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David Poland

By David Poland poland@moviecitynews.com

Oscar Nastiness Pot Calls Kettle Black

Crazy Nikki Finke does the holiday routine of elderly, mean aunties everywhere, spreading gossip while pretending to just be the reporter telling the story of the bad behavior of others.
First, she recounts the Blu-rays given out at the Leo DiCaprio party for Tobey Maguire. Not a secret. Wrote about it the next morning.
Thing is, Maguire’s performance is tremendous… something I have been saying for over a year. And the biggest problem with him getting traction is that Lionsgate has prioritized Precious. Nikki, as always, has to throw mud, so she attacks Kelly Bush as “desperate.” Hardly. She’s doing her job. And she has been no more aggressive than many of the other personal publicists out there who believe in their clients.
Next, Nikki brings up more old conversation – covered weeks ago here – about whether the gross on The Hurt Locker will somehow disqualify it from winning Best Picture. Hardly badmouthing. A discussion point, overstated.
Next, C. Nikki goes on about Avatar… another week old story. No one serious is talking about nausea or box office being a problem for the movie… not since it was seen. (I will, however, have a DP/30 discussion with WETA effects god Joe Letteri about how they managed the problem that 100% full out 3D in chase scenes and others would, in fact, make people vomit.)
What idiot is claiming that Paramount is overspending on Up In The Air? Paramount has been much more conservative than last year and expects to actually make money on this movie, whereas Button was so expensive that they were fighting uphill the whole way. Complete non-story.
Badmouthing of Lee Daniels? Yeah. In the NY Times. A month ago. Is Nikki teaching history now?
A Serious Man being hard for Jews to take? Wow. That one goes back to stories done September. And no one who worked on the movie seems to take it seriously… even if it makes Focus staff a bit uncomfortable.
And attacking Harvey Weinstein based on credits issued by HFPA… which have had huge mistakes every single year I have covered the Globes announcements? Oh how the bitchy have fallen!
Nikki must be having a hard time getting anyone to tell her what’s going on now… and not just the old, played out news. So sad for her. The New Queen of Mean declawed by her own sources. Boo hoo.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon