By Ray Pride Pride@moviecitynews.com

ACADEMY AWARD WINNER DANIEL DAY-LEWIS TO STAR AS LINCOLN FOR DREAMWORKS STUDIOS

Posted Friday, November 19th, 2010 - 2 Comments »
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Los Angeles, CA (November 19, 2010) – Two-time Academy Award winner Daniel Day-Lewis will star as the 16th President of the United States in DreamWorks Studios’ Lincoln to be directed by Steven Spielberg.  The announcement was made today by Spielberg and Stacey Snider, Co-Chairman and CEO of DreamWorks Studios.

“Daniel Day-Lewis would have always been counted as one of the greatest of actors, were he from the silent era, the golden age of film or even some time in cinema’s distant future. I am grateful and inspired that our paths will finally cross with Lincoln,” said Steven Spielberg.  “Throughout his career, he has been exceptionally selective in his choice of material,” added Stacey Snider, “which makes us feel even more fortunate that he has chosen to join with us for Lincoln.”

Based on the best-selling book, Team of Rivals, by Pulitzer Prize-winning historian Doris Kearns Goodwin, the screenplay has been written by the Pulitzer Prize winner, Tony Award winner, and Academy Award nominated writer Tony Kushner.  It will be produced by Kathleen Kennedy and Steven Spielberg.

It is anticipated that the film will focus on the political collision of Lincoln and the powerful men of his cabinet on the road to abolition and the end of the Civil War.

Doris Kearns Goodwin won her Pulitzer Prize for No Ordinary Time, the story of Franklin and Eleanor Roosevelt and the home front in World War II.  Kushner’s prize was for his play Angels in America, which later became an Emmy Award-winning television special.  He had previously worked with Spielberg on Munich for which he was nominated for an Oscar in the Adapted Screenplay category.

Filming is expected to begin in the fall of 2011 for release in the fourth quarter of 2012 through Disney’s Touchstone distribution label.

About DreamWorks Studios

DreamWorks Studios is a motion picture company formed in 2009 and led by Steven Spielberg and Stacey Snider in partnership with The Reliance Anil Dhirubhai Ambani Group.  Upcoming releases include “I Am Number Four,” “Cowboys & Aliens,” “The Help,” “Fright Night,” “Real Steel,” and “War Horse.”

DreamWorks Studios can be found on Facebook at http://www.facebook.com/DreamWorksStudios and on Twitter at http://twitter.com/dw_studios.

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Posted in Movie City News, Press Releases | 2 Comments »

2 Responses to “ACADEMY AWARD WINNER DANIEL DAY-LEWIS TO STAR AS LINCOLN FOR DREAMWORKS STUDIOS”

  1. free bee says:
    February 19, 2011 at 9:31 pm

    Just as Hollywood decisively BURIED all consciousness
    of the ever unfolding RED Chinese Halocaust with their
    WW2 franchise —even on the Anniversary of the KOREAN WAR
    —SO the Lincoln franchise is beig used to stifle
    those stggeringly relevant revelations about the
    ‘obscure’ GARFIELD and McKINLEY assasinations —AND
    the probable poisoning of HARDING.

    —Fierce ANTI-Globalists ONE AND ALL.

    CHECK OUT that ‘Vyzygoth Assasinations’ program on Youtube.

    BLOW YOURSELF OUT OF THE FRANCHISE SLUM.

  2. Ed Golterman says:
    March 2, 2011 at 7:00 pm

    Lincoln will be the motion picture of the quarter century. And, at a time of anniversary.

    Thought LINCOLN concentrates on the Team, The Dred Scott
    Trial conducted in the Old Courthouse in St. Louis was the catalyst for all of it-historically-from shaping Lincoln’s anti-slavery stance to election to emancipation to war. The Courthouse IS as it was then. They may see reason for a unit to pick this up here, and may be the debate in Alton, the last or 2nd last and most heavily attended. Depends of course where Mr. Spielberg wants to ‘pick up the history’. Perhaps you could share with him? Thank you.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon