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Noah Forrest

By Noah Forrest Forrest@moviecitynews.com

SNL Recap – Zach Galifianakis and Jessie J

Zach Galifianakis is hosting SNL for the second time in two years and last year, he was excellent.  He gave one of the best monologues I can remember, which was basically part of his great stand-up act, and he’s adept embodying oddball characters.  He’s promoting The Hangover 2, which I’m strangely excited about, and I wonder if we’ll see a reference to that movie or if any of his co-stars will show up.  Either way, I’m excited about the return of Galifianakis.  I wonder if he’ll shave his beard again.

I apologize to the legion of Jessie J fans out there – if they exist – but I have no idea who she is or what kind of music she makes.  But I’ll give it a shot and see if it’s any good.  It’ll be fun to come to a music artist without any prejudices or preconceptions.

Okay, let’s get to it.

Cold Open – Kenan Thompson and Jason Sudeikis as Greg Gumbel and Jim Nantz in a “selection Sunday” parody, where instead of showing the brackets for March Madness, they’re doing brackets for the craziest people.  On Moammar Gadhafi: “He looks like Tony Shalhoub had a baby with ET.”  Pretty clever idea and the writing already seems sharper this week.  Armisen is on, doing his great Gadhafi.  Another Gadhafi joke: “A fat sleepy baby in a ton of blankets.”  Samberg is doing Dick Vitale, the most annoying sportscaster who has ever lived. which is actually pretty spot-on.   “He’s like Stanley Tucci snorted an aderrall.”  Kristen Wiig as Melissa Leo…wow, I guess Leo did a good job making herself known outside the indie world by being crazy at the Oscars.  “Nicolas Cage, who always looks like he just witnessed a murder.”  And of course we have Bill Hader as Charlie Sheen on his live webcast, saying that the pyramids were built by the Wayans brothers.  This was easiest the most enjoyable and consistently funny cold open in months.  Great concept, delivered well.  8.5/10

Monologue – “All week I was thinking to myself: don’t screw this up, fatty.  Actually that was a text from my mother.”  Zach actually looks pretty good, like he’s shed a couple pounds.  “I wear a lot of Axe bodyspray.  But I live in a black neighborhood and it’s called ‘Ask’ bodyspray.  And if you don’t get that joke, you’re not racist.”  “The only time it’s good to yell out ‘I’ve got diarrhea’ is when you’re playing Scrabble.”  Wow, Zach is just crushing this monologue right now.  I really think SNL should always let comedians do their routines.  If they’re gonna hire a comedian to host, they might as well let them do what they’re best at and Galifianakis does one of the greatest droll and matter-of-fact deliverers ever, almost on a par with Steven Wright.  Zach takes off his clothes and he’s dressed as Annie and singing “Tomorrow” while doing his big board shtick, ripping off the pages that saying things like, “I was bullied as a teenager.”  Then the next one says: “By first graders.”  So much energy, so much commitment, great jokes…folks, this is how you do an SNL monologue.  Best of the year so far, easy.  9.5/10

The Talk – Abby Elliott, Vanessa Bayer, Kristen Wiig, and Nasim Pedrad as Leah Remini, Sara Gilbert, Julia Chen, and Sharon Osbourne respectively on the View rip-off morning talk show.  Pedrad’s Sharon Osbourne and Elliott’s Remini are my favorite impressions, they’re really good.  Everyone is reverential of Osbourne and everything she does, with Remini calling her “a human Albert Einstein.”  Elliott tripped over a couple of lines, whoops.  This skit is pretty funny, but it’s already a bit long and we haven’t even had Galifianakis yet.  There he is, as a man wearing a “View” t-shirt and asking when Barbara Walters is coming out.  Bill Hader comes on the show as Steven Tyler.  I haven’t seen American Idol this year and I don’t plan on it, but Hader’s Steven Tyler is pretty good, not one of his best impressions.  Galifianakis is being massively under-utilized in this skit, which is its biggest weakness.  It started strong, but wound up being pretty mediocre.  5.5/10

The Original Kings of Catchphrase Comedy – I never know what to call it when it’s a film, but it’s not called a digital short.  Either way, this is one of those, which is about four comedians that all have their own catchphrases and sign-off lines.  Glad to see Paul Brittain as Goran, the Croatian comedian.  Kenan doing the “eatin’ dookie’ bit is hilarious and I wonder if Kenan has found the best character for him: a bad comedian.  Bobby Moynihan wonders why he can’t get a McDonald’s breakfast and Zach Galifianakis just plays his airhorn over and over again.  Love seeing Seth Meyers in a skit, as “Boston Powers.”  I love it when they have skits where almost every castmember participates and gets a chance to create a character.  This was not the greatest short film ever, but it was pretty good and I enjoyed myself.  7/10

Next Week – Elton John is hosting and is the musical guest. on April 2nd  Wow, that’s a lot of Elton.  Good thing he’s an amazing singer/pianist.  Don’t know how he’ll do with the rest of his duties, but I’m sure it’ll be memorable.

Scared Straight – Ugh, one of my least favorite recurring sketches.  This and the Target lady are the two skits that make me roll my eyes and cringe.  This is the skit where Kenan Thompson yells in peoples’ faces for six minutes.  Hilarious.  This time Galifianakis comes on with him, dressed as Hannibal Lecter, as a guy who used to be an accountant for Nabisco before he started eating people.  Galifianakis is trying his best, but he can only do so much with a skit that’s just not a strong one.  If I wasn’t doing this recap, I would just fast forward right past this.  Couldn’t we have more Paul Brittain and Jay Pharoah instead of this?  The audience seems to be enjoying this, at least.  To be fair, this is one of the better installments of this skit.  3/10

Digital Short – Zach Looks For a New Assistant.  Galifianakis is interviewing children for the position of his assistant.  It looks like the kids have no idea that this is a joke.  One kid says he like’s Usher and Galifianakis goes, “Usher is Justin Bieber’s dad, right?”  Galifianakis picks up a stapler and uses it as a telephone until the girl informs him that it’s not a telephone.  Then he uses a fart machine, trying to get one kid to laugh, but the kid just keeps shaking his head and going, “not funny.”  This was a quick, clever, and very Galiafanakis-ish short.  7.5/10

Jessie J – Well, she’s attractive even though she’s dressed like an idiot and wearing so much make-up that she looks like she’s trying to emulate Jocelyn Wildenstein’s style.  She has a nice voice, but this song is not good.  It’s so disposable.  It seems like she was cynically designed by record execs.  “We want Amy Winehouse, but a with a little bit more of a hip hop bent.”  Or like they said, “We want Lily Allen part two.”  This is silly.  3/10

Weekend Update – I could use some Stefon in my life, especially since the show won’t come back until April 2nd, but I don’t think it’s gonna happen.  Seth Meyers starts off with a couple of weak jokes about Obama’s bullying and the NFL lockout, then a pretty solid joke combining the Pope, Jesus, and Watson the computer.  Kristen Wiig comes out as Julie Taymor to talk about getting fired from the Spider-man musical and she’s singing the opening of The Lion King.  I feel bad for Julie Taymor, sort of.  I’d probably feel worse if she didn’t come across as being incredibly pretentious.  Or if I liked a single one of her movies.  Wiig isn’t doing anything outrageous here, which is fitting because Taymor isn’t an easy person to impersonate.  Meyers says there are claims that she doesn’t know anything about the source material, which she refutes.  “I know everything there is to know about the Spider-man.”  “I know Spider-man’s secret identity is Peter Jessica Parker.”  Then she sings a song called “Rise Above,” which is pretty funny.  Wiig is always on point when she’s singing.  Moving on.  “According to a new study, men with deeper voices are more likely to be suspected of a cheating in a relationship.  Also suspected?  Men with suddenly high voices.”  This is a good one: “Police in Alaska are warning visitors to not approach any wild moose after a woman who tried to pet one was kicked in the chest.  ‘No, yeah, we know,’ said absolutely everybody else.”  Andy Samberg comes on as “Liam, the teenager who just woke up.”  The weird thing is that Samberg looks just like me when I would wake up in the middle of the night ten years ago.  He’s supposed to talk about Obama’s energy policy, but instead he talks about the dreams he just had.  This is not the best Update guest or the best Samberg character.  While singing about Peter Falk and wet dreams to the tune of “Oops I Did it Again,” Samberg almost loses it, which is enjoyable because Samberg almost never breaks character.  He’s got one of the strongest constitutions on the show, but he almost broke for a second.  Seth Meyers ends Weekend Update on a serious note, with a plea to donate money to the Earthquake-relief efforts in Japan.  Classy move.  Not the strongest update of the season, but certainly pretty good and fairly short.  6.5/10

Noodles – Galifianakis and Wiig play parents who have to inform their kids that Noodles, the dog, has died.  They tell their three kids – played by Pedrad, Moynihan and Elliott – that he’s on a farm somewhere upstate eating avocados fresh from the tree.  Pedrad picks up on the lie and says that unless there’s been a drastic climate tree, there’s no way there are avocado trees upstate.  The parents keep changing their story, trying to get the kids to believe that Noodles died.  “Noodles was killed by the Latin Kings.”  “The Latin Kings haven’t been active in this area for years.”  “Okay, Noodles hung himself.”  Galifianakis and Wiig then tell the truth: Noodles died from auto-erotic asphyxiation and then explain the practice to their children, complete with a copy of his dog porn magazine.  Then Hader brings the dog back, informing everyone that the dog isn’t dead, but was merely in a coma.  Then it gets even weirder, with Kenan as the voice of Noodles, singing “Luck Be a Lady.”  This skit definitely gets bonus points for being so bizarre, but it was slow going for a while and there weren’t that many laughs.  6/10

Celebrity Scoop – Kristen Wiig and Fred Armisen play the hosts of a Winnipeg-based Entertainment Tonight type show.  Zach Galifianakis is one of their reporters.  They don’t show pictures of people canoodling because that’s the “Canadian way.”  Galifianakis elongates every “o” and all of them, as the skit goes on, are starting to sound more and more Irish rather than Canadian.  Bill Hader comes on as the fashion correspondent.  Basically the skit is based on the stereotype that Canadians are really nice.  This skit is going on really long considering there is only one joke and it was beaten into my head within the first thirty seconds.  This might have been an interesting concept, but there’s not a whole lot to do with it.  This is getting painful.  2/10

Jessie J Again – Wow, that’s some outfit.  What is with modern female singers dressing in underwear?  What hath Lady Gaga wrought?  Not that I’m complaining.  Anyway, once again Jessie J has a really nice voice, even if she’s intent on proving that point a little too much with lots of flashy singing flourishes.  This song is really terrible, though.  As a pop song, it has no hook and it’s difficult to get into a rhythm with it.  Sorry, Jessie J, you’re just not for me.  2/10

Corn Syrup Producers of America – It’s another short film.  This one is at a birthday party, where Kristen Wiig tries to explain to Pedrad that corn syrup is bad, but then gets rocked by Pedrad.  “Should I trust scientists or stay-at-home mom Sheila who drinks wine at 10am?”  This was actually pretty funny and succinct.  I liked it.  7.5/10

The Titanic’s Women and Children – Zach Galifianakis dressed as a woman so he can get into the lifeboat that is reserved solely for women and children and isn’t fooling anybody.  Galifianakis then beats away a man who tries to get into the boat.  It turns out that Galifianakis is the captain.  They read from his journal: “Iceberg straight ahead, I think I’ll blast through that sucker.”  This is just not a good sketch.  But it ends with a pretty bizarre epilogue that I enjoyed.  3/10

Goodbyes – Whoa!  Galifianakis shaved the sides of his head, apologizing for the fact that they didn’t have time for the “Mr. T” sketch.  It’s becoming a recurring thing for Galifinakis to shave parts of his body on SNL…what’s next?  10/10 for shaving his head to look like Mr. T.

Final Grades:

Zach Galifianakis – He was excellent, but he was let down by some of the material.  The Digital Short could have been stronger and I think that was probably mostly his idea, but the monologue was the best I’ve seen all year.  Next time they need to find some sketches where he can embody some more specific characters rather than shoe-horning him into skits that could have been written weeks, months or years ago.  Either way, I’d be happy to see him come back once again.  9/10

Jessie J – Sorry, not a fan.  She was too derivative of other, better artists despite her nice voice.  2.5/10

The rest of the cast – Got to see Paul Brittain, which was a plus, but there was an absence of Jay Pharoah.  The MVP would probably be Nasim Pedrad, who was in a lot of the sketches and made the most of her time.  Wiig is a close second.  Kenan and Hader are tied for third.  Let’s get Stefon back next time, guys!

As for myself, I whipped through this pretty well, so I give myself a 7/10.

What’d you guys think?

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10 Responses to “SNL Recap – Zach Galifianakis and Jessie J”

  1. Juan O. says:

    I must say that I had never heard of Jessie J before tuning into the show, but unlike you, I was blown away by her talent! Her second performance was especially great. After the show, I searched for more videos on YouTube and realized that she could DEFINITELY give Lady GaGa a run for her money in the U.S. She’s equally, if not more, talented that GaGa and certainly brings something different to the same crap we hear and see in music today.

  2. TJ says:

    Galifinikas rocked and so did Jessie J, she has made me a fan.

  3. Tom says:

    SOOO wrong about Jessie J it’s untrue. But then look how nasty the graphics are on this site, journalists with no taste aren’t a surprise..

  4. jim says:

    Wow. Opinion of Jessie J raises questions about ability as a critic. I thought she was brilliant and immediately surfed for all the info I could gather on her. If you can’t tell talent like this when you see it I have to wonder. Better get your resume ready.

  5. yoyoy says:

    Also a fan of jessie j having never heard of her before this show. Girl’s got pipes!

    I highly recommend live at the purple onion if you are a zach galifianakis fan… and I hope I’m pronouncing that right.

  6. Brian says:

    Jessie J was amazing. One of the better SNL musical performances.

  7. Jenny says:

    Jessie J is AMAZING, regardless of your opinion I think she is better than 90% of the pop artists out right now. She writes all of her own music and you will never see her on stage lipsynching like many other artists now a days.

  8. Bellis says:

    Over the years, I’ve “discovered” performers in SNL unfamiliar to me and had become a fan: Prince, Terence Trent D’Arby, Edie Brickell, Amy Winehouse, etc

    Jessie J was fantastic! I had never heard of her before an d I am not into that kind of music but I loved her performance.

  9. TEAM JESSIE J! says:

    i disagree with all the haters!!!!!!! Jessie J has a talent..that noone else has she’s unique..and can PROVE she has talent EVERY single peformance,LIVE..pure blessed talent!

  10. Rich says:

    I too though who the crap is this and whoever dressed her should be shot but then was totally impressed. Saying that her songs had no “hook” only shows that you are one of the people that use industry terms that you dont understand.

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon