 208 “Fix Ups and Downs”
PD: Bernard Vyzga

Two and a Half Men
Episode 3T6258 “Is There A Mrs. Waffles?”
PD: John S. Shaffner

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN IN TELEVISION FOR 2007

Television Movie or Mini-Series

The Company
PD: Marek Dobrowolski

PU 239
PD: Tom Meyer

Starter Wife
PD: Tracey Gallacher

Awards Show, Variety, Music, or Non- Fiction Program

49th Annual Grammy Awards
PD: Steve Bass

59th Primetime Emmy Awards
PD: John Shaffner and Joe Stewart

2007 American Music Awards
PD: John Shaffner and Joe Stewart

Hell’s Kitchen – Episode 301
PD: John R. Janavs

Superbowl XLI Halftime Performance – Starring Prince
PD: Bruce Rodgers

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR COMMERCIALS FOR 2007

Barclays
Title: “Ballet”
PD: Tom Foden

The Bee Movie Trailer
Title: Trailer #2 “Steven” (Live Action Section)
PD: Ramsey Avery

Budweiser
Title: “Space Station”
PD: Jeremy Reed

HBO (Promo)
Title: “Voyeur: Four Floors, Eight Stories”
PD: Tom Foden

Lexus
Title: “Hydrant”
PD: Floyd Albee

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon