Writer’s Guild of America

2003 | 2005 | 2006 | 2007 | 2008 | 2009 | 2010



ORIGINAL SCREENPLAY
Milk, Written by Dustin Lance Black, Focus Features

ADAPTED SCREENPLAY
Slumdog Millionaire, Screenplay by Simon Beaufoy, Based on the Novel Q and A by Vikas Swarup, Fox Searchlight Pictures

DOCUMENTARY SCREENPLAY
Waltz with Bashir, Written by Ari Folman, Sony Pictures Classics

TELEVISION NOMINEES

DRAMATIC SERIES
Mad Men, Written by Lisa Albert, Jane Anderson, Rick Cleveland, Kater Gordon, David Isaacs, Andre Jacquemetton, Maria Jacquemetton, Marti Noxon, Robin Veith, Matthew Weiner; AMC

COMEDY SERIES
30 Rock, Written by Jack Burditt, Kay Cannon, Robert Carlock, Tina Fey, Donald Glover, Andrew Guest, Matt Hubbard, Jon Pollack, John Riggi, Tami Sagher, Ron Weiner; NBC

NEW SERIES
In Treatment, Written by Rodrigo Garcia, Bryan Goluboff, Davey Holmes, William Meritt Johnson, Amy Lippman, Sarah Treem; HBO

EPISODIC DRAMA – any length – one airing time
“Pilot” (Eli Stone), Written by Greg Berlanti & Marc Guggenheim; ABC

EPISODIC COMEDY – any length – one airing time
“Succession” (30 Rock), Written by Andrew Guest & John Riggi; NBC

LONG FORM – ORIGINAL – over one hour
Recount, Written by Danny Strong; HBO

LONG FORM – ADAPTATION – over one hour
John Adams, “Episode 1, Join or Die,” Teleplay by Kirk Ellis, Based on the book by David McCullough; “Episode 2, Independence,” Teleplay by Kirk Ellis, Based on the book by David McCullough; HBO

ANIMATION – any length – one airing time
“Apocalypse Cow” (The Simpsons), Written by Jeff Westbrook; Fox

COMEDY/VARIETY – (INCLUDING TALK) SERIES
Saturday Night Live, Head Writers Seth Meyers, Andrew Steele, Paula Pell, Writers Doug Abeles, James Anderson, Alex Baze, Jessica Conrad, James Downey, Charlie Grandy, Steve Higgins, Colin Jost, Erik Kenward, Rob Klein, John Lutz, Seth Meyers, Lorne Michaels, John Mulaney, Paula Pell, Simon Rich, Marika Sawyer, Akiva Schaffer, Robert Smigel, John Solomon, Emily Spivey, Andrew Steele, Kent Sublette, Jorma Taccone, Bryan Tucker, Additional Sketches by Robert Carlock; NBC

COMEDY / VARIETY – MUSIC, AWARDS, TRIBUTES – SPECIALS
2008 Film Independent Spirit Awards, Written by Billy Kimball, Aaron Lee, Jennifer Celotta, Rainn Wilson; IFC/AMC

DAYTIME SERIALS
As the World Turns, Written by Jean Passanante, Leah Laiman, Courtney Simon, Lisa Connor, David A. Levinson, Peter Brash, Richard Culliton, Susan Dansby, Cheryl Davis, Leslie Nipkow; CBS

CHILDREN’S EPISODIC & SPECIALS
“Elmo’s Christmas Countdown” (Sesame Workshop), Written by Joey Mazzarino; ABC

CHILDRENS SCRIPT- LONG FORM OR SPECIAL
“Polar Bears” (The Naked Brothers Band), Written by Polly Draper; Nickelodeon

DOCUMENTARY – CURRENT EVENTS
“Bush’s War: Part One” (Frontline), Written by Michael Kirk; PBS

DOCUMENTARY – OTHER THAN CURRENT EVENTS
“Secrets of the Parthenon” (NOVA), Written by Gary Glassman; PBS

NEWS – REGULARLY SCHEDULED, BULLETIN OR BREAKING REPORT
ABC Weekend News, Written by Joel Siegel, Karen Mooney, David Muir; ABC

NEWS – ANALYSIS, FEATURE, OR COMMENTARY
“Yankee Stadium and the New Gilded Age” (Bill Moyers Journal), Writers Bill Moyers & Michael Winship; PBS

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon